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• michealfeng@ ウィキ - Huge Paper Luggage - The ideal Buying Companions

  https://w.atwiki.jp/michealfeng/pages/21.html

  Buying is often a favorite pastime for lots of. It is also a stress-reliever for hectic men and women. Browsing for a preferred hobby and an interest of many individuals paved technique to the proliferation of retail merchants all over the place. Customers rule the planet of clothes, footwear, cosmetics, luggage, components, electronics plus more! Significant paper luggage are definitely dior belt the ideal purchasing companions for buyers. These big-sized baggage absolutely are a shopper s most effective wager for your relaxed shopping expertise. This stuff are useful, sturdy and handy to possess about, especially for buys that call for major packaging these types of as digital products, hardbound guides, major foodstuff containers, sneakers and home fixtures. The variety of individuals luggage, a lot of which with eye-catching models and colours, also make them collector s products. Significant retail paper luggage specifically, are stylishly manufactured with glossy or laminated area, and customised and embossed organization title or logo. They re also long lasting, water-resistant and long lasting. Huge paper luggage are frequently made of the twisted handle identified for its energy, which may accommodate major and large objects. Every kind of businesses from trend, foodstuff, and humanities and crafts to electronics, songs and textbooks frequently use shopping luggage. You will discover bags holding these several objects. Substantial paper bags are hence, necessities from the consumers purchasing electricity. Your purchasers will appreciate fashionable luggage for their picked out goods. Don t just are substantial luggage perfect for purchasing, but thanks to the scale, they might be very easily purposeful for other factors as well. Many people make use of them as present baggage as a substitute of wrapping the items, notably for larger items. Alternatively, these bags are made use of as added packaging for currently wrapped presents. By using a bag manage to conveniently have your gift, a bag is less complicated to deliver close to. Other individuals make use of a all those sort of bags for retaining points that may not slot in a regular-sized purse or those who are as well fragile being retained inside a backpack. Some examples are apparel items, footwear, artworks, and meals products. Maximise the pretty discernible dimension of huge paper bags by printing your business identify and emblem on them. In case you are carrying a selected colour as your firm s trademark, then choose that colour to your bags. Branding is helpful when it really is noticeable and uncovered to the broader variety bao bao bag replica inside the sector. Those people bags are mobile, practical and luggage products, that may help in your online business promotion. They re able to be your really possess ad to your firm. In addition and a good news to the finances savvy, a substantial paper bag to be a advertising instrument is usually a cost-friendly marketing possibility. In developing by using a try to find your establishment s significant paper baggage, select an assortment of funky kinds and hanging hues to provide a positive image to your business, in addition to to boost your customers buying expertise. Established oneself apart in the group with quite baggage that will also accommodate every kind of points. That s why, a large dimensions to your paper bags is definitely an ideal option that could in shape issues apart from your products and solutions. In this manner, persons can reuse your paper item whenever, that will even be additional advertising on your enterprise. The more men and women utilise your store s luggage, the greater obvious your online business gets to be. Make your clients excursions for your store an enjoyable knowledge. Assure that people will see your huge paper baggage as desirable and trusted as to make use of them about once more.

• sherlocks2 @ ウィキ - seasen2 ep1

  https://w.atwiki.jp/sherlocks2/pages/13.html

  1 00 00 02,000 -- 00 00 04,439 Who are you? Jim Moriarty. 2 00 00 04,440 -- 00 00 05,520 Bye! 3 00 00 07,000 -- 00 00 08,880 Consulting criminal. 4 00 00 11,320 -- 00 00 14,200 I have loved this, this little game of ours. 5 00 00 15,200 -- 00 00 17,960 People have died. That s what people DO! 6 00 00 22,320 -- 00 00 23,400 will stop you. 7 00 00 24,800 -- 00 00 26,640 If you don t stop prying... 8 00 00 28,400 -- 00 00 29,560 I ll burn you. 9 00 00 30,840 -- 00 00 34,560 I will burn the heart out of you. 10 00 00 35,920 -- 00 00 38,580 Catch you later. 11 00 00 41,080 -- 00 00 43,120 No, you won t! 12 00 00 47,520 -- 00 00 48,879 Sorry, boys! 13 00 00 48,880 -- 00 00 50,639 I m SO changeable! 14 00 00 51,640 -- 00 00 53,080 It is a weakness with me, 15 00 00 53,081 -- 00 00 56,439 but to be fair to myself, it is my only weakness. 16 00 00 56,440 -- 00 00 58,320 You can t be allowed to continue. 17 00 01 00,320 -- 00 01 01,759 You just can t. 18 00 01 01,760 -- 00 01 03,359 I would try to convince you, 19 00 01 03,360 -- 00 01 08,040 but everything I have to say has already crossed your mind. 20 00 01 12,800 -- 00 01 15,720 Probably my answer has crossed yours. 21 00 01 51,240 -- 00 01 53,919 Do you mind if I get that? 22 00 01 53,920 -- 00 01 55,599 No, please. 23 00 01 55,600 -- 00 01 58,040 You ve got the rest of your life. 24 00 02 00,840 -- 00 02 01,920 Hello? 25 00 02 03,840 -- 00 02 05,640 Yes, of course it is. What do you want? 26 00 02 10,960 -- 00 02 12,080 SAY THAT AGAIN! 27 00 02 13,880 -- 00 02 17,679 Say that again, and know that if you re lying to me, 28 00 02 17,680 -- 00 02 21,460 I will find you, and I will skin you. 29 00 02 25,640 -- 00 02 26,880 Wait. 30 00 02 40,440 -- 00 02 42,639 Sorry... 31 00 02 42,640 -- 00 02 44,799 Wrong day to die. 32 00 02 46,720 -- 00 02 48,600 Did you get a better offer? 33 00 02 51,920 -- 00 02 54,600 You ll be hearing from me, Sherlock. 34 00 02 59,040 -- 00 03 03,000 So if you have what you say you have, I will make you rich. 35 00 03 05,760 -- 00 03 07,679 If you don t, 36 00 03 07,680 -- 00 03 10,759 I ll make you into shoes. 37 00 03 24,600 -- 00 03 25,840 What happened there? 38 00 03 27,760 -- 00 03 29,560 Someone changed his mind. 39 00 03 31,400 -- 00 03 32,440 The question is... 40 00 03 33,880 -- 00 03 35,240 who? 41 00 03 36,800 -- 00 03 40,159 Well, now, have you been wicked, Your Highness? 42 00 03 40,160 -- 00 03 42,760 Yes, Miss Adler. 43 00 04 16,174 -- 00 04 18,174 Sync and corrected by font color="#ffff00" APOLLO /font font color="#00ff00" www.addic7ed.com /font 44 00 04 26,760 -- 00 04 28,119 What are you typing? 45 00 04 28,120 -- 00 04 30,519 Blog. About? Us. 46 00 04 30,520 -- 00 04 32,479 You mean me. Why? 47 00 04 32,480 -- 00 04 34,920 Well, you re typing a lot. 48 00 04 36,080 -- 00 04 37,399 Right, then. 49 00 04 37,400 -- 00 04 39,000 So, what have we got? 50 00 04 41,400 -- 00 04 45,999 My wife seems to be spending a very long time at the office. Boring. 51 00 04 46,000 -- 00 04 49,280 I think my husband might be having an affair. Yes. 52 00 04 50,280 -- 00 04 53,399 She s not my real aunt, she s been replaced. 53 00 04 53,400 -- 00 04 54,440 I know she has. 54 00 04 54,441 -- 00 04 56,879 I know human ash. Leave. 55 00 04 56,880 -- 00 05 00,519 We are prepared to offer any sum of money you care to mention 56 00 05 00,520 -- 00 05 02,679 for the recovery of these files. Boring. 57 00 05 02,680 -- 00 05 06,119 We have this website, it explains the true meaning of comic books, 58 00 05 06,120 -- 00 05 08,159 cos people miss a lot of the themes. 59 00 05 08,160 -- 00 05 11,079 But then all the comic books started coming true. 60 00 05 11,080 -- 00 05 13,720 Interesting. 61 00 05 15,640 -- 00 05 18,319 Geek Interpreter, what s that? 62 00 05 18,320 -- 00 05 20,640 That s the title. What does it need a title for? 63 00 05 24,040 -- 00 05 25,839 Do people actually read your blog? 64 00 05 25,840 -- 00 05 28,719 Where do you think our clients come from? I have a website. 65 00 05 28,720 -- 00 05 31,020 In which you enumerate 240 different types of tobacco ash. 66 00 05 31,021 -- 00 05 33,319 Nobody s reading your website. 67 00 05 33,320 -- 00 05 37,759 Right then, dyed blonde hair, no obvious cause of death, 68 00 05 37,760 -- 00 05 40,680 except for these speckles, whatever they are. 69 00 05 45,080 -- 00 05 47,319 For God s sakes! 70 00 05 47,320 -- 00 05 49,600 What? The Speckled Blonde?! 71 00 05 52,680 -- 00 05 55,559 They wouldn t let us see Granddad when he was dead. 72 00 05 55,560 -- 00 05 57,519 Is that cos he d gone to heaven? 73 00 05 57,520 -- 00 05 59,799 People don t really go to heaven when they die, 74 00 05 59,800 -- 00 06 01,919 they re taken to a special room and burned. 75 00 06 01,920 -- 00 06 03,719 Sherlock... 76 00 06 03,720 -- 00 06 06,399 There was a plane crash in Dusseldorf yesterday. 77 00 06 06,400 -- 00 06 08,959 Everyone dead. Suspected terrorist bomb. 78 00 06 08,960 -- 00 06 11,719 We do watch the news. You said "boring" and turned over. 79 00 06 11,720 -- 00 06 15,199 Well, according to the flight details, this man was checked in on board. 80 00 06 15,200 -- 00 06 19,319 Inside his coat he s got a stub from his boarding pass, napkins from the flight, 81 00 06 19,320 -- 00 06 21,080 even one of those special biscuits. 82 00 06 21,081 -- 00 06 23,479 Here s his passport, stamped at Berlin Airport. 83 00 06 23,480 -- 00 06 27,199 So this man should have died in a plane crash in Germany yesterday, 84 00 06 27,200 -- 00 06 29,359 but instead he s in a car boot in Southwark. 85 00 06 29,360 -- 00 06 31,119 Lucky escape. 86 00 06 31,120 -- 00 06 32,519 Any ideas? 87 00 06 32,520 -- 00 06 34,240 Eight so far. 88 00 06 38,600 -- 00 06 39,680 OK, four ideas. 89 00 06 44,800 -- 00 06 45,960 Maybe two ideas. 90 00 06 47,880 -- 00 06 50,759 No, no, no, don t mention the unsolved ones. 91 00 06 50,760 -- 00 06 53,359 People want to know you re human. Why? 92 00 06 53,360 -- 00 06 55,460 Because they re interested. No, they re not. 93 00 06 55,461 -- 00 06 57,559 Why are they? look at that. 94 00 06 57,560 -- 00 07 00,199 1,895. Sorry, what? 95 00 07 00,200 -- 00 07 02,400 I reset that counter last night. This blog has 96 00 07 02,401 -- 00 07 04,599 had nearly 2,000 hits in the last eight hours. 97 00 07 04,600 -- 00 07 09,679 This is your living, Sherlock, not 240 different types of tobacco ash. 98 00 07 09,680 -- 00 07 11,400 243. 99 00 07 13,160 -- 00 07 14,759 So what s this one? 100 00 07 14,760 -- 00 07 16,359 Belly Button Murders? 101 00 07 16,360 -- 00 07 17,520 The Navel Treatment? 102 00 07 19,680 -- 00 07 23,279 There s a lot of press outside, guys. Well, they won t be interested in us. 103 00 07 23,280 -- 00 07 26,319 Yeah, that was before you were an internet phenomenon. 104 00 07 26,320 -- 00 07 30,039 A couple of them specifically wanted photographs of you two. 105 00 07 30,040 -- 00 07 31,080 God s sake! 106 00 07 32,560 -- 00 07 33,840 John? 107 00 07 34,880 -- 00 07 37,359 Cover your face and walk fast. 108 00 07 37,360 -- 00 07 39,879 Still, it s good for the public image, 109 00 07 39,880 -- 00 07 41,279 big case like this. 110 00 07 41,280 -- 00 07 45,280 I m a private detective, the last thing I need is a public image. 111 00 08 12,640 -- 00 08 14,239 Hello. 112 00 08 14,240 -- 00 08 16,200 I think it s time, don t you? 113 00 08 46,760 -- 00 08 48,039 Dear! 114 00 08 48,040 -- 00 08 49,400 Thumbs!? 115 00 08 51,840 -- 00 08 54,199 The door was... 116 00 08 54,200 -- 00 08 55,920 The door was... 117 00 08 59,000 -- 00 09 02,160 Boys! You ve got another one! 118 00 09 09,280 -- 00 09 14,679 Tell us from the start, DON T be boring. 119 00 10 09,280 -- 00 10 10,999 Hey! 120 00 10 11,000 -- 00 10 12,040 Are you OK? 121 00 10 14,520 -- 00 10 15,759 Excuse me! 122 00 10 15,760 -- 00 10 17,240 Are you all right? 123 00 10 27,840 -- 00 10 29,480 Sir, phone call for you. 124 00 10 31,640 -- 00 10 32,679 Carter. 125 00 10 32,680 -- 00 10 35,039 Have you heard of Sherlock Holmes? Who? 126 00 10 35,040 -- 00 10 37,420 Well, you re about to meet him now. 127 00 10 37,421 -- 00 10 39,799 This is your case, it s entirely up to you, this is just... 128 00 10 39,800 -- 00 10 43,359 ..friendly advice, but give Sherlock five minutes on your crime scene, 129 00 10 43,360 -- 00 10 47,119 and listen to everything that he has to say. And as far as possible... 130 00 10 47,120 -- 00 10 48,520 try not to punch him. 131 00 10 49,560 -- 00 10 50,759 OK. 132 00 10 50,760 -- 00 10 54,319 Sir, this gentleman says he needs to speak to you... Yes, I know. 133 00 10 54,320 -- 00 10 55,679 Sherlock Holmes. 134 00 10 55,680 -- 00 10 58,360 John Watson. Are you set up for wi-fi? 135 00 10 59,680 -- 00 11 03,999 You realise this is a tiny bit humiliating? 136 00 11 04,000 -- 00 11 06,199 It s OK, I m fine. 137 00 11 06,200 -- 00 11 07,679 Now... 138 00 11 07,680 -- 00 11 08,840 show me to the stream. 139 00 11 08,841 -- 00 11 11,479 I didn t really mean for you. 140 00 11 11,480 -- 00 11 13,000 Look, this is a six. 141 00 11 14,320 -- 00 11 16,540 There s no point in my leaving the flat for 142 00 11 16,541 -- 00 11 18,759 anything less than a seven, we agreed. 143 00 11 18,760 -- 00 11 20,479 Now go back, 144 00 11 20,480 -- 00 11 21,518 show me the grass. 145 00 11 21,519 -- 00 11 22,720 When did we agree that? 146 00 11 22,721 -- 00 11 25,319 We agreed it yesterday. Stop! 147 00 11 25,320 -- 00 11 29,359 Closer. I wasn t even at home yesterday. I was in Dublin. 148 00 11 29,360 -- 00 11 31,040 It s hardly my fault you weren t listening. 149 00 11 32,720 -- 00 11 34,860 Shut up! Do you just carry on talking when I m away? 150 00 11 34,861 -- 00 11 36,999 I don t know, how often are you away? 151 00 11 37,000 -- 00 11 38,039 Now... 152 00 11 38,040 -- 00 11 40,399 ..show me the car that backfired. 153 00 11 40,400 -- 00 11 41,839 It s there. 154 00 11 41,840 -- 00 11 43,880 That s the one that made the noise, yes? 155 00 11 45,040 -- 00 11 46,079 Yeah. 156 00 11 46,080 -- 00 11 49,159 If you re thinking gunshot... ..there wasn t one. 157 00 11 49,160 -- 00 11 50,400 He wasn t shot, 158 00 11 50,401 -- 00 11 54,839 he was killed by a single blow to the back from a blunt instrument, 159 00 11 54,840 -- 00 11 58,439 which then magically disappeared, along with the killer. 160 00 11 58,440 -- 00 12 00,119 It s got to be an eight, at least. 161 00 12 00,120 -- 00 12 02,500 You ve got two more minutes, they want to know more 162 00 12 02,501 -- 00 12 04,879 about the driver. Forget him, he s an idiot. 163 00 12 04,880 -- 00 12 07,999 Why else would he think himself a suspect? I think he s a suspect. 164 00 12 08,000 -- 00 12 12,519 Pass me over. All right, but there s a mute button, and I will use it. 165 00 12 12,520 -- 00 12 15,119 Up a bit! I m not talking from down here! 166 00 12 15,120 -- 00 12 16,679 OK. Just take it, take it. 167 00 12 16,680 -- 00 12 20,479 Having successfully committed a crime without a single witness... 168 00 12 20,480 -- 00 12 23,199 why would he call the police and consult a detective? 169 00 12 23,200 -- 00 12 26,799 Fair play? He s trying to be clever. It s overconfidence. 170 00 12 26,800 -- 00 12 29,380 Did you see him? Morbidly obese, the undisguised 171 00 12 29,381 -- 00 12 31,959 halitosis of a single man living on his own. 172 00 12 31,960 -- 00 12 34,380 The right sleeve of an internet porn addict, the 173 00 12 34,381 -- 00 12 36,799 breathing pattern of an untreated heart condition. 174 00 12 36,800 -- 00 12 39,200 Low self-esteem, tiny IQ and a limited life expectancy, 175 00 12 39,201 -- 00 12 41,599 and you think he s a criminal mastermind?! 176 00 12 41,600 -- 00 12 44,719 Don t worry, this is just stupid. What did you say? Heart what? 177 00 12 44,720 -- 00 12 45,880 Go to the stream. 178 00 12 45,881 -- 00 12 47,679 What s in the stream? 179 00 12 47,680 -- 00 12 51,399 Go and see. Sherlock! You weren t answering your doorbell. 180 00 12 51,400 -- 00 12 53,620 His room s through the back, get him some clothes. 181 00 12 53,621 -- 00 12 55,839 Who the hell are you? Sorry, Mr Holmes... 182 00 12 55,840 -- 00 12 58,460 Sherlock, what s going on? You re coming with us. 183 00 12 58,461 -- 00 13 01,079 What s happening? I ve lost him. I don t know what... 184 00 13 01,080 -- 00 13 05,280 Dr Watson? Yeah. It s for you. OK, thanks. No, sir, the helicopter. 185 00 13 17,520 -- 00 13 21,080 Please, Mr Holmes, where you re going you ll want to be dressed. 186 00 13 44,000 -- 00 13 46,400 I know exactly where I m going. 187 00 14 39,440 -- 00 14 42,600 You wearing any pants? No. OK. 188 00 14 53,920 -- 00 14 56,279 At Buckingham Palace. Right. 189 00 14 56,280 -- 00 15 00,679 Ha, ha. Aah, aah, I am seriously fighting an impulse to steal an ashtray. 190 00 15 06,800 -- 00 15 11,439 What are we doing here, Sherlock, seriously, what? I don t know. 191 00 15 11,440 -- 00 15 13,919 Here to see the Queen? 192 00 15 13,920 -- 00 15 15,920 Apparently, yes. 193 00 15 18,840 -- 00 15 22,479 Just once, can you two behave like grown-ups? 194 00 15 22,480 -- 00 15 24,680 We solve crimes, I blog about it, and he forgets his pants. 195 00 15 24,681 -- 00 15 26,879 I wouldn t hold out too much hope. 196 00 15 26,880 -- 00 15 30,759 I was in the middle of a case, Mycroft. What, the hiker and the backfire? 197 00 15 30,760 -- 00 15 32,900 I glanced at the police report, a bit obvious, surely? 198 00 15 32,901 -- 00 15 35,039 Transparent. Time to move on then. 199 00 15 38,160 -- 00 15 43,279 We are in Buckingham Palace, the very heart of the British nation. 200 00 15 43,280 -- 00 15 46,919 Sherlock Holmes, put your trousers on! What for? 201 00 15 46,920 -- 00 15 48,519 Your client. 202 00 15 48,520 -- 00 15 50,719 And my client is...? 203 00 15 50,720 -- 00 15 53,479 Illustrious, in the extreme. 204 00 15 53,480 -- 00 15 58,599 And remaining, I have to inform you, entirely anonymous. 205 00 15 58,600 -- 00 16 00,039 Mycroft. Harry. 206 00 16 00,040 -- 00 16 02,580 May I just apologise for the state of my little brother. 207 00 16 02,581 -- 00 16 05,119 A full-time occupation, I imagine. 208 00 16 05,120 -- 00 16 07,740 And this must be Dr John Watson, formerly of the 209 00 16 07,741 -- 00 16 10,359 Fifth Northumberland Fusiliers? Hello, yes. 210 00 16 10,360 -- 00 16 14,199 My employer is a tremendous fan of your blog. Your employer? 211 00 16 14,200 -- 00 16 18,559 Particularly enjoyed the one about the aluminium crutch. Thank you... 212 00 16 18,560 -- 00 16 20,839 And Mr Holmes the Younger. 213 00 16 20,840 -- 00 16 23,120 You look taller in your photographs. 214 00 16 23,121 -- 00 16 25,399 I take the precaution of a good coat and a short friend. 215 00 16 25,400 -- 00 16 27,639 Mycroft, I don t do anonymous clients. 216 00 16 27,640 -- 00 16 30,000 I m used to mystery at one end of my cases, 217 00 16 30,001 -- 00 16 32,360 both ends is too much work. Good morning. 218 00 16 34,080 -- 00 16 37,839 This is a matter of national importance. Grow up! 219 00 16 37,840 -- 00 16 39,599 Get off my sheet! Or what? 220 00 16 39,600 -- 00 16 41,199 Or I ll just walk away. 221 00 16 41,200 -- 00 16 43,919 I ll let you. Boys, please... Not here. 222 00 16 43,920 -- 00 16 47,199 Who is my client? 223 00 16 47,200 -- 00 16 50,879 Take a look at where you re standing, and make a deduction. 224 00 16 50,880 -- 00 16 55,399 You are to be engaged by the highest in the land, now, for God s sake! 225 00 16 55,400 -- 00 16 57,919 Put your clothes on! 226 00 17 01,200 -- 00 17 03,319 I ll be mother. 227 00 17 03,320 -- 00 17 06,120 And there is a whole childhood in a nutshell. 228 00 17 09,680 -- 00 17 11,920 My employer has a problem. 229 00 17 12,960 -- 00 17 15,420 A matter has come to light of an extremely 230 00 17 15,421 -- 00 17 17,879 delicate and potentially criminal nature, 231 00 17 17,880 -- 00 17 22,239 and in this hour of need, dear brother, your name has arisen. Why? 232 00 17 22,240 -- 00 17 25,439 We have a police force of sorts, even a marginally secret service. 233 00 17 25,440 -- 00 17 27,740 Why come to me? People come to you for help, don t 234 00 17 27,741 -- 00 17 30,039 they, Mr Holmes? Not to date anyone with a navy. 235 00 17 30,040 -- 00 17 33,479 This is a matter of the highest security, and therefore of trust. 236 00 17 33,480 -- 00 17 36,479 You don t trust your own secret service? Naturally not. 237 00 17 36,480 -- 00 17 38,479 They all spy on people for money. 238 00 17 38,480 -- 00 17 40,560 I do think we have a timetable. 239 00 17 41,720 -- 00 17 43,200 Yes, of course... 240 00 17 45,200 -- 00 17 47,000 What do you know about this woman? 241 00 17 51,160 -- 00 17 52,879 Nothing whatsoever. 242 00 17 52,880 -- 00 17 55,799 Then you should be paying more attention. 243 00 17 56,840 -- 00 18 00,879 She s been at the centre of two political scandals in the last year, 244 00 18 00,880 -- 00 18 04,519 and recently ended the marriage of a prominent novelist 245 00 18 04,520 -- 00 18 08,599 by having an affair with both participants separately. 246 00 18 08,600 -- 00 18 11,439 You know I don t concern myself with trivia. 247 00 18 11,440 -- 00 18 12,760 Who is she? 248 00 18 13,800 -- 00 18 15,919 Irene Adler. 249 00 18 15,920 -- 00 18 19,359 Professionally known as "The Woman". 250 00 18 19,360 -- 00 18 20,719 Professionally? 251 00 18 20,720 -- 00 18 25,240 There are many names for what she does. She prefers "dominatrix". 252 00 18 30,800 -- 00 18 32,959 Dominatrix. Don t be alarmed. 253 00 18 32,960 -- 00 18 34,439 It s to do with sex. 254 00 18 34,440 -- 00 18 35,840 Sex doesn t alarm me. 255 00 18 36,840 -- 00 18 39,519 How would you know? 256 00 18 39,520 -- 00 18 42,079 She provides, shall we say, recreational scolding 257 00 18 42,080 -- 00 18 44,119 for those who enjoy that sort of thing 258 00 18 44,120 -- 00 18 46,119 and are prepared to pay for it. 259 00 18 46,120 -- 00 18 48,880 These are all from her website. 260 00 19 13,040 -- 00 19 16,359 And I assume this Adler woman has some compromising photographs. 261 00 19 16,360 -- 00 19 18,839 You re very quick, Mr Holmes. 262 00 19 18,840 -- 00 19 22,680 Hardly a difficult deduction. Photographs of whom? 263 00 19 24,960 -- 00 19 26,999 A person of significance to my employer. 264 00 19 27,000 -- 00 19 29,080 We d prefer not to say any more at this time. 265 00 19 29,081 -- 00 19 31,160 You can t tell us anything? 266 00 19 32,760 -- 00 19 34,640 I can tell you it s a young person. 267 00 19 36,200 -- 00 19 37,440 A young female person. 268 00 19 41,920 -- 00 19 43,439 How many photographs? 269 00 19 43,440 -- 00 19 45,359 A considerable number, apparently. 270 00 19 45,360 -- 00 19 47,540 Do Miss Adler and this young female person 271 00 19 47,541 -- 00 19 49,719 appear in these photographs together? Yes. 272 00 19 49,720 -- 00 19 51,880 I assume in a number of compromising scenarios? 273 00 19 51,881 -- 00 19 54,039 An imaginative range, we are assured. 274 00 19 54,040 -- 00 19 57,719 John, you might want to put that cup back in your saucer now. 275 00 19 57,720 -- 00 20 01,079 Can you help us, Mr Holmes? How? Will you take the case? 276 00 20 01,080 -- 00 20 02,119 What case? 277 00 20 02,120 -- 00 20 03,919 Pay her, now and in full. 278 00 20 03,920 -- 00 20 08,239 As Miss Adler remarks in her masthead, know when you are beaten. 279 00 20 08,240 -- 00 20 10,160 She doesn t want anything. 280 00 20 11,440 -- 00 20 12,600 She got in touch. 281 00 20 12,601 -- 00 20 15,079 She informed us that the photographs existed. 282 00 20 15,080 -- 00 20 17,839 She indicated that she had no intention to use them 283 00 20 17,840 -- 00 20 20,759 to extort either money or favour. 284 00 20 20,760 -- 00 20 22,959 A power play. 285 00 20 22,960 -- 00 20 25,959 A power play with the most powerful family in Britain. 286 00 20 25,960 -- 00 20 29,519 Now that is a dominatrix. This is getting rather fun, isn t it. 287 00 20 29,520 -- 00 20 31,559 Sherlock... Where is she? 288 00 20 31,560 -- 00 20 33,900 In London, currently. She s staying... 289 00 20 33,901 -- 00 20 36,239 Text me the details, I ll be in touch by the end of the day. 290 00 20 36,240 -- 00 20 38,260 Do you really think you ll have news by then? 291 00 20 38,261 -- 00 20 40,279 No, I think I ll have the photographs. 292 00 20 40,280 -- 00 20 43,920 One can only hope you re as good as you seem to think. 293 00 20 47,080 -- 00 20 49,040 I ll need some equipment, of course. 294 00 20 49,041 -- 00 20 50,999 Anything you require, I ll have it sent... 295 00 20 51,000 -- 00 20 53,220 Can I have a box of matches? I m sorry? 296 00 20 53,221 -- 00 20 55,439 Or your cigarette lighter, either will do. 297 00 20 55,440 -- 00 20 59,240 I don t smoke. No, I know you don t, but your employer does. 298 00 21 00,320 -- 00 21 03,279 We have kept a lot of people successfully in the dark 299 00 21 03,280 -- 00 21 05,359 about this little fact, Mr Holmes. 300 00 21 05,360 -- 00 21 07,559 I m not the Commonwealth. 301 00 21 07,560 -- 00 21 09,199 And that s as modest as he gets. 302 00 21 09,200 -- 00 21 10,360 Pleasure to meet you. 303 00 21 10,361 -- 00 21 12,640 Laters! 304 00 21 15,920 -- 00 21 19,600 OK, the smoking, how did you know? 305 00 21 20,640 -- 00 21 23,079 The evidence was right under your nose, John, 306 00 21 23,080 -- 00 21 24,800 as ever you see, but do not observe. 307 00 21 24,801 -- 00 21 26,959 Observe what? The ashtray. 308 00 21 37,680 -- 00 21 39,679 Kate? 309 00 21 39,680 -- 00 21 41,999 We re going to have a visitor. 310 00 21 42,000 -- 00 21 44,479 I ll need a bit of time to get ready. 311 00 21 44,480 -- 00 21 46,159 A long time? 312 00 21 46,160 -- 00 21 49,240 .. Ages. 313 00 22 04,200 -- 00 22 05,599 What are you doing? 314 00 22 05,600 -- 00 22 07,919 I m going to into battle, John. 315 00 22 07,920 -- 00 22 10,439 I need the right armour. 316 00 22 10,440 -- 00 22 11,719 No. 317 00 22 11,720 -- 00 22 12,879 Nah. 318 00 22 12,880 -- 00 22 14,319 Works for me. 319 00 22 14,320 -- 00 22 16,319 Everything works on you. 320 00 22 16,320 -- 00 22 18,119 So, what s the plan? 321 00 22 18,120 -- 00 22 20,119 We know her address. 322 00 22 20,120 -- 00 22 22,340 We just ring her doorbell? Exactly. Just here, please. 323 00 22 22,341 -- 00 22 24,559 You didn t even change your clothes. 324 00 22 24,560 -- 00 22 26,640 Then it s time to add a splash of colour. 325 00 22 33,480 -- 00 22 35,199 Are we here? 326 00 22 35,200 -- 00 22 37,439 Two streets away, but this will do. 327 00 22 37,440 -- 00 22 39,719 For what? Punch me in the face. 328 00 22 39,720 -- 00 22 41,200 Shade? 329 00 22 42,360 -- 00 22 44,159 Blood. 330 00 22 44,160 -- 00 22 47,599 Punch you? Yes, punch me, in the face. Didn t you hear me? 331 00 22 47,600 -- 00 22 50,959 I always hear "punch me" when you speak but it s usually sub-text. 332 00 22 50,960 -- 00 22 52,920 For God s sakes! 333 00 22 58,640 -- 00 23 00,360 Thank you, that was... 334 00 23 03,760 -- 00 23 05,439 OK, I think we re done now, John! 335 00 23 05,440 -- 00 23 09,319 You want to remember, Sherlock, I was a soldier. I killed people. 336 00 23 09,320 -- 00 23 11,600 You were a doctor! I had bad days! 337 00 23 13,600 -- 00 23 15,519 What are you going to wear? 338 00 23 15,520 -- 00 23 18,119 My battle dress. Lucky boy. 339 00 23 26,400 -- 00 23 27,759 Hello? 340 00 23 27,760 -- 00 23 32,759 Very sorry to disturb you, um, I ve just been attacked, um, 341 00 23 32,760 -- 00 23 36,959 um, and I think they, they took my wallet 342 00 23 36,960 -- 00 23 39,319 and, um, and my phone. 343 00 23 39,320 -- 00 23 42,399 Please could you help me? 344 00 23 42,400 -- 00 23 44,959 I can phone the police, if you want? 345 00 23 44,960 -- 00 23 47,280 Thank you. Could you, please? Would you mind 346 00 23 47,281 -- 00 23 49,599 if I just waited here, just until they come? 347 00 23 49,600 -- 00 23 51,439 Thank you, thank you so much. 348 00 23 54,640 -- 00 23 57,119 Thank you. 349 00 23 57,120 -- 00 23 59,319 I saw it all happen. 350 00 23 59,320 -- 00 24 01,100 It s OK, I m a doctor. Have you got a first aid kit? 351 00 24 01,101 -- 00 24 02,879 In the kitchen. Please. 352 00 24 02,880 -- 00 24 04,240 Thank you. Thank you. 353 00 24 05,760 -- 00 24 07,839 Hello, sorry to hear you ve been hurt. 354 00 24 07,840 -- 00 24 11,080 I don t think Kate caught your name? I m so sorry, I m... 355 00 24 16,360 -- 00 24 20,600 It s always hard to remember an alias when you ve had a fright. Isn t it? 356 00 24 21,720 -- 00 24 23,679 Well, there now. 357 00 24 23,680 -- 00 24 25,400 We re both defrocked... 358 00 24 27,120 -- 00 24 28,559 Mr Sherlock Holmes. 359 00 24 28,560 -- 00 24 33,599 Miss Adler, I presume. Look at those cheekbones. 360 00 24 33,600 -- 00 24 37,159 I could cut myself slapping that face. 361 00 24 37,160 -- 00 24 39,040 Would you like me to try? 362 00 24 41,080 -- 00 24 43,840 Right, this should do it. 363 00 24 47,160 -- 00 24 49,600 I ve missed something, haven t I? 364 00 24 51,040 -- 00 24 54,999 Please, sit down. Or if you d like some tea, I can call the maid. 365 00 24 55,000 -- 00 24 59,000 I had some at the Palace. I know. Clearly. 366 00 25 03,760 -- 00 25 07,200 I had a tea too, at the Palace. If anyone s interested. 367 00 25 29,960 -- 00 25 33,199 Do you know the big problem with a disguise, Mr Holmes? 368 00 25 33,200 -- 00 25 36,639 However hard you try, it s always a self-portrait. 369 00 25 36,640 -- 00 25 39,599 You think I m a vicar with a bleeding face? 370 00 25 39,600 -- 00 25 41,719 No, I think you re damaged, delusional 371 00 25 41,720 -- 00 25 44,880 and believe in a higher power. In your case, it s yourself. 372 00 25 46,200 -- 00 25 48,279 And somebody loves you. 373 00 25 48,280 -- 00 25 52,440 If I had to punch that face, I d avoid your nose and teeth, too. 374 00 25 53,680 -- 00 25 55,879 Could you put something on, please? 375 00 25 55,880 -- 00 26 00,119 Anything at all. A napkin? Why? Are you feeling exposed? 376 00 26 00,120 -- 00 26 02,679 I don t think John knows where to look. 377 00 26 02,680 -- 00 26 05,480 No, I think he knows exactly where. 378 00 26 07,120 -- 00 26 08,679 I m not sure about you. 379 00 26 08,680 -- 00 26 11,599 If I was to look at naked women, I d borrow John s laptop. 380 00 26 11,600 -- 00 26 13,799 You do borrow my laptop. I confiscate it. 381 00 26 13,800 -- 00 26 15,720 Never mind, we ve got better things to talk about. 382 00 26 15,721 -- 00 26 17,639 Now, tell me, I need to know 383 00 26 17,640 -- 00 26 20,319 how was it done? 384 00 26 20,320 -- 00 26 21,959 What? 385 00 26 21,960 -- 00 26 26,079 The hiker with the bashed-in head... how was he killed? 386 00 26 26,080 -- 00 26 29,039 That s not why I m here. 387 00 26 29,040 -- 00 26 31,199 You re here for the photographs, 388 00 26 31,200 -- 00 26 33,480 but that s never going to happen and as we re chatting... 389 00 26 33,481 -- 00 26 35,759 That story s not out. How do you know about it? 390 00 26 35,760 -- 00 26 39,559 I know one of the policemen. Well, I know what he likes. 391 00 26 39,560 -- 00 26 43,039 And you... like policemen? 392 00 26 43,040 -- 00 26 45,920 I like detective stories. And detectives. 393 00 26 47,120 -- 00 26 49,079 Brainy is the new sexy. 394 00 26 49,080 -- 00 26 51,599 The position of the car relative to the hiker, 395 00 26 51,600 -- 00 26 53,880 that and the fact that the death blow was to the 396 00 26 53,881 -- 00 26 56,159 back of the head, that s all you need to know. 397 00 26 56,160 -- 00 26 59,279 OK, tell me, how was he murdered? He wasn t. 398 00 26 59,280 -- 00 27 02,959 You don t think it was murder? I know it wasn t. How? The same way 399 00 27 02,960 -- 00 27 06,559 I know the victim was a sportsman, recently returned from foreign travel 400 00 27 06,560 -- 00 27 10,479 and that the photographs I m looking for are in this room. OK, but how? 401 00 27 10,480 -- 00 27 12,400 So they are in this room. Thank you. 402 00 27 12,401 -- 00 27 14,920 John, man the door, let no-one in. 403 00 27 24,760 -- 00 27 29,839 Two men alone in the countryside, several yards apart and one car. 404 00 27 29,840 -- 00 27 33,479 I, I thought you were looking for the photos now. No, no. 405 00 27 33,480 -- 00 27 36,119 Looking takes ages, I m just going to find them, 406 00 27 36,120 -- 00 27 38,440 but you re clever and we ve got a moment, so let s 407 00 27 38,441 -- 00 27 40,759 pass the time. Two men, a car, nobody else. 408 00 27 40,760 -- 00 27 44,239 Driver s trying to fix his engine. 409 00 27 44,240 -- 00 27 46,399 Getting nowhere. 410 00 27 46,400 -- 00 27 49,559 And the hiker is taking a moment, looking at the sky. 411 00 27 49,560 -- 00 27 53,359 Watching the birds? Any moment now, something is going to happen. What? 412 00 27 53,360 -- 00 27 55,760 The hiker is going to die. 413 00 27 55,761 -- 00 27 58,159 No, that s the result. What s going to happen? 414 00 27 58,160 -- 00 28 01,839 I don t understand. Well try to. 415 00 28 01,840 -- 00 28 04,559 Why? Because you cater to the whims of the pathetic 416 00 28 04,560 -- 00 28 07,520 and take your clothes off to make an impression. 417 00 28 07,521 -- 00 28 10,479 Stop boring me and think. It s the new sexy. 418 00 28 10,480 -- 00 28 15,199 The car s going to backfire. There s going to be a loud noise. So what? 419 00 28 15,200 -- 00 28 18,640 Noises are important. They can tell you everything. For instance... 420 00 28 27,000 -- 00 28 28,599 Thank you. 421 00 28 28,600 -- 00 28 32,039 On hearing a smoke alarm, a mother would look towards her child. 422 00 28 32,040 -- 00 28 34,840 Amazing how fire exposes our priorities. 423 00 28 38,960 -- 00 28 42,359 I really hope you don t have a baby in here. 424 00 28 42,360 -- 00 28 45,679 All right, John, you can turn it off now. 425 00 28 45,680 -- 00 28 47,639 I said you can turn it off now! 426 00 28 47,640 -- 00 28 49,720 Give me a minute! 427 00 28 55,800 -- 00 28 57,039 Thank you. 428 00 28 58,920 -- 00 29 01,999 You should always use gloves with these things, you know. 429 00 29 02,000 -- 00 29 04,599 Heaviest oil deposit is always on the first key used, 430 00 29 04,600 -- 00 29 07,360 that s a 3, but after that, the sequence is 431 00 29 07,361 -- 00 29 10,119 impossible to read. I see it s a six digit code. 432 00 29 10,120 -- 00 29 12,440 It can t be your birthday, no disrespect, but you 433 00 29 12,441 -- 00 29 14,759 were born in the 80s and 8 s barely used, so... 434 00 29 14,760 -- 00 29 18,680 I d tell you the code right now, but you know what? I already have. 435 00 29 20,040 -- 00 29 21,440 Think. 436 00 29 22,400 -- 00 29 26,119 Hands behind your head, on the floor, keep it still! 437 00 29 26,120 -- 00 29 29,039 Sorry, Sherlock. Miss Adler, on the floor! 438 00 29 29,040 -- 00 29 33,519 Don t you want me on the floor, too? No, sir, I want you to open the safe. 439 00 29 33,520 -- 00 29 37,479 American. Interesting. Why would you care? 440 00 29 37,480 -- 00 29 40,160 Sir, the safe, now, please. I don t know the code. 441 00 29 40,161 -- 00 29 42,839 We ve been listening, she said she told you. 442 00 29 42,840 -- 00 29 45,360 If you ve been listening, you ll know she didn t. 443 00 29 45,361 -- 00 29 47,879 I assume I missed something. From your reputation, 444 00 29 47,880 -- 00 29 50,439 I assume you didn t, Mr Holmes. 445 00 29 50,440 -- 00 29 52,639 She s the one who knows the code, ask her! 446 00 29 52,640 -- 00 29 55,160 Yes, sir, she also knows the code that calls 447 00 29 55,161 -- 00 29 57,679 the police and sets off the burglar alarm. 448 00 29 57,680 -- 00 30 00,879 I ve learned not to trust her. Mr Holmes doesn t... Shut up! 449 00 30 00,880 -- 00 30 02,519 One more word out of you, 450 00 30 02,520 -- 00 30 06,639 just one and I will decorate that wall with the insides of your head. 451 00 30 06,640 -- 00 30 09,279 That, for me, will not be a hardship. 452 00 30 09,280 -- 00 30 14,479 Mr Archer, at the count of three, shoot Dr Watson. What? 453 00 30 14,480 -- 00 30 16,679 I don t know the code. One. 454 00 30 16,680 -- 00 30 20,999 I don t know the code. Two. She didn t tell me, I don t know it! 455 00 30 21,000 -- 00 30 25,319 I m prepared to believe you, any second now. 456 00 30 25,320 -- 00 30 26,560 Three! No, stop! 457 00 30 48,200 -- 00 30 51,440 Thank you, Mr Holmes. Open it, please. 458 00 30 55,840 -- 00 30 57,760 Vatican cameos! 459 00 31 15,400 -- 00 31 16,680 Do you mind? Not at all. 460 00 31 22,880 -- 00 31 26,919 He s dead. Thank you. You were very observant. Observant? 461 00 31 26,920 -- 00 31 29,999 I m flattered. Don t be. Flattered? 462 00 31 30,000 -- 00 31 33,680 There ll be more of them, they ll be keeping an eye on the building. 463 00 31 38,600 -- 00 31 40,800 We should call the police. Yes. 464 00 31 44,280 -- 00 31 46,359 On their way. For God s sake! 465 00 31 46,360 -- 00 31 47,560 Shut up, it s quick. 466 00 31 47,561 -- 00 31 51,359 Check the rest of the house, see how they got in. 467 00 31 51,360 -- 00 31 56,480 Well, that s the knighthood in the bag. And that s mine. 468 00 31 59,400 -- 00 32 01,580 All the photographs are on here, I presume? 469 00 32 01,581 -- 00 32 03,759 I have copies, of course. No, you don t. 470 00 32 03,760 -- 00 32 08,239 You ll have permanently disabled any kind of uplink or connection. 471 00 32 08,240 -- 00 32 11,639 Unless the contents of this phone are unique, you couldn t sell them. 472 00 32 11,640 -- 00 32 15,319 Who said I m selling? Well, why would they be interested? 473 00 32 15,320 -- 00 32 18,220 Whatever s on the phone, it s clearly not just photographs. 474 00 32 18,221 -- 00 32 21,119 That camera-phone is my life, Mr Holmes. 475 00 32 21,120 -- 00 32 24,359 I d die before I let you take it. It s my protection. 476 00 32 24,360 -- 00 32 26,560 Sherlock! It was. 477 00 32 43,080 -- 00 32 44,840 Must have come in this way. Clearly. 478 00 32 46,400 -- 00 32 48,280 It s all right, she s just out cold. 479 00 32 48,281 -- 00 32 50,281 God knows she s used to that. 480 00 32 50,282 -- 00 32 52,280 There s a back door. Better check it, Dr Watson. 481 00 32 53,840 -- 00 32 56,240 Sure. 482 00 32 57,720 -- 00 32 59,240 You re very calm. 483 00 33 00,600 -- 00 33 04,079 Well, your booby trap did just kill a man. He would have killed me. 484 00 33 04,080 -- 00 33 05,800 It was self defence in advance. 485 00 33 09,560 -- 00 33 12,399 What is that?! What? 486 00 33 12,400 -- 00 33 14,439 Give it to me. 487 00 33 14,440 -- 00 33 16,559 Now. Give it to me. 488 00 33 16,560 -- 00 33 18,759 No. 489 00 33 18,760 -- 00 33 21,119 Give it to me. No. 490 00 33 21,120 -- 00 33 23,119 For goodness sake! 491 00 33 23,120 -- 00 33 24,799 Drop it. 492 00 33 24,800 -- 00 33 28,399 I... said... drop it! 493 00 33 28,400 -- 00 33 31,359 Thank you, dear. 494 00 33 31,360 -- 00 33 35,279 Now, tell that sweet little posh thing the pictures are safe with me. 495 00 33 35,280 -- 00 33 39,239 They re not for blackmail, just for insurance. 496 00 33 39,240 -- 00 33 42,319 Besides, I might want to see her again. 497 00 33 42,320 -- 00 33 46,159 No no no no no. 498 00 33 46,160 -- 00 33 47,959 It s been a pleasure. 499 00 33 47,960 -- 00 33 50,919 Don t spoil it. 500 00 33 50,920 -- 00 33 53,599 This is how I want you to remember me, 501 00 33 53,600 -- 00 33 57,080 the woman who beat you. 502 00 33 59,600 -- 00 34 01,719 Goodnight, Mr Sherlock Holmes. 503 00 34 01,720 -- 00 34 04,479 Jesus! What are you doing? He ll sleep for a few hours. 504 00 34 04,480 -- 00 34 06,840 Make sure he doesn t choke on his own vomit, it 505 00 34 06,841 -- 00 34 09,199 makes for a very unattractive corpse. What s this? 506 00 34 09,200 -- 00 34 11,839 What have you given him? Sherlock? He ll be fine. 507 00 34 11,840 -- 00 34 16,079 I ve used it on loads of my friends. Sherlock, can you hear me? 508 00 34 16,080 -- 00 34 18,480 You know, I was wrong about him. He did know where to look. 509 00 34 18,481 -- 00 34 20,879 For what? What are you talking about? 510 00 34 20,880 -- 00 34 24,519 The key-code to my safe. What was it? 511 00 34 24,520 -- 00 34 26,320 Shall I tell him? 512 00 34 30,360 -- 00 34 32,359 My measurements. 513 00 34 45,640 -- 00 34 47,199 Got it! 514 00 34 47,200 -- 00 34 52,880 Ssh ssh no, don t get up, I ll do the talking. 515 00 34 55,680 -- 00 35 02,079 So, the car s about to backfire and the hiker, he s staring at the sky. 516 00 35 02,080 -- 00 35 05,359 You said he could be watching birds, but he wasn t, was he? 517 00 35 05,360 -- 00 35 08,079 He was watching another kind of flying thing. 518 00 35 08,080 -- 00 35 11,400 The car backfires and the hiker turns to look... 519 00 35 13,960 -- 00 35 16,479 which was his big mistake. 520 00 35 16,480 -- 00 35 18,720 By the time the driver looks up, the hiker is already dead. 521 00 35 18,721 -- 00 35 20,959 He doesn t see what killed him 522 00 35 20,960 -- 00 35 25,559 because it s already being washed downstream. 523 00 35 25,560 -- 00 35 29,999 An accomplished sportsman recently returned from foreign travel with... 524 00 35 30,000 -- 00 35 31,800 a boomerang. 525 00 35 33,200 -- 00 35 34,999 You got that from one look? 526 00 35 35,000 -- 00 35 37,320 Definitely the new sexy. 527 00 35 39,360 -- 00 35 41,360 I... 528 00 35 43,800 -- 00 35 45,760 I... 529 00 35 54,040 -- 00 35 55,879 Hush, now. 530 00 35 55,880 -- 00 35 57,600 It s OK. 531 00 35 59,320 -- 00 36 02,400 I m only returning your coat. 532 00 36 08,000 -- 00 36 09,440 John? 533 00 36 10,760 -- 00 36 12,080 John! 534 00 36 16,960 -- 00 36 19,199 You OK? How did I get here? 535 00 36 19,200 -- 00 36 22,559 I don t suppose you remember much, you weren t making a lot of sense. 536 00 36 22,560 -- 00 36 26,959 I should warn you, I think Lestrade filmed you on his phone. 537 00 36 26,960 -- 00 36 30,119 Where is she? Where s who? The woman, that woman. What woman? 538 00 36 30,120 -- 00 36 33,279 The Woman! The Woman, woman! Irene Adler? 539 00 36 33,280 -- 00 36 36,480 She got away, no-one saw her. She wasn t here, Sherlock. 540 00 36 38,000 -- 00 36 42,479 What are you? What? No, no, no. No. Back to bed. 541 00 36 42,480 -- 00 36 46,039 You ll be fine in the morning. Just sleep. 542 00 36 46,040 -- 00 36 49,279 Of course I ll be fine, I am fine. I m absolutely fine. 543 00 36 49,280 -- 00 36 52,439 Yes, you re great. Now, I ll be next door if you need me. 544 00 36 52,440 -- 00 36 55,280 Why would I need you? No reason at all. 545 00 37 36,840 -- 00 37 40,759 The photographs are perfectly safe. In the hands of a fugitive sex worker? 546 00 37 40,760 -- 00 37 42,799 She s not interested in blackmail. 547 00 37 42,800 -- 00 37 45,879 She wants... protection, for some reason. 548 00 37 45,880 -- 00 37 48,100 I take it you ve stood down the police 549 00 37 48,101 -- 00 37 50,319 investigation into the shooting at her house? 550 00 37 50,320 -- 00 37 54,559 How can we do anything while she has the photographs? Our hands are tied. 551 00 37 54,560 -- 00 37 56,919 She d applaud your choice of words. 552 00 37 56,920 -- 00 38 00,439 You see how this works? The camera-phone is her get out of jail free card. 553 00 38 00,440 -- 00 38 03,439 You have to leave her alone. Treat her like royalty, Mycroft. 554 00 38 03,440 -- 00 38 05,839 Though not the way she treats royalty. 555 00 38 07,480 -- 00 38 09,999 What was that? 556 00 38 10,000 -- 00 38 11,840 Text. But what was that noise? 557 00 38 13,520 -- 00 38 16,319 Did you know there were other people after her too 558 00 38 16,320 -- 00 38 18,319 before you sent John and I in there? 559 00 38 18,320 -- 00 38 20,999 CIA trained killers, I think. Thanks for that. 560 00 38 21,000 -- 00 38 24,679 It s a disgrace, sending your little brother into danger like that. 561 00 38 24,680 -- 00 38 28,319 Family is all we have in the end, Mycroft Holmes! 562 00 38 28,320 -- 00 38 30,560 Shut up, Mrs Hudson! Mycroft!! 563 00 38 36,960 -- 00 38 40,439 Apologies. Thank you. Though do in fact shut up. 564 00 38 42,720 -- 00 38 45,239 It s a bit rude, that noise, isn t it? 565 00 38 45,240 -- 00 38 49,279 There s nothing you can do and nothing she will do, as far as I can see. 566 00 38 49,280 -- 00 38 52,599 I can put maximum surveillance on her. 567 00 38 52,600 -- 00 38 57,599 Why bother? You can follow her on Twitter. 568 00 38 57,600 -- 00 39 00,559 I believe her user name is The Whip Hand. 569 00 39 00,560 -- 00 39 03,000 Most amusing. Excuse me. Hello? 570 00 39 09,040 -- 00 39 13,439 Why does your phone make that noise? 571 00 39 13,440 -- 00 39 16,119 What noise? That noise, the one it just made. 572 00 39 16,120 -- 00 39 18,119 It s a text alert, means I ve got a text. 573 00 39 18,120 -- 00 39 21,479 Your texts don t usually make that noise. 574 00 39 21,480 -- 00 39 24,919 Well, somebody got hold of the phone and apparently as a joke, 575 00 39 24,920 -- 00 39 27,239 personalised their text alert noise. 576 00 39 27,240 -- 00 39 29,960 So every time they text you... 577 00 39 30,920 -- 00 39 33,159 It would seem so. 578 00 39 33,160 -- 00 39 38,319 Could you turn that phone down a bit? At my time of life it s... 579 00 39 41,480 -- 00 39 44,679 See I m wondering who could have got hold of your phone. 580 00 39 44,680 -- 00 39 48,080 It would ve been in your coat. I ll leave you to your deductions. 581 00 39 50,440 -- 00 39 52,079 I m not stupid, you know. 582 00 39 52,080 -- 00 39 53,999 Where do you get that idea? 583 00 39 54,000 -- 00 39 57,039 Bond Air is go, that s decided. Check with the Coventry lot. 584 00 39 57,040 -- 00 39 59,279 Talk later. 585 00 39 59,280 -- 00 40 02,159 What else does she have? 586 00 40 02,160 -- 00 40 05,639 Irene Adler. The Americans wouldn t be interested in her 587 00 40 05,640 -- 00 40 08,319 for a couple of compromising photographs. 588 00 40 08,320 -- 00 40 11,999 There s more. Much more. 589 00 40 12,000 -- 00 40 15,399 Something big s coming, isn t it? 590 00 40 15,400 -- 00 40 19,719 Irene Adler is no longer any concern of yours. 591 00 40 19,720 -- 00 40 23,559 From now on, you will stay out of this. 592 00 40 23,560 -- 00 40 26,879 Will I? Yes, Sherlock. 593 00 40 26,880 -- 00 40 28,400 You will. 594 00 40 31,640 -- 00 40 33,239 Now if you ll excuse me, 595 00 40 33,240 -- 00 40 36,959 I have a long and arduous apology to make to a very old friend. 596 00 40 36,960 -- 00 40 38,519 Do give her my love. 597 00 41 11,040 -- 00 41 13,479 Lovely, Sherlock. That was lovely. 598 00 41 13,480 -- 00 41 15,799 Marvellous. Yes, very good. 599 00 41 15,800 -- 00 41 17,760 I wish you could have worn the antlers. 600 00 41 17,761 -- 00 41 21,239 Some things are best left to the imagination, Mrs Hudson. Mrs H? 601 00 41 21,240 -- 00 41 24,439 No thank you, Sarah. No, no, he s not good with names. 602 00 41 24,440 -- 00 41 25,640 No, I can get this. 603 00 41 25,641 -- 00 41 28,559 Sarah was the doctor, then there was the one with the spots, 604 00 41 28,560 -- 00 41 32,999 then the one with the nose and then, who was after the boring teacher? 605 00 41 33,000 -- 00 41 37,199 Nobody. Jeanette! Process of elimination. Dear Lord. 606 00 41 37,200 -- 00 41 41,199 Hello, everyone. It said on the door to come up. 607 00 41 41,200 -- 00 41 43,239 Hello, Molly. Hello, Molly! 608 00 41 43,240 -- 00 41 46,839 Everybody saying hello to each other, how wonderful! 609 00 41 46,840 -- 00 41 49,279 Let me, er... Holy Mary! 610 00 41 49,280 -- 00 41 52,879 So we re having Christmas drinkies? No stopping them, apparently. 611 00 41 52,880 -- 00 41 56,799 It s the one day of the year where the boys have to be nice to me, 612 00 41 56,800 -- 00 41 58,919 so it s almost worth it. 613 00 41 58,920 -- 00 42 01,460 John? The counter on your blog still says 1895. 614 00 42 01,461 -- 00 42 03,999 No, Christmas is cancelled 615 00 42 04,000 -- 00 42 08,319 And you ve got a photograph of me wearing that hat! People like it. 616 00 42 08,320 -- 00 42 10,799 No, they don t. What people? How s the hip? 617 00 42 10,800 -- 00 42 13,079 It s atrocious, but thanks for asking. 618 00 42 13,080 -- 00 42 15,919 I ve seen much worse, but then I do post-mortems. 619 00 42 15,920 -- 00 42 20,199 God, sorry. Don t make jokes, Molly. 620 00 42 20,200 -- 00 42 23,439 No, sorry. Here you are. Thank you. I wasn t expecting to see you. 621 00 42 23,440 -- 00 42 26,319 I thought you were in Dorset for Christmas? 622 00 42 26,320 -- 00 42 29,719 First thing in the morning, me and the wife, back together, sorted. 623 00 42 29,720 -- 00 42 32,639 No, she s sleeping with a PE teacher. 624 00 42 32,640 -- 00 42 36,039 And John, I hear you re off to your sister s? Yeah. 625 00 42 36,040 -- 00 42 38,279 Sherlock was complaining. Saying. 626 00 42 38,280 -- 00 42 41,159 First time ever, she s cleaned up her act, off the booze. 627 00 42 41,160 -- 00 42 42,599 Nope. Shut up, Sherlock! 628 00 42 42,600 -- 00 42 46,719 I see you ve got a new boyfriend, Molly. You re serious about him. Sorry, what? 629 00 42 46,720 -- 00 42 49,679 You re seeing him tonight, giving him a gift. Take a day off. 630 00 42 49,680 -- 00 42 51,620 Shut up. Have a drink. Surely you see the 631 00 42 51,621 -- 00 42 53,559 perfectly wrapped present in the bag. 632 00 42 53,560 -- 00 42 56,279 The others are slapdash. It s for someone special. 633 00 42 56,280 -- 00 43 00,439 The shade of red echoes her lipstick ... an unconscious association, 634 00 43 00,440 -- 00 43 02,740 or one she s deliberately trying to encourage. 635 00 43 02,741 -- 00 43 05,039 Either way, Miss Hooper has love on her mind. 636 00 43 05,040 -- 00 43 08,839 That she s serious about him is clear from the fact she s giving him a gift. 637 00 43 08,840 -- 00 43 11,119 It suggests long-term hopes. 638 00 43 11,120 -- 00 43 14,519 That she s seeing him tonight is evident from her make-up and clothes. 639 00 43 14,520 -- 00 43 18,680 Obviously trying to compensate for the size of her mouth and breasts. 640 00 43 26,600 -- 00 43 28,639 You always say such horrible things. 641 00 43 28,640 -- 00 43 32,559 Every time. Always. 642 00 43 32,560 -- 00 43 34,080 Always. 643 00 43 38,240 -- 00 43 40,360 I am sorry. Forgive me. 644 00 43 45,320 -- 00 43 47,519 Merry Christmas, Molly Hooper. 645 00 43 50,440 -- 00 43 52,799 No! That wasn t, I didn t... 646 00 43 52,800 -- 00 43 55,359 No, it was me. My God, really? 647 00 43 55,360 -- 00 43 56,959 What? My phone. 648 00 43 56,960 -- 00 43 59,759 Fifty seven? Sorry, what? 649 00 43 59,760 -- 00 44 02,719 Fifty seven of those texts, the ones I ve heard. 650 00 44 02,720 -- 00 44 05,680 Thrilling that you ve been counting. 651 00 44 13,600 -- 00 44 15,319 Excuse me. 652 00 44 15,320 -- 00 44 16,999 What s up, Sherlock? 653 00 44 17,000 -- 00 44 19,000 I said excuse me. Do you ever reply? 654 00 44 48,560 -- 00 44 52,519 Dear Lord, we re not going to have Christmas phone calls now, are we? 655 00 44 52,520 -- 00 44 54,719 Have they passed a new law? 656 00 44 54,720 -- 00 44 57,559 I think you re going to find Irene Adler tonight. 657 00 44 57,560 -- 00 44 59,519 We already know where she is. 658 00 44 59,520 -- 00 45 03,239 As you were kind enough to point out, it hardly matters. 659 00 45 03,240 -- 00 45 05,480 No, I mean you re going to find her dead. 660 00 45 08,000 -- 00 45 09,840 You OK? Yes. 661 00 45 28,200 -- 00 45 30,399 The only one who fitted the description. 662 00 45 30,400 -- 00 45 32,519 Had her brought here, your home from home. 663 00 45 32,520 -- 00 45 34,439 You didn t need to come in, Molly. 664 00 45 34,440 -- 00 45 37,759 It s OK, everyone else is busy with... Christmas. 665 00 45 37,760 -- 00 45 42,840 The face is a bit sort of bashed-up, so it might be a bit difficult. 666 00 45 47,360 -- 00 45 49,960 That s her, isn t it? Show me the rest of her. 667 00 45 55,120 -- 00 45 56,319 That s her. 668 00 45 56,320 -- 00 45 58,359 Thank you, Miss Hooper. 669 00 45 58,360 -- 00 46 03,200 Who is she? How did Sherlock recognise her from... not her face? 670 00 46 22,040 -- 00 46 26,800 Just the one. Why? Merry Christmas. 671 00 46 31,240 -- 00 46 35,600 Smoking indoors, isn t there one of those... one of those law things? 672 00 46 37,800 -- 00 46 39,399 We re in a morgue. 673 00 46 39,400 -- 00 46 41,480 There s only so much damage you can do. 674 00 46 43,360 -- 00 46 45,679 How did you know she was dead? 675 00 46 45,680 -- 00 46 51,319 She had an item in her possession, one she said her life depended on. 676 00 46 51,320 -- 00 46 56,120 She chose to give it up. Where is this item now? 677 00 46 59,640 -- 00 47 01,799 Look at them. 678 00 47 01,800 -- 00 47 05,320 They all care so much. 679 00 47 08,160 -- 00 47 11,759 Do you ever wonder if there s something wrong with us? 680 00 47 11,760 -- 00 47 16,639 All lives end, all hearts are broken. 681 00 47 16,640 -- 00 47 22,200 Caring is not an advantage, Sherlock. 682 00 47 25,800 -- 00 47 27,879 This is low tar. 683 00 47 27,880 -- 00 47 31,199 Well, you barely knew her. 684 00 47 35,800 -- 00 47 37,560 Merry Christmas, Mycroft. 685 00 47 40,240 -- 00 47 42,680 And a happy new year. 686 00 47 52,840 -- 00 47 55,279 He s on his way. Have you found anything? 687 00 47 55,280 -- 00 47 57,799 No. Did he take the cigarette? Yes. Shit! 688 00 47 57,800 -- 00 48 01,039 He s coming, ten minutes. There s nothing in the bedroom. 689 00 48 01,040 -- 00 48 04,679 It looks like he s clean, we ve tried all the usual places. 690 00 48 04,680 -- 00 48 06,999 Are you sure tonight s a danger night? 691 00 48 07,000 -- 00 48 10,639 No, but then I never am. You have to stay with him, John. 692 00 48 10,640 -- 00 48 12,319 I ve got plans. 693 00 48 12,320 -- 00 48 13,640 No. 694 00 48 16,000 -- 00 48 18,040 Mycroft? 695 00 48 25,960 -- 00 48 28,079 I am really sorry. 696 00 48 28,080 -- 00 48 30,519 You know my friends are so wrong about you? 697 00 48 30,520 -- 00 48 34,639 You re a great boyfriend. OK, that s good. 698 00 48 34,640 -- 00 48 38,839 I always thought I was great. Sherlock Holmes is a very lucky man. 699 00 48 38,840 -- 00 48 40,479 Jeanette, please. 700 00 48 40,480 -- 00 48 43,999 No, I mean it. It s heart-warming. You ll do anything for him. 701 00 48 44,000 -- 00 48 46,679 And he can t even tell your girlfriends apart! 702 00 48 46,680 -- 00 48 49,759 I ll do anything for you, just tell me what it is I m not doing. 703 00 48 49,760 -- 00 48 52,399 Don t make me compete with Sherlock Holmes! 704 00 48 52,400 -- 00 48 55,759 I ll walk your dog. There, I ve said it, I ll even walk your dog. 705 00 48 55,760 -- 00 48 59,959 I don t have a dog! No, because that was the last one. 706 00 48 59,960 -- 00 49 04,879 OK. Jesus! I ll call you. No! OK. 707 00 49 04,880 -- 00 49 07,400 That really wasn t very good, was it? 708 00 49 20,080 -- 00 49 21,720 Hi. 709 00 49 24,520 -- 00 49 25,560 You OK? 710 00 49 31,840 -- 00 49 34,760 I hope you didn t mess up my sock index this time! 711 00 50 01,160 -- 00 50 04,959 Lovely tune, Sherlock, haven t heard that one before. 712 00 50 04,960 -- 00 50 08,519 Composing? 713 00 50 08,520 -- 00 50 09,760 Helps me to think. 714 00 50 16,800 -- 00 50 19,519 What are you thinking about? 715 00 50 19,520 -- 00 50 23,559 The count on your blog is still stuck at 1895. 716 00 50 23,560 -- 00 50 26,799 Yes. Faulty, can t seem to fix it. 717 00 50 26,800 -- 00 50 29,559 Faulty, or you ve been hacked and it s a message. 718 00 50 38,360 -- 00 50 40,239 Just faulty. 719 00 50 40,240 -- 00 50 43,000 Right. 720 00 50 45,240 -- 00 50 46,319 Right. 721 00 50 46,320 -- 00 50 50,560 Well, I m going out for a bit. 722 00 50 59,160 -- 00 51 03,359 Listen, has he ever had any kind of girlfriend, 723 00 51 03,360 -- 00 51 07,479 boyfriend, a relationship, ever? 724 00 51 07,480 -- 00 51 09,119 I don t know. 725 00 51 09,120 -- 00 51 10,479 How can we not know? 726 00 51 10,480 -- 00 51 11,799 He s Sherlock. 727 00 51 11,800 -- 00 51 15,359 How will we ever know what goes on in that funny old head? 728 00 51 15,360 -- 00 51 18,200 Right. See you. 729 00 51 32,160 -- 00 51 34,240 John? Yeah? Hello? 730 00 51 37,600 -- 00 51 40,439 Hello. So, any plans for new year tonight? 731 00 51 40,440 -- 00 51 44,840 Nothing fixed. 732 00 51 46,960 -- 00 51 50,439 Nothing I couldn t heartlessly abandon. 733 00 51 50,440 -- 00 51 53,720 You have any ideas? One. 734 00 51 57,120 -- 00 51 59,199 You know, Mycroft could just phone me, 735 00 51 59,200 -- 00 52 02,680 if he didn t have this bloody stupid power complex. 736 00 52 30,120 -- 00 52 32,719 Couldn t we just go to a cafe? 737 00 52 32,720 -- 00 52 34,840 Sherlock doesn t follow me everywhere. 738 00 52 36,720 -- 00 52 39,480 Through there. 739 00 52 47,520 -- 00 52 48,919 He s on his way. 740 00 52 48,920 -- 00 52 51,800 You were right, he thinks it s Mycroft. 741 00 52 56,600 -- 00 52 58,240 He s writing sad music. 742 00 53 00,080 -- 00 53 03,439 Doesn t eat, barely talks, 743 00 53 03,440 -- 00 53 08,639 only to correct the television. 744 00 53 08,640 -- 00 53 12,639 I d say he was heart-broken, but, well he s Sherlock. 745 00 53 12,640 -- 00 53 14,880 He does all that anyway. 746 00 53 18,720 -- 00 53 20,360 Hello, Dr Watson. 747 00 53 29,240 -- 00 53 30,480 Tell him you re alive. 748 00 53 30,481 -- 00 53 32,279 He d come after me. 749 00 53 32,280 -- 00 53 36,079 I ll come after you if you don t. 750 00 53 36,080 -- 00 53 37,919 I believe you. 751 00 53 37,920 -- 00 53 41,159 You were dead on a slab. 752 00 53 41,160 -- 00 53 42,959 It was definitely you. 753 00 53 42,960 -- 00 53 45,959 DNA tests are only as good as the records you keep. 754 00 53 45,960 -- 00 53 48,799 And I bet you know the record keeper. I know what he likes. 755 00 53 48,800 -- 00 53 50,719 And I needed to disappear. 756 00 53 50,720 -- 00 53 54,639 Then how come I can see you and I don t even want to? 757 00 53 54,640 -- 00 53 56,079 Look, I made a mistake, 758 00 53 56,080 -- 00 54 00,519 I sent something to Sherlock for safekeeping, now I need it back. 759 00 54 00,520 -- 00 54 03,039 I need your help. No. It s for his own safety. 760 00 54 03,040 -- 00 54 06,399 So is this. Tell him you re alive. 761 00 54 06,400 -- 00 54 10,559 I can t. Fine, I ll tell him 762 00 54 10,560 -- 00 54 15,439 and I still won t help you. What do I say? 763 00 54 15,440 -- 00 54 19,359 What do you normally say?! You ve texted him a lot! 764 00 54 19,360 -- 00 54 23,639 Just the usual stuff. There is no usual in this case. 765 00 54 23,640 -- 00 54 27,679 "Good morning. I like your funny hat. 766 00 54 27,680 -- 00 54 29,600 "I m sad tonight, let s have dinner. 767 00 54 29,601 -- 00 54 33,439 " You look sexy on Crimewatch, let s have dinner. 768 00 54 33,440 -- 00 54 35,599 "I m not hungry. 769 00 54 35,600 -- 00 54 39,479 "Let s have dinner". 770 00 54 39,480 -- 00 54 43,319 You flirted with Sherlock Holmes? At him. He never replies. 771 00 54 43,320 -- 00 54 45,679 No, Sherlock always replies to everything. 772 00 54 45,680 -- 00 54 47,799 He s Mr Punchline. 773 00 54 47,800 -- 00 54 50,519 He will outlive God trying to have the last word. 774 00 54 50,520 -- 00 54 52,639 Does that make me special? 775 00 54 52,640 -- 00 54 56,599 I don t know, maybe. Are you jealous? 776 00 54 56,600 -- 00 55 00,319 We re not a couple. Yes, you are. 777 00 55 00,320 -- 00 55 03,879 There, "I m not dead." 778 00 55 03,880 -- 00 55 07,119 "Let s have dinner". 779 00 55 07,120 -- 00 55 11,279 Who the hell knows about Sherlock Holmes? But for the record, 780 00 55 11,280 -- 00 55 15,039 if anyone out there still cares, I m not actually gay. 781 00 55 15,040 -- 00 55 19,840 Well, I am. Look at us both. 782 00 55 34,240 -- 00 55 38,120 I don t think so, do you? 783 00 56 41,440 -- 00 56 43,560 Stop it! Stop it! 784 00 56 45,280 -- 00 56 47,800 Sherlock! 785 00 57 06,000 -- 00 57 09,799 Sherlock, Sherlock... Don t snivel, Mrs Hudson, 786 00 57 09,800 -- 00 57 12,960 it ll do nothing to impede the flight of a bullet. 787 00 57 14,480 -- 00 57 16,479 What a tender world that would be. 788 00 57 16,480 -- 00 57 18,039 Please, Sherlock... 789 00 57 18,040 -- 00 57 21,399 I believe that you have something that we want, Mr Holmes. 790 00 57 21,400 -- 00 57 23,480 Then why don t you ask for it? 791 00 57 27,440 -- 00 57 31,759 I ve been asking this one, she doesn t seem to know anything. 792 00 57 31,760 -- 00 57 35,640 But you know what I m asking for, don t you, Mr Holmes? 793 00 57 43,520 -- 00 57 46,000 I believe I do. 794 00 57 48,280 -- 00 57 49,960 Please, help. 795 00 57 50,960 -- 00 57 52,599 First get rid of your boys. 796 00 57 52,600 -- 00 57 54,519 Why? I dislike being outnumbered, 797 00 57 54,520 -- 00 57 56,840 it makes for too much stupid in the room. 798 00 57 58,120 -- 00 58 01,479 You two, go to the car. Then get into the car and drive away. 799 00 58 01,480 -- 00 58 04,880 Don t try to trick me, you know who I am, it doesn t work. 800 00 58 10,040 -- 00 58 12,959 Next, you can stop pointing that gun at me. 801 00 58 12,960 -- 00 58 14,799 So you can point a gun at me? 802 00 58 14,800 -- 00 58 15,919 I m unarmed. 803 00 58 15,920 -- 00 58 18,280 Mind if I check? I insist. 804 00 58 30,560 -- 00 58 33,200 Moron. 805 00 58 35,200 -- 00 58 38,000 Thank you. You re all right now, you re all right. 806 00 59 06,760 -- 00 59 08,720 Jeez, what the hell is happening? 807 00 59 08,721 -- 00 59 10,679 Mrs Hudson has been attacked by an American, 808 00 59 10,680 -- 00 59 12,839 I m restoring balance to the universe. 809 00 59 12,840 -- 00 59 15,399 Mrs Hudson, my God, are you all right? 810 00 59 15,400 -- 00 59 17,479 Jesus, what have they done to you? 811 00 59 17,480 -- 00 59 19,239 I m just being so silly. 812 00 59 19,240 -- 00 59 21,879 Take her downstairs and look after her. 813 00 59 21,880 -- 00 59 26,239 It s all right, I ll have a look at that. 814 00 59 26,240 -- 00 59 27,560 I m fine, I m fine. 815 00 59 28,720 -- 00 59 31,800 Are you going to tell me what s going on? I expect so, now go. 816 00 59 35,080 -- 00 59 36,599 Lestrade? 817 00 59 36,600 -- 00 59 39,439 We ve had a break-in at Baker Street. 818 00 59 39,440 -- 00 59 42,879 Send your least irritating officers and an ambulance. 819 00 59 42,880 -- 00 59 44,999 No, no, no, we re fine. 820 00 59 45,000 -- 00 59 49,320 No, it s the burglar, he s got himself rather badly injured. 821 00 59 50,600 -- 00 59 55,000 A few broken ribs, fractured skull, suspected punctured lung... 822 00 59 56,960 -- 00 59 58,520 He fell out of a window. 823 00 59 59,640 -- 01 00 01,760 It stings. 824 01 00 07,880 -- 01 00 10,359 That was right on my bins. 825 01 00 14,280 -- 01 00 18,079 And exactly how many times did he fall out the window? 826 01 00 18,080 -- 01 00 21,479 It s all a bit of a blur, Detective Inspector. 827 01 00 21,480 -- 01 00 23,200 I lost count. 828 01 00 28,800 -- 01 00 31,679 She ll have to sleep upstairs in our flat tonight, 829 01 00 31,680 -- 01 00 33,080 we need to look after her. 830 01 00 33,081 -- 01 00 35,679 No... She s fine. No, she s not, look at her. 831 01 00 35,680 -- 01 00 38,319 She s got to take some time away from Baker Street. 832 01 00 38,320 -- 01 00 41,039 She can stay with her sister, doctor s orders. 833 01 00 41,040 -- 01 00 43,479 Don t be absurd. She s in shock, for God s sake, 834 01 00 43,480 -- 01 00 46,599 and all over some stupid camera-phone... where is it anyway? 835 01 00 46,600 -- 01 00 48,919 Safest place I know. 836 01 00 48,920 -- 01 00 53,039 You left it in the pocket of your second best dressing gown, you clot! 837 01 00 53,040 -- 01 00 57,919 I managed to sneak it out when they thought I was having a cry. 838 01 00 57,920 -- 01 00 59,639 Thank you. 839 01 00 59,640 -- 01 01 01,439 Shame on you, John Watson. 840 01 01 01,440 -- 01 01 04,599 Shame on me? Mrs Hudson leave Baker Street? 841 01 01 04,600 -- 01 01 06,440 England would fall. 842 01 01 18,760 -- 01 01 21,119 Where is it now? 843 01 01 21,120 -- 01 01 23,479 Where no-one will look. 844 01 01 23,480 -- 01 01 27,559 Whatever s on that phone is more than just pictures. 845 01 01 27,560 -- 01 01 29,200 Yes, it is. 846 01 01 32,040 -- 01 01 33,840 So, she s alive then. 847 01 01 35,640 -- 01 01 37,520 How are we feeling about that? 848 01 01 41,600 -- 01 01 42,999 Happy New Year, John. 849 01 01 43,000 -- 01 01 45,960 Do you think you ll be seeing her again? 850 01 02 26,280 -- 01 02 28,999 Is that a phone? It s a camera-phone. 851 01 02 29,000 -- 01 02 31,839 And you re x-raying it? Yes, I am. 852 01 02 31,840 -- 01 02 33,599 Whose phone is it? A woman s. 853 01 02 33,600 -- 01 02 35,039 Your girlfriend? 854 01 02 35,040 -- 01 02 38,479 She s my girlfriend because I m x-raying her possessions? 855 01 02 38,480 -- 01 02 40,600 Well, we all do silly things! Yes... 856 01 02 42,560 -- 01 02 45,199 they do, don t they? 857 01 02 45,200 -- 01 02 47,320 Very silly. 858 01 02 51,480 -- 01 02 53,519 She sent this to my address. 859 01 02 53,520 -- 01 02 56,920 She loves to play games. She does? 860 01 03 43,960 -- 01 03 45,839 Hey, Sherlock... 861 01 03 45,840 -- 01 03 47,519 We have a client. 862 01 03 47,520 -- 01 03 49,360 What, in your bedroom? 863 01 03 56,960 -- 01 03 58,919 So, who s after you? 864 01 03 58,920 -- 01 04 00,999 People who want to kill me. Who s that? 865 01 04 01,000 -- 01 04 02,919 Killers. 866 01 04 02,920 -- 01 04 05,320 It would help if you were a tiny bit more specific. 867 01 04 05,321 -- 01 04 07,100 So you faked your own death to get ahead of them? 868 01 04 07,101 -- 01 04 08,879 It worked for a while. 869 01 04 08,880 -- 01 04 11,000 Except you let John know you re alive, therefore me. 870 01 04 11,001 -- 01 04 13,119 I knew you d keep my secret. 871 01 04 13,120 -- 01 04 14,519 You couldn t. 872 01 04 14,520 -- 01 04 16,160 But you did, didn t you? 873 01 04 17,320 -- 01 04 19,119 Where s my camera-phone? 874 01 04 19,120 -- 01 04 20,519 It s not here. 875 01 04 20,520 -- 01 04 21,959 We re not stupid. 876 01 04 21,960 -- 01 04 23,820 What have you done with it? 877 01 04 23,821 -- 01 04 25,679 If they ve guessed, they ll be watching you. 878 01 04 25,680 -- 01 04 27,999 Then they ll know I took a safety deposit box 879 01 04 28,000 -- 01 04 30,079 at a bank on the Strand a few months ago. 880 01 04 30,080 -- 01 04 32,159 I need it. 881 01 04 32,160 -- 01 04 34,520 Well, we can t just go and get it, can we? 882 01 04 35,760 -- 01 04 39,919 Molly Hooper, she could collect it, take it to Barts. 883 01 04 39,920 -- 01 04 44,119 Then one of your homeless network could bring it here, leave it in the cafe, 884 01 04 44,120 -- 01 04 46,679 one of the boys downstairs could bring it up the back. 885 01 04 46,680 -- 01 04 50,239 Very good, John, excellent plan, full of intelligent precautions. 886 01 04 50,240 -- 01 04 53,120 Thank you. So, why don t I phone... 887 01 04 54,200 -- 01 04 57,759 So, what do you keep on here? 888 01 04 57,760 -- 01 04 59,559 In general, I mean? 889 01 04 59,560 -- 01 05 02,679 Pictures, information, anything I might find useful. 890 01 05 02,680 -- 01 05 04,960 For blackmail? For protection. 891 01 05 05,960 -- 01 05 08,039 I make my way in the world, I misbehave. 892 01 05 08,040 -- 01 05 12,439 I like to know people will be on my side exactly when I need them to be. 893 01 05 12,440 -- 01 05 16,399 So how do you acquire this information? I told you I misbehave. 894 01 05 16,400 -- 01 05 18,840 But you ve acquired something more danger than protection. 895 01 05 18,841 -- 01 05 21,279 Do you know what it is? Yes... 896 01 05 21,280 -- 01 05 22,919 but I don t understand it. 897 01 05 22,920 -- 01 05 24,640 I assumed. Show me. 898 01 05 26,800 -- 01 05 28,160 The passcode. 899 01 05 41,200 -- 01 05 42,759 It s not working. 900 01 05 42,760 -- 01 05 45,199 No, because it s a duplicate I had made 901 01 05 45,200 -- 01 05 47,639 into which you just entered the numbers 1058. 902 01 05 47,640 -- 01 05 52,800 I assumed you d choose something more specific than that, but thanks, anyway. 903 01 06 02,120 -- 01 06 05,199 I told you that camera-phone was my life. 904 01 06 05,200 -- 01 06 06,879 I know when it s in my hand. 905 01 06 06,880 -- 01 06 09,239 You re rather good. 906 01 06 09,240 -- 01 06 11,240 You re not so bad. 907 01 06 14,720 -- 01 06 16,480 Hamish. 908 01 06 17,720 -- 01 06 22,760 John Hamish Watson, just if you were looking for baby names. 909 01 06 24,320 -- 01 06 28,640 There was a man, an MOD official and I knew what he liked. 910 01 06 29,920 -- 01 06 32,399 One of the things he liked was showing off. 911 01 06 32,400 -- 01 06 34,919 He told me this email was going to save the world. 912 01 06 34,920 -- 01 06 38,799 He didn t know but I photographed it ... he was a bit tied up at the time. 913 01 06 38,800 -- 01 06 41,919 It s a bit small on that screen, can you read it? 914 01 06 41,920 -- 01 06 44,199 Yes. Code, obviously. 915 01 06 44,200 -- 01 06 47,359 I had one of the country s best cryptographers take a look, 916 01 06 47,360 -- 01 06 50,159 though he was mostly upside down, as I recall. 917 01 06 50,160 -- 01 06 52,320 Couldn t figure it out. 918 01 06 54,240 -- 01 06 55,720 What can you do, Mr Holmes? 919 01 06 55,721 -- 01 06 58,920 Go on, impress a girl. 920 01 07 15,000 -- 01 07 16,639 There s a margin for error, 921 01 07 16,640 -- 01 07 18,700 but I m pretty sure there s a 747 leaving 922 01 07 18,701 -- 01 07 20,759 Heathrow tomorrow at 6.30 for Baltimore. 923 01 07 20,760 -- 01 07 23,559 Apparently it s going to save the world, I m not sure how, 924 01 07 23,560 -- 01 07 26,960 but give me a moment, I ve only been on the case eight seconds. 925 01 07 28,080 -- 01 07 31,439 Come on, it s not code, these are seats on a jet. 926 01 07 31,440 -- 01 07 33,759 Look, no I because it can be mistaken for one. 927 01 07 33,760 -- 01 07 36,519 No letters past K the width of the plane is the limit. 928 01 07 36,520 -- 01 07 38,799 The numbers always appear not in sequence, 929 01 07 38,800 -- 01 07 40,900 but the letters have little runs of sequence 930 01 07 40,901 -- 01 07 42,999 families and couples sitting together. 931 01 07 43,000 -- 01 07 45,180 Only a Jumbo s wide enough for a letter K or 932 01 07 45,181 -- 01 07 47,359 rows past 55, so there s always an upstairs. 933 01 07 47,360 -- 01 07 49,639 A row 13 eliminates superstitious airlines. 934 01 07 49,640 -- 01 07 52,879 The style of the flight number, 007 , eliminates a few more. 935 01 07 52,880 -- 01 07 56,719 Assuming a British point of origin because of the original source, 936 01 07 56,720 -- 01 07 59,959 and assuming the crisis is imminent, the only flight that matches 937 01 07 59,960 -- 01 08 02,500 all the criteria and departs within the week is 938 01 08 02,501 -- 01 08 05,040 the 6.30 to Baltimore tomorrow from Heathrow. 939 01 08 06,680 -- 01 08 10,119 Please don t feel obliged to tell me that was amazing, 940 01 08 10,120 -- 01 08 13,719 John s expressed that in every possible variant available in English. 941 01 08 13,720 -- 01 08 16,199 I would have you right here, on this desk, 942 01 08 16,200 -- 01 08 18,400 until you begged for mercy twice. 943 01 08 22,000 -- 01 08 25,160 John, can you check those flight schedules, see if I m right? 944 01 08 27,040 -- 01 08 29,079 I m on it, yeah. 945 01 08 29,080 -- 01 08 31,279 I ve never begged for mercy in my life. 946 01 08 31,280 -- 01 08 32,919 Twice. 947 01 08 32,920 -- 01 08 36,119 Yeah, you re right, flight double o seven. 948 01 08 36,120 -- 01 08 38,519 What did you say? You re right. 949 01 08 38,520 -- 01 08 40,559 No, what did you say after that? 950 01 08 40,560 -- 01 08 43,279 Double o seven, flight double o seven. 951 01 08 43,280 -- 01 08 45,240 Double o seven, double o seven... 952 01 08 45,241 -- 01 08 47,079 Something, double o seven... 953 01 08 47,080 -- 01 08 48,640 What? 954 01 09 05,960 -- 01 09 09,039 Double o seven, double o seven, what? 955 01 09 09,040 -- 01 09 10,680 What, something, what?! 956 01 09 13,200 -- 01 09 15,519 Bond Air is go. 957 01 09 15,520 -- 01 09 16,920 Bond Air is go. 958 01 09 18,200 -- 01 09 21,800 Bond Air is go. 959 01 10 21,480 -- 01 10 25,199 Bond Air is go, that s decided. 960 01 10 25,200 -- 01 10 27,320 Check with the Coventry lot. 961 01 10 31,840 -- 01 10 34,160 Coventry. I ve never been. 962 01 10 35,440 -- 01 10 37,719 Is it nice? 963 01 10 37,720 -- 01 10 39,479 Where s John? 964 01 10 39,480 -- 01 10 41,799 He went out, a couple of hours ago. 965 01 10 41,800 -- 01 10 43,839 I was just talking to him. 966 01 10 43,840 -- 01 10 45,519 He said you do that. 967 01 10 45,520 -- 01 10 48,240 What s Coventry got to do with anything? 968 01 10 50,080 -- 01 10 52,879 It s a story, probably not true 969 01 10 52,880 -- 01 10 55,220 in the Second World War, the Allies knew 970 01 10 55,221 -- 01 10 57,559 Coventry was going to get bombed, because 971 01 10 57,560 -- 01 11 01,159 they d broken the German code, but didn t want the Germans to know that, 972 01 11 01,160 -- 01 11 04,800 so they let it happen anyway. Have you ever had anyone? 973 01 11 06,600 -- 01 11 08,199 I m sorry? 974 01 11 08,200 -- 01 11 11,039 And when I say had, I m being indelicate. 975 01 11 11,040 -- 01 11 13,520 I don t understand. I ll be delicate then. 976 01 11 18,280 -- 01 11 19,839 Let s have dinner. Why? 977 01 11 19,840 -- 01 11 22,359 You might be hungry. I m not. Good. 978 01 11 22,360 -- 01 11 29,199 Why would I... want to have dinner... 979 01 11 29,200 -- 01 11 31,199 if I wasn t hungry? 980 01 11 31,200 -- 01 11 35,239 Mr Holmes, if it was the end of the world, 981 01 11 35,240 -- 01 11 37,560 if this was the very last night... 982 01 11 39,840 -- 01 11 42,439 would you have dinner with me? 983 01 11 42,440 -- 01 11 43,799 Sherlock? 984 01 11 43,800 -- 01 11 45,879 Too late. 985 01 11 45,880 -- 01 11 50,479 That s not the end of the world, that s Mrs Hudson. 986 01 11 50,480 -- 01 11 54,399 Sherlock, this man was at the door, is the bell still not working? 987 01 11 54,400 -- 01 11 55,759 He shot it. 988 01 11 55,760 -- 01 11 57,919 Have you come to take me away again? 989 01 11 57,920 -- 01 11 59,759 Yes, Mr Holmes. Well, I decline. 990 01 11 59,760 -- 01 12 02,160 I don t think you do. 991 01 12 30,400 -- 01 12 32,879 There s going to be a bomb on a passenger jet. 992 01 12 32,880 -- 01 12 35,319 The British and Americans know about it, 993 01 12 35,320 -- 01 12 38,040 but rather than expose their source they re going 994 01 12 38,041 -- 01 12 40,759 to let it happen the plane will blow up. 995 01 12 40,760 -- 01 12 43,359 Coventry all over again. 996 01 12 43,360 -- 01 12 46,440 The wheel turns, nothing is ever new. 997 01 13 20,200 -- 01 13 24,439 Well, you re looking all better. 998 01 13 24,440 -- 01 13 27,279 How you feeling? 999 01 13 27,280 -- 01 13 29,679 Like putting a bullet in your brain, sir. 1000 01 13 32,840 -- 01 13 35,719 They d pin a medal on me if I did... 1001 01 13 35,720 -- 01 13 37,080 sir. 1002 01 14 15,840 -- 01 14 18,279 The Coventry conundrum. 1003 01 14 18,280 -- 01 14 20,560 What do you think of my solution? 1004 01 14 22,720 -- 01 14 24,800 The flight of the dead. 1005 01 14 26,760 -- 01 14 30,279 Plane blows up midair, mission accomplished for the terrorists, 1006 01 14 30,280 -- 01 14 32,879 hundreds of casualties, but nobody dies. 1007 01 14 32,880 -- 01 14 35,079 Neat, don t you think? 1008 01 14 35,080 -- 01 14 38,879 You ve been stumbling around the fringes of this one for ages. 1009 01 14 38,880 -- 01 14 42,639 Or were you too bored to notice the pattern? 1010 01 14 42,640 -- 01 14 45,439 They wouldn t let us see Granddad when he was dead. 1011 01 14 45,440 -- 01 14 49,359 She s not my real aunt I know human ash. 1012 01 14 49,360 -- 01 14 52,919 We ran a similar project with the Germans a while back, 1013 01 14 52,920 -- 01 14 56,560 though I believe one of our passengers didn t make the flight. 1014 01 14 58,480 -- 01 15 01,079 But that s the deceased for you... 1015 01 15 01,080 -- 01 15 04,439 late, in every sense of the word. 1016 01 15 04,440 -- 01 15 06,079 How is the plane going to fly? 1017 01 15 06,080 -- 01 15 09,119 Of course, unmanned aircraft, hardly new. 1018 01 15 09,120 -- 01 15 10,839 It doesn t fly. 1019 01 15 10,840 -- 01 15 12,439 It will never fly. 1020 01 15 12,440 -- 01 15 14,599 This entire project is cancelled. 1021 01 15 14,600 -- 01 15 18,799 The terrorist cells have been informed we know about the bomb. 1022 01 15 18,800 -- 01 15 20,520 We can t fool them now. 1023 01 15 22,000 -- 01 15 24,039 We ve lost everything. 1024 01 15 24,040 -- 01 15 26,759 One fragment of one email, 1025 01 15 26,760 -- 01 15 31,160 and months and years of planning finished. 1026 01 15 32,360 -- 01 15 35,639 Your MOD man. That s all it takes. 1027 01 15 35,640 -- 01 15 38,879 One lonely, naive man, desperate to show off, 1028 01 15 38,880 -- 01 15 42,560 and a woman clever enough to make him feel special. 1029 01 15 44,160 -- 01 15 46,919 You should screen your defence people more carefully. 1030 01 15 46,920 -- 01 15 51,080 I m not talking about the MOD man, Sherlock, I m talking about you! 1031 01 15 53,720 -- 01 15 55,480 The damsel in distress. 1032 01 15 57,400 -- 01 16 01,079 In the end, are you really so obvious? 1033 01 16 01,080 -- 01 16 02,960 Because this was textbook. 1034 01 16 04,560 -- 01 16 08,760 The promise of love, the pain of loss, the joy of redemption. 1035 01 16 10,440 -- 01 16 13,680 Then give him a puzzle and watch him dance. 1036 01 16 15,120 -- 01 16 16,559 Don t be absurd! 1037 01 16 16,560 -- 01 16 17,999 Absurd? 1038 01 16 18,000 -- 01 16 21,679 How quickly did you decipher that email for her? 1039 01 16 21,680 -- 01 16 23,399 Was it the full minute? 1040 01 16 23,400 -- 01 16 26,199 Or were you really eager to impress? 1041 01 16 26,200 -- 01 16 28,720 I think it was less than five seconds. 1042 01 16 29,840 -- 01 16 31,640 I drove you into her path. 1043 01 16 34,160 -- 01 16 37,199 I m sorry, I didn t know. 1044 01 16 37,200 -- 01 16 39,479 Mr Holmes, I think we need to talk. 1045 01 16 39,480 -- 01 16 43,639 So do I, there are a number of aspects I m still not clear on. 1046 01 16 43,640 -- 01 16 45,400 Not you, Junior, you re done now. 1047 01 16 46,800 -- 01 16 48,879 There s more, loads more. 1048 01 16 48,880 -- 01 16 51,519 On this phone I ve got secrets, pictures 1049 01 16 51,520 -- 01 16 54,399 and scandals that could topple your whole world. 1050 01 16 54,400 -- 01 16 58,879 You have no idea how much havoc I can cause and exactly one way to stop me. 1051 01 16 58,880 -- 01 17 00,959 Unless you want to tell your masters 1052 01 17 00,960 -- 01 17 04,240 that your biggest security leak is your own little brother. 1053 01 17 12,160 -- 01 17 14,879 We have people who can get into this. 1054 01 17 14,880 -- 01 17 17,719 I tested that theory for you. 1055 01 17 17,720 -- 01 17 20,479 I let Sherlock Holmes try it for six months. 1056 01 17 20,480 -- 01 17 24,039 Sherlock, dear, tell him what you found when you x-rayed my phone. 1057 01 17 24,040 -- 01 17 26,879 Four additional units wired inside the casing, 1058 01 17 26,880 -- 01 17 29,799 I suspect containing acid or a small explosive. 1059 01 17 29,800 -- 01 17 32,399 Any attempt to open it will burn the hard drive. 1060 01 17 32,400 -- 01 17 33,519 Explosive. 1061 01 17 33,520 -- 01 17 35,519 It s more me. 1062 01 17 35,520 -- 01 17 38,079 Some data is always recoverable. 1063 01 17 38,080 -- 01 17 39,360 Take that risk. 1064 01 17 39,361 -- 01 17 41,319 You have a passcode to open this. 1065 01 17 41,320 -- 01 17 45,159 I deeply regret to say, we have people who can extract it from you. 1066 01 17 45,160 -- 01 17 47,279 Sherlock? There will be two passcodes 1067 01 17 47,280 -- 01 17 50,479 one to open the phone, one to burn the drive. 1068 01 17 50,480 -- 01 17 53,359 Even under duress, you can t know which one she s given 1069 01 17 53,360 -- 01 17 56,519 and there would be no second attempt. He s good, isn t he? 1070 01 17 56,520 -- 01 17 58,199 I should have him on a leash. 1071 01 17 58,200 -- 01 18 00,399 In fact, I might. 1072 01 18 00,400 -- 01 18 04,039 We destroy this, then. No-one has the information. 1073 01 18 04,040 -- 01 18 05,559 Fine, good idea. 1074 01 18 05,560 -- 01 18 08,319 Unless there are lives of British citizens 1075 01 18 08,320 -- 01 18 10,519 depending on the information you burn. 1076 01 18 10,520 -- 01 18 14,439 Are there? Telling you would be playing fair. 1077 01 18 14,440 -- 01 18 16,640 I m not playing any more. 1078 01 18 19,640 -- 01 18 21,679 A list of my requests, 1079 01 18 21,680 -- 01 18 25,560 and some ideas about my protection once they re granted. 1080 01 18 27,280 -- 01 18 29,680 I d say it wouldn t blow much of a hole in the 1081 01 18 29,681 -- 01 18 32,080 wealth of a nation, but then I d be lying. 1082 01 18 35,440 -- 01 18 39,079 I imagine you d like to sleep on it. Thank you, yes. 1083 01 18 39,080 -- 01 18 40,480 Too bad. 1084 01 18 41,720 -- 01 18 43,880 Off you pop and talk to people. 1085 01 18 47,840 -- 01 18 50,320 You ve been very... thorough. 1086 01 18 51,680 -- 01 18 54,279 I wish our lot were half as good as you. 1087 01 18 54,280 -- 01 18 58,160 I can t take all the credit, I had a bit of help. 1088 01 18 59,400 -- 01 19 01,799 Jim Moriarty sends his love. 1089 01 19 01,800 -- 01 19 03,559 Yes, he s been in touch. 1090 01 19 03,560 -- 01 19 07,199 Seems desperate for my attention, 1091 01 19 07,200 -- 01 19 09,479 which I m sure can be arranged. 1092 01 19 09,480 -- 01 19 12,839 I had all this stuff and never knew what to do with it. 1093 01 19 12,840 -- 01 19 15,959 Thank God for the consultant criminal. 1094 01 19 15,960 -- 01 19 19,839 Gave me a lot of advice about how to play the Holmes boys. 1095 01 19 19,840 -- 01 19 21,839 Do you know what he calls you? 1096 01 19 21,840 -- 01 19 24,079 The Ice Man... 1097 01 19 24,080 -- 01 19 25,520 and the Virgin. 1098 01 19 26,680 -- 01 19 30,119 Didn t even ask for anything, he just likes to cause trouble 1099 01 19 30,120 -- 01 19 31,519 that s my kind of man. 1100 01 19 31,520 -- 01 19 33,359 And here you are, 1101 01 19 33,360 -- 01 19 38,559 the dominatrix who brought a nation to its knees. 1102 01 19 38,560 -- 01 19 40,679 Nicely played. 1103 01 19 40,680 -- 01 19 42,240 No. 1104 01 19 43,440 -- 01 19 44,720 Sorry? 1105 01 19 47,120 -- 01 19 48,519 I said no. 1106 01 19 48,520 -- 01 19 51,039 Very, very close, but no. 1107 01 19 51,040 -- 01 19 52,879 You got carried away. 1108 01 19 52,880 -- 01 19 56,559 The game was too elaborate, you were enjoying yourself too much. 1109 01 19 56,560 -- 01 19 58,399 There s no such thing as too much. 1110 01 19 58,400 -- 01 20 00,799 Enjoying the thrill of the chase is fine. 1111 01 20 00,800 -- 01 20 04,079 Craving the distraction of the game, I sympathise, but sentiment? 1112 01 20 04,080 -- 01 20 07,799 Sentiment is a chemical defect found in the losing side. 1113 01 20 07,800 -- 01 20 10,559 Sentiment? What are you talking about? 1114 01 20 10,560 -- 01 20 12,040 You. 1115 01 20 13,480 -- 01 20 15,799 Dear God. 1116 01 20 15,800 -- 01 20 17,200 Look at the poor man. 1117 01 20 18,360 -- 01 20 21,279 You don t actually think I was interested in you? 1118 01 20 21,280 -- 01 20 22,999 Why? 1119 01 20 23,000 -- 01 20 25,359 Because you re the great Sherlock Holmes, 1120 01 20 25,360 -- 01 20 27,559 the clever detective in the funny hat? 1121 01 20 27,560 -- 01 20 30,000 No. 1122 01 20 35,360 -- 01 20 37,680 Because I took your pulse. 1123 01 20 47,720 -- 01 20 49,239 Elevated. 1124 01 20 49,240 -- 01 20 51,160 Your pupils dilated. 1125 01 20 55,120 -- 01 20 58,039 I imagine John Watson thinks love s a mystery to me, 1126 01 20 58,040 -- 01 21 02,919 but the chemistry is incredibly simple and very destructive. 1127 01 21 02,920 -- 01 21 05,240 When we first met, you told me that disguise 1128 01 21 05,241 -- 01 21 07,559 is always a self-portrait - How true of you. 1129 01 21 07,560 -- 01 21 09,998 The combination to your safe, your measurements 1130 01 21 09,999 -- 01 21 11,960 but this, this is far more intimate, 1131 01 21 11,961 -- 01 21 15,879 this is your heart and you should never let it rule your head. 1132 01 21 15,880 -- 01 21 19,319 You could have chosen any number and walked out with everything. 1133 01 21 19,320 -- 01 21 22,079 But you just couldn t resist it, could you? 1134 01 21 22,080 -- 01 21 27,039 I ve always assumed that love is a dangerous disadvantage. 1135 01 21 27,040 -- 01 21 29,000 Thank you for the final proof. 1136 01 21 30,760 -- 01 21 33,840 Everything I said, it s not real. 1137 01 21 35,520 -- 01 21 37,479 I was just playing the game. 1138 01 21 37,480 -- 01 21 40,079 I know. 1139 01 21 40,080 -- 01 21 42,040 And this is just losing. 1140 01 21 50,880 -- 01 21 53,039 There you are, Brother, 1141 01 21 53,040 -- 01 21 56,399 hope the contents make up for any inconvenience caused tonight. 1142 01 21 56,400 -- 01 21 59,519 I m certain they will. If you re feeling kind, lock her up, 1143 01 21 59,520 -- 01 22 01,839 let her go and I doubt she ll survive long. 1144 01 22 01,840 -- 01 22 04,600 Are you expecting me to beg? Yes. 1145 01 22 09,040 -- 01 22 10,640 Please. 1146 01 22 12,800 -- 01 22 14,520 You re right. 1147 01 22 15,520 -- 01 22 17,760 I won t even last six months. 1148 01 22 19,080 -- 01 22 21,240 Sorry about dinner. 1149 01 22 46,120 -- 01 22 47,639 You don t smoke. 1150 01 22 47,640 -- 01 22 50,360 I also don t frequent cafes. 1151 01 22 58,440 -- 01 23 01,719 This the file on Irene Adler? 1152 01 23 01,720 -- 01 23 03,639 Closed forever. 1153 01 23 03,640 -- 01 23 06,239 I am about to go and inform my brother 1154 01 23 06,240 -- 01 23 08,159 or, if you prefer, you are 1155 01 23 08,160 -- 01 23 13,399 that she somehow got herself into a witness protection scheme in America. 1156 01 23 13,400 -- 01 23 16,239 New name, new identity. 1157 01 23 16,240 -- 01 23 20,119 She will survive and thrive... 1158 01 23 20,120 -- 01 23 22,039 but he will never see her again. 1159 01 23 22,040 -- 01 23 23,399 Why would he care? 1160 01 23 23,400 -- 01 23 25,799 He despised her at the end. 1161 01 23 25,800 -- 01 23 28,839 Won t even mention her by name, just The Woman . 1162 01 23 28,840 -- 01 23 31,400 Is that loathing or a salute? 1163 01 23 32,840 -- 01 23 36,039 One of a kind, the one woman who matters. 1164 01 23 36,040 -- 01 23 38,399 He s not like that. 1165 01 23 38,400 -- 01 23 42,159 He doesn t feel things that way, I don t think. 1166 01 23 42,160 -- 01 23 45,799 My brother has the brain of a scientist or a philosopher, 1167 01 23 45,800 -- 01 23 47,840 yet he elects to be a detective. 1168 01 23 49,200 -- 01 23 51,279 What might we deduce about his heart? 1169 01 23 51,280 -- 01 23 52,639 I don t know. 1170 01 23 52,640 -- 01 23 54,879 Neither do I. 1171 01 23 54,880 -- 01 23 57,920 But, initially, he wanted to be a pirate. 1172 01 24 00,240 -- 01 24 01,520 He ll be OK with this 1173 01 24 01,521 -- 01 24 03,160 witness protection, never seeing her again 1174 01 24 03,161 -- 01 24 04,799 he ll be fine. 1175 01 24 04,800 -- 01 24 07,079 I agree. 1176 01 24 07,080 -- 01 24 09,440 That s why I decided to tell him that. 1177 01 24 11,680 -- 01 24 13,320 Instead of what? 1178 01 24 14,560 -- 01 24 15,960 She s dead. 1179 01 24 17,280 -- 01 24 20,559 She was captured by a terrorist cell in Karachi two months ago 1180 01 24 20,560 -- 01 24 23,040 and beheaded. 1181 01 24 27,520 -- 01 24 29,039 It was definitely her? 1182 01 24 29,040 -- 01 24 30,599 She s done this before. 1183 01 24 30,600 -- 01 24 32,680 I was thorough this time. 1184 01 24 33,920 -- 01 24 36,879 It would take Sherlock Holmes to fool me, 1185 01 24 36,880 -- 01 24 40,120 and I don t think he was on hand, do you? 1186 01 24 41,720 -- 01 24 43,000 So... 1187 01 24 50,080 -- 01 24 52,120 What shall we tell Sherlock? 1188 01 24 59,320 -- 01 25 01,039 Clearly you ve got news. 1189 01 25 01,040 -- 01 25 04,519 If it s about the Leeds triple murder, it was the gardener. 1190 01 25 04,520 -- 01 25 07,039 Did nobody notice the earring? Hi. 1191 01 25 07,040 -- 01 25 11,960 No, it s, um... it s about Irene Adler. 1192 01 25 13,680 -- 01 25 15,479 Well? 1193 01 25 15,480 -- 01 25 17,799 Something happened? Has she come back? 1194 01 25 17,800 -- 01 25 21,319 No, she s... I bumped into Mycroft downstairs, he had to take a call. 1195 01 25 21,320 -- 01 25 23,079 Is she back in London? 1196 01 25 23,080 -- 01 25 25,319 No... 1197 01 25 25,320 -- 01 25 26,840 She s... 1198 01 25 30,400 -- 01 25 33,399 She s in America. America? 1199 01 25 33,400 -- 01 25 36,799 Got herself on a witness protection scheme, apparently. 1200 01 25 36,800 -- 01 25 41,679 Don t know how she swung it, but... well, you know. 1201 01 25 41,680 -- 01 25 44,039 I know what? You won t be able to see her again. 1202 01 25 44,040 -- 01 25 47,839 Why would I want to see her again? Didn t say you did. 1203 01 25 47,840 -- 01 25 50,999 Is that her file? Yes, I was going to take it back to Mycroft. 1204 01 25 51,000 -- 01 25 52,560 Do you want to... No. 1205 01 26 01,240 -- 01 26 02,919 Listen, actually... 1206 01 26 02,920 -- 01 26 05,080 But I will have the camera-phone though. 1207 01 26 06,280 -- 01 26 09,919 There s nothing on it, it s been stripped... I know, but I... 1208 01 26 09,920 -- 01 26 11,439 I ll still have it. 1209 01 26 11,440 -- 01 26 14,600 I ve got to give this back to Mycroft, you can t keep it. 1210 01 26 16,040 -- 01 26 20,079 Sherlock, I have to give this to Mycroft, it s the government s now... 1211 01 26 20,080 -- 01 26 22,000 Please. 1212 01 26 34,720 -- 01 26 36,400 Thank you. 1213 01 26 38,240 -- 01 26 40,560 Well, I d better take this back. Yes. 1214 01 26 49,320 -- 01 26 53,639 Did she ever text you again, after all that? 1215 01 26 53,640 -- 01 26 56,159 Once, a few months ago. 1216 01 26 56,160 -- 01 26 58,439 What did she say? 1217 01 26 58,440 -- 01 27 00,200 "Goodbye, Mr Holmes." 1218 01 28 12,400 -- 01 28 14,159 When I say run... 1219 01 28 14,160 -- 01 28 16,680 run! 1220 01 28 33,040 -- 01 28 35,040 The Woman. 1221 01 28 42,640 -- 01 28 44,880 THE Woman. 1222 01 29 21,880 -- 01 29 23,880 Sync and corrected by font color="#ffff00" APOLLO /font font color="#00ff00" www.addic7ed.com /font

• マッチムーブ@ wiki - Checking The Trackers

  https://w.atwiki.jp/matchmove/pages/67.html

  Pre-Solve Tracker Checking　解析前のトラッカーチェック  訳者注）グラフのポイントはVelocity Spikes（速度スパイク）を見つけることにあるようです。 トラッカーが途中で間違ったものを追ってしまった場合、一瞬にして別の場所へ移動します。トラッカーの移動速度が一瞬上がるわけです。これを見つけだすことで不正なトラッカーを見つけだすことができます。 （以下本文） 手動トラッキングをしているとき、十分なトラッカーがショットを通して配置できていることを確認するために、ショットを解析し始める前に定期的にトラッカーをチェックしなければなりません。 ショットを解析し始める前、自動トラッキングの後にも、トラッカーをチェックすることができます。 （単純なショットの場合、自動トラッカーでトラッキングから解析までを直接行うことができます。）  このセクションは、解析する前にトラッカーを検査する方法を記載します。 SynthEyesGraph Editorを紹介します。 解析した後に、clean-up toolを含む、他のテクニックとツールを利用できます。 Tip：以下のツール・ティプスの内、自動トラッカーは灰色、 手動トラッカーは金色の背景が表示されます。   Checking the Tracker Trails　トラッカー・テイルをチェックする 以下の手順は、問題あるトラッカーと状態（例えば、あまりに役に立つトラッカーが少ないフレームなど）を直ぐにチェックする方法です。 1. カメラ・ビューへ移動してください 2.メインまたは右クリック・メニューで、View/Show Imageをオフにしてください。 3.ショットのタイム・バー上で、クリック ドラッグで左右にマウスを動かし(スクラブし)、以下を探してください 　・多くのトラッカーがないイメージの領域 　・全イメージが多くのトラッカーを持っていないショットの部分 　・他と違った方向に動いているトラッカー 4. メインまたは右クリック・メニューでView/Show tracker trailsをオンにしてください。 5. ショットのタイム・バー上でスクラブし、以下を探してください 　・トラックの始まりか最後のおかしいフック（特に画像の端で現れます） 　・テイルが不連続にジグザグしているもの。 イメージなしの方がモーション・パスを分析しやすいはずです。おそらく、イメージ自体によって惑わされないからです。 このプロセスは、問題の多いショット(低いパースペクティブによるショット、三脚で突然撮られたショット、若干のドリーまたは揺れている三脚ショット、中央のどこかに少しズームがあるショット)の性質を決定するのに有効です。   Checking Tracker Lifetimes  Graph Editorのトラックビューでショットを通してフレーム毎にどのくらい多くのトラッカーが有効か概要をみることができます。 graph editorはツールバーのボタンを使用してフローティングウインドウにすることができます。また、それは、それ自体によるビューポートとして、または、他のビューポート構成の一部とにすることができます。 グラフ・エディタを開けたあと、以前に再生していたならば、それがトラック・ビューであることを確認してください。 ショットが手動トラッキングであるならば、アルファベットソートからタイムソートにしてください。 ウインドウの大きさを変更したならば、横スケーリングもリセットしてください。 次にパネルの右下ののボタンをクリックします。選択すると、トラッカーカウントバックグラウンドが見えている状態で、キーが消え、グラフが圧縮されます。グラフエディタはこのようにみえるはずです。   各バーは一つのトラッカーに対応しています。 Tracker4は選択されていて、強調されています。 色分けされたバックグラウンドは、トラッカーの数が、左で問題が多く、中央はOKで、右で安全を示します。 あなたは好きに、セーフレベルを構成できます。 このレベル(デフォルト12)を超えると、バックグラウンドは白くなるでしょう(グレーを暗いUI設定にしてください)。 しかし、セーフレベルを下回ると、バックグラウンドは Ok の、緑色の明るい色合いになるでしょう。 トラッカーの数はOKですが、希望するセーフレベルに達するほど高いわけではありません。 この圧縮された画面はトラッカーがショットの間中どう分配されているかにおける素晴らしいクイック・ルックを与えます。 色分けは三脚台モードショットと保持領域があるショットにより異なります。 ウェイトが0のトラッカーは数えません。 Hint When the graph editor is in graph mode, you can look at a direct graph of the number of valid trackers on each frame by turning on the #Normal channel of the Active Trackers node. If there are unavoidably too few trackers on some frames, you can use the Skip Frames track on theFeature Control Panel to proceed. The graph editor is divided into three main areas a hierarchy area at top left, a canvas area at top right, and a tool area at the bottom. You can change the width of the hierarchy area by sliding the gutter on its right. You can partially or completely close the tool area with the toolbox at left. A minimal view is particularly handy when the graph editor is embedded in a viewport layout. In the hierarchy area. you can select trackers by clicking their line. You can control-click to toggle selections, or shift-drag to select a range. The scrollbar at left scrolls the hierarchy area. You can also select trackers in the canvas area in squish mode, using the same mouse operations as in the hierarchy area. The icons next to the tracker name provide quick control over the tracker visibility, color, lock status, and enable. Warning you can not change the enable, or much else, of a tracker while it is locked! The small green swatch shows the display color of a tracker or mesh. Double-clicking brings up the color selection dialog so you can change the display color. You can shift-click a color, and add all trackers of that color to the current selection, control-click the swatch of an unselected tracker to select only trackers of that color, or control-click the swatch on a selected tracker to unselect the trackers of that color. Jumping ahead, the graph editor hierarchy also shows any coordinate-system lock settings for each tracker x, y, and z for the respective axis constraints; l (lower-case L) when there is a linked tracker on the same object; i for a linked tracker on a different object (an indirect link); d for a distance constraint; 0 for a zero-weighted tracker; p for a pegged tracker; F for a tracker you specified to be far; f for a tracker not requested to be far, but solved as far for cause. Introduction to Tracker Graphs The graph editor helps you find bad trackers and identify the bad portions of their track. The graph editor has a very extensive feature set that we will begin to overview; for full details see thegraph editor reference. We won’t get to the process of how to find the worst ones until the end of the section, when you understand the viewport. To begin, open the graph editor and select the graphs mode. Selecting a tracker, or exposing its contents, causes its graphs to appear. In this example, a tracker suddenly started jumping along fence posts, from pole to pole on three consecutive frames. The red curve is the horizontal U velocity, the green is the vertical V velocity, and the purple curve is the tracker figure-of-merit (for supervised trackers). You can see the channels listed under Tracker15 at left. The green circles show which channels are shown; zoom, pan, and color controls are adjacent. Double-clicking will turn on or off all the related channels. There are a variety of different curves available, not only for the trackers but for other node types within SynthEyes. The graph editor is amult-curveeditor—any number of completely different kinds of curves can be displayed simultaneously. There is no single set of coordinate values in the vertical direction because the zoom and pan can be different for each kind of channel. To determine the numeric value at any particular point on a curve, put the mouse over it and the tooltip will pop up with the set of values. The graph editor displays curves for each node that is exposed (its channels are displayed; Enable, U. Vel, V. Vel, etc above). The graph editor also displays curves for all selected nodes (trackers, cameras, or moving objects) as long as theDraw Curves for Selected Nodesbutton is turned on. This gives you quite a bit of quick control over what is drawn, and enables you to compare a single tracker or camera s curves to any other tracker as you run through them all, for example. You zoom a channel by dragging the small zoom icon. The zoom setting is shared between all channels with the same type. For example, the U and V velocity channels are the same type, as are the X, Y, and Z position channels of the camera. But the U velocity and U position are different types. If you click on the small Zoom icon, the other zoom icons of the same type will flash. The zoom setting is also shared between nodes of the same type zooming or panning on one tracker affects the other trackers too. All related channels will zoom also, so that the channels remain comparable to one another. This saves time and helps prevents some incorrect thought patterns. The pan setting is also shared between nodes, but not between channels the U velocity and V velocity can be separated out. When you pan, you’ll see a horizontal line that is the “zero level” of the channel. It will snap slightly to horizontal grid lines, making it easier to make several different curves line up to the same location. You can later check on the zero level by tapping the zoom or pan icons. There are two kinds of auto-zooms, activated by double-clicking the zoom or pan icons. The zoom double-click auto-zooms, but makes all channel of the same type have the same zero level. The pan double-click auto-zooms, but pans the channels individually. As a result, the zoom double-click keeps the data more organized and easier to follow, but the pan double-click allows for a higher zoom factor, because the zero levels can be different. For example, consider zooming an X position that runs 0 to 1, and a Y position that runs 10 to 12. If we pan double-click, the X curve will run full-screen from 0 to 2, and Y will run full-screen from 10 to 12. Note that X is not 0 to 1, because it must have the same zoom factor as Y. X will only occupy the bottom half of the screen. If we zoom double-click, X will run from 0 to 12 full screen, and Y will run from 0 to 12 full screen. The range and zero locations of both curves will be the same, and we’ll be better-able to see the relationship between the two curves. But if we want to see details, the pan-double-click is a better choice. There is no option to have X run 0 to 1 and Y run 10 to 12, by design. Both zoom and pan settings can be reset by right-clicking on the respective icons. Interpreting Figure of Merit   In this example, two trackers have been supervised-tracked with a Key Every setting of 20 frames (but starting at different frames). The tracker Figure of Merit (FOM) curve measures the amount of difference between the tracker s reference pattern and what is found in the image. You see it drop down to zero each time there is a key, because then the reference and image are the same. One tracker has a small FOM value that stays mostly constant. The other tracker has a much larger FOM, and in part of the shot it is much larger. In a supervised shot, the reason for that should be investigated. You can use this curve to help decide how often to place a key automatically. The 20 frame value shown above is plenty for those features. If you see the following, you should reduce the spacing between keys.   You’ll also be able to see the effect of theKey Smoothsetting the key smoothing will flatten out a steadily increasing curve into a gently rounded hump, which will reduce spikes in the final camera path. Velocity Spikes Here s an example of a velocity curve from the graph editor At frame 217, the tracker jumped about 3 pixels right, to a very similar feature. At frame 218, it jumped back, resulting in the distinctive sawtooth pattern the U velocity curve exhibits. If left as-is, this spike will result in a small glitch in the camera path on frame 217.  You can repair it using theTracker control panel in the main user interface by going to frame 217. Jiggle back and forth a few frames with the S and D keys to see what s happening, then unlock the tracker and drop down a new key or two. Step around to re-track the surrounding frames with the new keys (or rewind and play through the entire sequence, which is most reliable). DeGlitch Mode You can also repair the glitch by switching to the Deglitch mode of the graph editor, then clicking on the first (positive) peak of the U velocity at frame 217. SynthEyes will compute a new tracker location that is the average of the prior and following locations. For most shots, this will eliminate the spike. If you see a velocity spike in one direction only, it will be more difficult to correct it means that the tracker has jumped to a nearby feature, and not come back. You will have to put it back in its correct location and then play (track) through the rest of the shot. The deglitch tool can also chop off the first or last frame of a tracker, which can be affected when an object moves in front, or a feature is moving offscreen. Even if the last two or three frames are bad, you can click a few times and quickly chop them off. Finding Spikes Before Solving Learn to recognize these velocity spikes directly. There are double spikes when a tracker jumps off course and returns, single spikes when it jumps off course to a similar feature and stays there, large sawtooth areas where it is chattering between near-identical features (or needs a new position key for reference), or big takeoff ramps where it gets lost and heads off into featureless territory. To help find these issues, the graph editor features the Isolate mode. Left-click it to turn it on, then right-click it to select all the trackers (it does not have to be on for right-clicking to work). With all the trackers selected, you will usually see a common pattern for most of the trackers, plus a few spots where things stick out. If you click the mouse over the spikes that stick out, that tracker will be selected for further investigation. You can push the left button and keep it down and move around investigating different curves, before releasing it to select a particular one. It can be quicker to delete extra automatic trackers, rather than repairing them. After repairing each tracker, you can right-click the isolate button again, and look for more. With two monitors, you can put the graph editor on one, and the camera view on another. With only one monitor, it may be easiest to operate the graph editor from the Camera Graphs viewport configuration. Once you are done, do arefine-mode solving cycle. Hint You can stay in Deglitch mode, and temporarily isolate by holding down the control key. This gives a quick workflow for finding and repairing glitches.

• オペラ対訳プロジェクト - Honegger,Arthur/Jeanne d'Arc au bûcher/1

  https://w.atwiki.jp/oper/pages/3130.html

  PROLOGUE (Une scène à deux étages réunis par un escalier assez raide. Sur la scène II un bûcher et au milieu du bûcher un poteau auquel Jeanne est attachée par des chaînes. Pendant la première scène obscurité complète) CHŒUR (sotto voce) Ténèbres! Ténèbres! Ténèbres! Et la France était inane et vide, et les tenèbres couvraient la face du royaume. Et l Esprit de Dieu sans savoir où se poser planait sur le chaos des âmes et des coeurs, sur le chaos des âmes et des volontés sur le chaos des consciencies et des âmes. SOPRANO Du fond de l engloutissement j ai élevé mon âme vers toi, Seigneur! Ah Seigneur, si vous tardez encore, qui sera capable de vous soutenir? CHŒUR Ténèbres! Ténèbres! Ténèbres! Et la France était inane et vide, et les tenèbres couvraient la face du royaume. Toi, de la gueule du lion et de la main des unicornes, sauve-nous, Eli, Fortis, Ischyros! RÉCITANT Il y eut une fille appelée Jeanne! CHŒUR Il y eut une fille appelée Jeanne! Il y eut une fille appelée Jeanne! Qui, qui, qui a jamais ouï dire une telle chose? Qui, qui, qui a jamais entendu rien de pareil? Il y eut une fille appelée Jeanne! Est-ce que la terre enfantera en un seul jour? Et tout un peuple sera-t-il engendré dans un même temps? Du fond de l engloutissement j ai élevé mon âme vers toi, Seigneur! RÉCITANT Il y eut une fille appelée Jeanne! CHŒUR Fille de Dieu, va! va! va! RÉCITANT Est-ce que la France va être déchirée en deux pour toujours? CHŒUR Fille de Dieu, va! va! va! RÉCITANT Ce que Dieu a uni, que l homme ne le sépare pas! CHŒUR Fille de Dieu, va! va! va! Cet amour qui nous unit à nos frères. Qui! Qui! Qui sera capable de nous en séparer? Pas la violence, ni le découragement, ni la fraude, et ni l altitude, ni la profondeur… RÉCITANT Il y eut une enfant appelée Jeanne! CHŒUR Et la France était inane et vide et les ténèbres couvraient la face du royaume. De profundis clamavi ad te, Domine, Domine, quis sustinebit? RÉCITANT Il y eut une vierge appelée Jeanne. Scène I Les voix du ciel (On entend un chien hurler dans la nuit. Une fois. Deux fois. A la seconde fois l’orchestre se mêle au hurlement en une espèce de sanglot ou de rire sinistre. A la troisième fois les choeurs. Puis silence. Puis les Voix de la nuit sur la forêt à quoi se mêle peut-être, très faiblement, la chanson de Trimazô et une impression limpide de rossignol. Puis silence et quelques mesures de méditation douloureuse. Puis de nouveau le choeur à bouches fermées. Crescendo. Diminuendo. Puis les Voix, distinctes) CHŒUR Jeanne! Jeanne! Jeanne! Scène II Le livre (Jeanne à demi assise et agenouillée au pied du poteau éclairée par un réflecteur. Entre au pied du bûcher Frère Dominique tenant un livre.) FRÈRE DOMINIQUE Jeanne! Jeanne! Jeanne! JEANNE Qui m appelle? Qui est-ce qui m appelle? Qui est-ce qui a dit Jeanne? (Les voix s estompent progressivement à l imperceptible. Le Réflecteurs sur Fray Domingo) FRERE DOMINIQUE Ne me reconnais-tu pas? JEANNE Je reconnais l habit de Dominique, la robe blanche et le manteau noir. FRERE DOMINIQUE Ma robe blanche que mes frères de Paris et de Rouen ont souillée d une telle souillure que ni la soude, ni l herbe à foulon ne suffiront à l effacer. JEANNE Frère Dominique, la bonté de Dieu y suffira, et le sang de cette fille innocente. FRERE DOMINIQUE Jeanne, ma soeur, ainsi tu m as reconnu? JEANNE Frère, frère Dominique, nous sommes des animaux de la même laine! Et moi, je suis quelqu un dans le troupeau qui reconnait la voix de son conducteur. FRERE DOMINIQUE Puisque mes frères et mes fils m ont trahi; puisque ceux qui devraient être la puissante voix du Vrai se sont faits à contre-Dieu tes accusateurs et tes bourreaux, Jeanne. Puisque la parole entre ces mauvais doigts entremêlés est devenue grimoire, c est moi-même, Dominique, moi, Dominique, qui du ciel suis descendu vers toi avec ce livre. JEANNE Dominique, frère Dominique, tous ces temps, tous ces temps que voici j ai vu beaucoup de plumes à l oeuve autour de moi. FRERE DOMINIQUE Tout cela a fait un livre. JEANNE Cette voix terrible qui me questionnait et toutes ces plumes sans relâche autour de moi. Tout cela a fait un livre et moi, je ne sais pas lire. FRERE DOMINIQUE Le livre que je t apporte pour le comprendre, il n y a pas besoin de savoir ni A ni B. Ce paquet de mots que ces Limousins sur la terre ont ficelé dans le latin de Fouarre; cette procédure qu ils ont pétrie dans le patois de Coutances, les Anges pour tous les temps l ont traduit dans le ciel. JEANNE Lis donc, Frère, au nom de Dieu, pour moi et moi, je regarde par dessus ton épaule. FRÈRE DOMINIQUE (faisant le signe de la croix) Au nom du Père et du Fils et du Saint-Esprit. Ainsi soit-il. CHŒUR Ainsi soit-il. (Fray Domingo se trouve sur le premier barreau de l échelle. Jeanne fait le signe de la croix avec ses mains enchaînées) Scène III Les voix de la terre FRERE DOMINIQUE (lisat) Jeanne! Jeanne! Jeanne! Hérétique! Sorcière! Relapse! Ennemie de Dieu. Ennnemie du Roi. Ennemie du Peuple. Qu on l enlève, qu on la tue, qu on la brûle! JEANNE Hérétique! Sorcière! Relapse! Frére Dominique! Tout cela, c est Jeanne d Arc? Est-ce vrai? Est-ce moi qui suis tout cela? CHŒUR Hérétique! Sorcière! Relapse! Jeanne! Jeanne! Jeanne! JEANNE Eh quoi! Ces prêtres que je vénérais, ce pauvre peuple que j aimais. Leur Jeanne, leur pauvre enfant avec eux c est vrai qu ils veulent la brûler? C est vrai qu ils me brûler… CHŒUR Assez! Assez! Assez! Jeanne! Jeanne! Jeanne! Qu on l enlève, qu on la tue, qu on la brûle! Hérétique! Sorcière! Relapse! FRERE DOMINIQUE Tu as entendu les voix du ciel, et maintenant écoute en bas ce qu ils en ont fait; écoute ce qu ils en ont retenu. Écoute les voix de la terre! BASSE SOLO (à la Bach) Mulier spiritum pythonis habens, anima quaedeclinaverit ad magos et ariolos et fornicatafuerit cum eis… CHŒUR (violemment) Joanna! BASSE SOLO (de même) Ponam, ponam faciem meam contra eam et interficiam eam de medio populi mei! CHŒUR (violemment) lex est! TENOR SOLO (Impérieuse) Joanna! CHŒUR Hic, hic, hic, hic, hic est Joanna. Hic est Joanna peccatrix! TENOR SOLO Stryga! CHŒUR Pereat! TÉNOR SOLO Haeretica! CHŒUR Pereat! TÉNOR Relapsa! CHŒUR Pereat! TENOR Malis artibus addicta! Inimica Regis et Populi! CHŒUR Morte moriatur! TÉNOR Prostibulum inferni! Instrumentum Satanae! CHŒUR Comburatur igne! JEANNE C est vrai! C est vrai! Je me souviens! Le feu qui brûle! Cette fumée qui étouffe! Oh comme cela fait mal! Prêtres! Prêtres de Jésus Christ! C est vrai que je faisais tant de mal? C est vrai que vous la détestiez tellement, votre pauvre Jeanne? CHŒUR (Sourdement) Pereat! FRERE DOMINIQUE Non, Jeanne, ce ne sont pas des prêtres qui t ont jugée. Quand ces bêtes féroces se sont réunies autour de toi, la rage au coeur et l écume aux crocs, ces prêtres, ces politiques, l Ange du Jugement qui tient les hautes balances d un soufflet il a fait tomber de leurs têtes et de leurs épaules la mitre, le capuchon et le froc. (Entrent les Juges en bottes dans un coin.) Les voici dépouillés comme des forçats! Qu ils reçoivent la coiffure qui leur est appropiée! Ils faut que Jeanne comme jadis ses soeurs sur l arène de Rome soit livrée aux bêtes! L élue de Dieu, la Sainte de Dieu. Ce ne sont pas des prêtres, ce ne sont pas des hommes, ce sont des bêtes qui vont la juger. Scène IV Jeanne livrée aux bêtes. (Entre l’appariteur avec plusieurs serviteurs portant les défroques, les masques et les coiffures) LE HERAUT (coup de trompette) La Cour! Faites silence! L APPARITEUR Qui sera le Président? LE HERAUT Le Tigre! CHŒUR Le Tigre! L APPARITEUR Le Tigre se récuse. LE HERAUT Le Renard! CHŒUR Le Renard! L APPARITEUR Le Renard dit qu il est malade. LE HERAUT Le Serpent! CHŒUR Le Serpent! L APPARITEUR Le Serpent s est sifflé lui-même au fond d un trou. LE HERAUT Mais alors il n y a personne pour présider? CHŒUR Mais alors? Si! Si! Si! fait! Il y a quelqu un! L APPARITEUR Qui est-ce? Qui se propose pour juger Jeanne d Arc? PORCUS Moi! Moi! Moi! Moi! Je me propose pour juger Jeanne d Arc. L APPARITEUR Qui êtes-vous? Comment vous appelez-vous? PORCUS Ego nominor Porcus. Je m appelle Cochon. Moi! Moi! Je suis le Cochon. CHŒUR Porcus! Porcus! Roin! Roin! Sit Porcus praeses noster! Non habemus alium judicem nisi Porcum. Vivat et semper vivat Porcus porcorum! Dignus, dignus est praesidere in nostro praeclaro corpore! Roin! Roin! Sicut lilium inter spinas, ita formosus iste inter cucullos! Quis enim dedit nobis patatas? Ceciderunt stellae de coelo et factae sunt pro nobis patatae? Ecce quam bonum et jucundum est habitare fratres in unum, omnes comedentes patatas. Quis judex sicut Porcus Dominus noster? Hic est Nasus inter nasos dijudicans truphas et patatas. Sternutatio ejus splendor ignis. PORCUS Moi! Moi! Je suis le Cochon! CHŒUR Porcus porcorum! Roin! Roin! Vivat et semper vivat Porcus praeses noster! (L’ Appariterr coiffe Porcus d’une tête de cochon- Le président ouvre la séance) L APPARITEUR Qui sont les assesseurs? CHŒUR Bée! bée! bée! (Tout avance à la fois) L APPARITEUR Qui êtes-vous? CHŒUR Ego nominor Péééééécus. L APPARITEUR Pecus de pecore, prenez-place à droite et à gauche et recevez vos insignes. (On les coiffe de têtes de mouton.) Et maintenant, où est le greffier? L ANE C est moi, l Âne! Asinus adest. (Vient le âne. Immense éclat de rire dans le choeur se terminant par des sanglots.) CHŒUR Ha! ha! ha! ha! ÂNE CHŒUR (comme aux fêtes de l’Âne au Moyen Age) BASSES, ENSUITE SOPRANOS Ecce magnis auribus Adventavit Asinus, Pulcher et fortissimus Sarcinis aptissimus. LES AUTRES Hé Sire Âne, ça chantez, Belle bouche rechignez, Vous aurez du foin assez, Et de l avoine à planté, Hi ha!, hi ha!, hi ha! PORCUS Faites entrer l accusée! (Entre Jeanne enchaînée.) Jeanne, successit illi praeclaro tribunali, je veux dire qu après de longs efforts ce sage et illustre tribunal a enfin réussi par des moyens tour à tour sauves et sévères, et par de patientes et ingénieuses interrogations tant physisques que morales, à éliciter la vérité du fond d une volonté égarée et d un coeur pervers. (Le Chœur d âne éclate soudain de rire) CHŒUR Ecce magnis auribus! LE HERAUT Silence! PORCUS Et maintenant il a plu au Roi de France et d Angleterre, notre légitime souverain… (Tous les lieu, renforcer leurs fausses têtes et retourner se pour asseoir) … De te convoquer ici pour entendre ta juste sentence. Tu vas ouir par quelles industries, dans sa grande miséricorde cette Cour sage et illustre que moi, Cochon, je préside… (Tous les lieu, saluent et revenir s asseoir) … A décidé de te débarrasser grâce à la flamme claire du feu de ce noir démon à laquelle tu t es criminellement enchevêtrée. Mais auparavant nous voulons encore une fois de ta bouche cet aveu solennel qui est nécessaire à la sécurité de nos consciences. À genoux! (Jeanne s agenouille) Joanna, filia Romae, faterisne et confiteris te tenerrimam puellam non naturali auxilio victoriam de manibus Regis Nostri… (Tous les lieu, saluent ) … Evulsisse et fortes exercitus ejus sicut paleam in probrosissimam fugam versisse? Traduisez! L ANE Jeanne, reconnais-tu que ce n est pas par tes propres forces et des moyens naturels que tu es venue à bout des Anglais? JEANNE Je l avoue! CHŒUR Elle avoue! PORCUS Écrivez! (Le notaire écrit) Joanna, filia Romae, faterisne et confiteris te auxilio Diaboli potentissimi alapum dedisse Regi Nostro et fortes exerci tus ejus in probrosissimam fugam versisse? Traduisez! L ANE Jeanne, reconnais-tu que c est par l aide du Diable, très puissant Notre Seigneur… (Tous font le geste de se lever.) PORCUS Assis! Assis! Quels idiots! Assis au nom du Diable! (Il arrache le papier des mains de l’Âne.) Jeanne, reconnais-tu que c est par l aide du Diable que tu as tout fait? JEANNE Je dis Non! PORCUS Qu est-ce qu elle dit? L ANE Elle dit qu elle dit oui! PORCUS Écrivez qu elle a dit oui. Et maintenant je vais consulter le tribunal. (S’adressant à droite au premier assis) Pecus, quid dicis? PECUS Bée, bée, bée, bée! PORCUS (s’adressant à gauche de même) Pecus, quid dicis? CHŒUR (a cappella) Bée, bée, bée! L ANE Habemus confitentem reum. PORCUS Docti et sancti fratres, sic vobis justum et aequum videtur ut Joanna, filia Romae, Stryga, morti condemnetur? CHŒUR (violemment) Moriatur stryga! PORCUS Fiat voluntas Regis Nostri! (Toutes salut) Audivistis sententiam. (Comme au début, montant) Stryga! CHŒUR Pereat! PORCUS Haeretica! CHŒUR Pereat! PORCUS Relapsa! CHŒUR Pereat! PORCUS Inimica Regis et totius generis humani! CHŒUR Morte moriatur! PORCUS Joanna Stryga, filia Romae! CHŒUR Comburatur igne! Scène V Jeanne au poteau (Hurlement du chien) JEANNE Quel est ce chien qui hurle dans la nuit? FRERE DOMINIQUE Ce n est pas un chien, c est Yblis le désepéré qui hurle tout seul au fond de l enfer! BASSES Hérétique! JEANNE Hérétique! BASSES Sorciére! JEANNE Sorcière! BASSES Relapse! JEANNE Relapse! BASSES Cruelle! JEANNE Cruelle! C est moi, Jeanne, qui suis tout cela? L Église, les prêtres, tout ce qu il y a au monde de respectable et de capable et de savant; c est cela, d une voix qui me condamne. Explique-moi, frère Dominique, qu est-ce que j ai fait? Lis-moi ce qui est dans le livre. FRERE DOMINIQUE Tous ces grands hommes qui t ont condamnée, ces docteurs et ces savants, Malvenu, Jean Midi, Coupequesne et Toutmouillé, ils croient dur au Diable, mais ils ne veulent pas croire à Dieu. Le Diable, c est une réalité les Anges, c est une bêtise. Le Diable que tu détestais, il t a aidée les Anges que tu invoquais, ils n ont rien fait. Et criminelle des deux côtés ils te condamnent de l une et l autre main. Telle est la sagesse de la Sorbonne. Tels sont ces illustres docteurs qui donnent des nazardes au Pape. JEANNE Mais moi, la pauvre pastoure de Domrémy, comment est-ce que je suis venue jusqu ici? FRERE DOMINIQUE Tu y es venue par l opération du jeu de cartes qu un roi fou a inventé. JEANNE Qu est-ce que c est que le jeu de cartes? FRERE DOMINIQUE On va te l expliquer. Scène VI Les rois ou l’invention du jeu de cartes HERAUT I (expliquant) Le jeu de cartes comprend quatre Rois, quatre Dames et quatre Valets. HERAUT II Sans compter les Chiffres qui sont sept. HERAUT I Le résultat de la partie est que les Rois chan gent de place. HERAUT II Ce qui était au midi va au nord. HERAUT I Ce qui était au levant va au couchant. Ça tourne. HÉRAUT II Quant aux Reines, elles ne changent pas de place, elles sont toujours là. HERAUT I Faites entrer Leurs Majestés! HERAUT III (Annonçant) Le Roi de France! (Entre le Roi de France qui va s’asseoir sur un trône.) Sa Majesté la Bêtise! (Entre la Bêtise.) Le Roi d Angleterre! (Entre le Roi d’Angleterre, un enfant.) Sa Majesté l Orgueil! (Entre l’Orgueil) Le Duc de Bourgogne! (Entre le Duc de Bourgogne.) Sa Majesté l Avarice! (Entre l’Avarice.) HERAUT II Et quel est le quatrième Roi? HERAUT I Dans toutes les parties de cartes il y a un mort. HERAUT III (Annonce à la porte) La Mort! (Entre la Mort.) HERAUT I Et voici maintenant sa compagne et très fidèle épouse, celle qui partage son lit. HERAUT III Sa Majesté la Luxure! (Entre la Luxure) HERAUT I Les Rois changent de place, mais les Reines, Sa Majesté l Orgueil, Sa Majesté la Bêtise, Sa Majesté l Avarice, Sa Majesté la Luxure, ces Majestés ne changent pas de place, elles restent toujours avec nous. HERAUT II Mais ceux qui jouent réellement la partie. ce ne sont pas les Rois, ni les Reines. ce sont les Valets. HERAUT I Faites entrer les Valets! HERAUT III Sa grâce le Duc de Bedford! Son Altesse Jean de Luxembourg! Sa Grandeur Regnault de Chartres! Guillaume de Flavy! (Ils entrent) JEANNE C est lui qui a baissé la herse derrière moi à Compiègne. HERAUT I Le jeu commence, il comprend trois parties. (Sonnerie de trompettes – Musique de vielle Il commence le jeu. Chaque de côté boîte de prises, deux autres carrés un de décoratifs chevaliers et autres de paysans ; c est-à-dire trois donnant Cannée et celui qui les reçoit) Première Partie REGNAULT DE CHARTRES J ai perdu, je veux dire que j ai gagné. BEDFORD J ai gagné, je veux dire que j ai perdu. Deuxième Partie GUILLAUME DE FLAVY La carte maîtresse. JEAN DE LUXEMBOURG Je coupe! Troisième Partie REGNAULT DE CHARTRES J ai gagné! DUE DE BEDFORD J ai perdu! GUILLAUME DE FLAVY J ai perdu, j ai de l argent plein les poches. JEAN DE LUXEMBOURG J ai gagné et j ai de l argent plein les poches. GUILLAUME DE FLAVY Messieurs, je vous livre Jeanne d Arc la Pucelle. BEDFORD La Sorcière! REGNAULT DE CHARTRES Bien le bonjour, Messieurs, et à l avantage de vous revoir! BASSES (sordide) Comburatur igne! Scène VII Cathérine et Marguerite (Cloches dans la nuit – des Voix) JEANNE Quelles sont ces cloches dans la nuit? FRERE DOMINIQUE Les cloches qui sonnent le glas. JEANNE Et qui invitent les bonnes âmes à prier pour Jeanne d Arc. FRERE DOMINIQUE Hérétique! Sorcière! Cruelle! Relapse! BASSES (sordide) Comburatur igne! JEANNE Merci, bonnes cloches! Mes soeurs! Mes amies! Mes voix qui s étaient tues, les voilà de nouveau qui parlent! FRERE DOMINIQUE La cloche noire et la cloche blanche! BASSES Comburatur igne! (Les deux cloches sonnent à la fois) CATHERINE De profondis clamavi ad te, Domine. MARGUERITE Spera, spira! spera, spira! Jésus! Marie! CATHERINE Libera me, Domine, de ore leonis dum veneris judicare saeculum per ignem. MARGUERITE Spera, spira! spera, spira! Jésus! Marie! BASSES Comburatur igne! JEANNE Catherine et Marguerite. Je les reconnais! La Catherine qui dit "De Profundis" et la Marguerite bleue et blanche dans le ciel qui dit "Papa! Maman!" Comme je les écoutais jadis à Domrémy, la Catherine et la Marguerite! Jésus! Marie! J ai écrit ces deux noms sur ma jolie bannière bleue et blanche. Jésus! Marie! Catherine! Marguerite! Et moi; ce petit bout de femme dans les orties et les boutons d or, si ébahie qu elle oubliait de manger sa tartine. CATHERINE, MARGUERITE (Soudain violent) Jeanne! Jeanne! Jeanne! Fille de Dieu, va! va! va! JEANNE J irai! J irai! Je vais! Je suis allée! Où est ma bonne épée! CATHERINE, MARGUERITE Jeanne! Jeanne! Jeanne! Prends le Roi! Ramène le Roi de France! JEANNE C est fait! Je le tiens! J ai pris son cheval par labride! Je ramène mon gentil Roi! Je le ramène à travers la forêt! Je le ramène à travers la France! Scène VIII Le roi qui va-t-a rheims. (Cloches dans le lointain) CHŒUR (dans la lointain) VOIX D’ENFANTS (plus proches) Voulez-vous manger des cesses? Voulez-vous manger du flan? Quand irons-nous à Liesse? Quand irons-nous à Laon? BASSES La! la! la! la! LES AUTRES (Dans le tumulte) Heurtebise! Heurtebise! (Entre un cortège rustique escortant le Géant Heurtebise, qui n’est pas autre chose qu’un moulin à vent avec un grand chapeau de paille effilochée et une meule sous le bras comme une miche) Chanson D’Heurtebise CHŒUR Blanche ou grise Heurtebise Trouve que la farine altère, Heurtebise, mon compère, Qu as-tu fait de ta ménagère? Tout habillé de toile écrue Lustucru! Au prix de son beau blé jaune Réclame du vin de Beaune. Heurtebise, mon compère, Qu as-tu fait de ta ménagère? Tonneaux! tonneaux! tonneaux! la v là qu arrive par la Saône La Mère aux Tonneaux de Beaune, Tonneaux! tonneaux! tonneaux! CHANSON DE LA MERE AUX TONNEAUX Le vin de Beaune et de Troyes Le v là qu arrive tout droit. Heurtebise, mon compère, T as retrouvé ta commère. Nous avons bu trop de bière! Il nous faut du vin joli! Heurtebise, mon ami, Tu n auras plus la pépie! Heurtebise, c est fini De ce bouton sur la langue, Heurtebise, c est fini De rage et d esquinancie! (Heurtebise et la Mère aux Tonneaux se saluent solennellement.) HEURTEBISE (avec l’accent picard) Mère aux Tonneaux, il y a longtemps que je vous ai vue. LA MERE AUX TONNEAUX (avec l’accent de Bourgogne) Heurtebise, mon époux, vous avez bien mauvaise mine, mon pauvre, depuis l temps autrefois jadis que je vous ai pas vu. HEURTEBISE Madame Tonneaux, mon épouse, je vous apporte de la bonne galette au lard de Picardie. LA MERE AUX TONNEAUX Heurtebise, mon époux, qui virez à tous les vents, je vous apporte quelque chose qui vous fera t nir tranquille. HEURTEBISE Tonneaux, Tonneaux, ma femme! Tonneaux, Tonneaux, ma femme! Le bon pain de France et le bon vin de France, désormais, i ne faut plus qui soient séparés. LA MERE AUX TONNEAUX Heurtebise, mon ami, vous dites une bonne chose, et alors je vais vous embrasser. (Ils dansent grotesquement) CHŒUR ET VOIX D ENFANTS Vive Heurtebise! Vive la Mère aux Tonneaux! (Danse) Voulez-vous manger des cesses? etc. LE CLERC (se dressant tout droit au milieu d’eux comme une chandelle noire) Paysans! Croquants! Rustres agrestes et grossiers! N avez-vous point vergogne de vous réjouir ainsi comme des païens en cette santie veille de Noël pendant que le Roi Notre Seigneur se rend à Rheims pour y être consacré de la Main des Anges? UN PAYSAN Et c’est-i pas le moment de boire un petit coup parce qu’Heurtebise a retrouvé Jean Raisin, et que la moitié de la France sur son coeur a retrouvé l’autre moitié? UN AUTRE Surtout qu’i fait rudement frisquet, on peut le dire, à rester tout gelés comme ça à attendre. Un petit coup de vin, un petit air de danse, ça ne fait de mal à personne. LE CLERC La forêt elle-même pour se préparer aux mystères de cette sainte nuit s’est couvert la tête d’un voile blanc. Et vous autres, préparez vos coeurs au mystère qui va s’accomplir. UN PAYSAN Oh! Perrot, là-haut! oh! Perrot, là-haut! est-ce que tu vois quèqu’chose? PERROT, DU HAUT DE L’ARBRE Je vois une petite lumière CHŒUR Le Roi! Le Roi de France! LE CLERC Allons, mes enfants! Venez tous autour de moi et répétons tous ensemble cette belle antienne de latin tout blanc que je vous ai apprise. La terre a étendu un grand tapis de neige sous les pieds du Roi Notre Sire. Et nous de la Loire jusqu’à Rheims il faut que nous étendions un grand tapis de prières. (La flûte exécute l air “Aspiciens a longe”) Aspiciens a longe. Vous comprenez c’est le peuble Juif qui attend Le Messie comme nous le Roi notre Sire. Aspiciens a longe. Regardant de loin là-bas dans la distance la main au dessus des yeux et tout est plein d’obscurité et de confusion. CHŒUR Aspiciens a longe, ecce video Dei potentiam venientem et nebulam totam terram tegentem. VOIX D ENFANTS Ite obviam ei et dicite BASSE SOLO Nuntia nobis si tu es ipse… CHŒUR …qui regnaturus es in populo Israël. Rhythme de la marche royale (Loin) VOIX DE PERROT La v la qu arrive! Le Roi! Le Roi de France! (Trompettes et cris à distance) TOUTS Le Roi qui va-t-à Rheims! (Une partie de l auditoire se précipite vers le bas, où une procession à l emblème de cheval éclairé par des torches. La flûte prend plus doucement El tema « Aspiciens a longe »…) LE CLERC Qui regis Israël. CHŒUR Nuntia nobis si tu es ipse. (Le cortège à cheval s’éloigne et s’éteint.) CHŒUR Voulez-vous manger des cesses? Voulez-vous manger du flan? Quand irons-nous à Liesse? Quand irons-nous à Laon? LE CLERC (achevant l’antienne) Qui regnaturus es in populo Israël. JEANNE C est moi qui ai fait cela! FRERE DOMINIQUE C est! Dieu! C est Dieu qui a fait cela! JEANNE C est Dieu! C est Dieu avec Jeanne! Les voix ne m avaient pas trompée! Catherine et Marguerite, elles ne m ont pas trompée! CHŒUR Coupequesne, Jean Midi, Toutmouillé, Malvenu. Ils déclarent que tu t es trompée. JEANNE Le Roi ne voulait pas venir et c est moi qu ai pris son cheval par la bride. CHŒUR Sorcière! Cruelle! Hérétique! Schismatique! Homicide! Relapse! Imposture! Hystérique! Prostituée! JEANNE C est moi que l ai amené à travers toute la France! CHŒUR Pereat Stryga! (Crescendo) JEANNE C est moi qui l ai amené à Rheims! CHŒUR Morte moriatur! JEANNE C est moi qui ai sauvé la France! C est moi qui ai réuni la France! Toutes les mains de la France en une seule main! Un telle main qu elle ne sera plus divisée! CHŒUR Comburatur igne! FRERE DOMINIQUE Jeanne! Jeanne! Jeanne! Est-ce pour un Roi de chair que tu as donné ton sang virginal? Scène IX L’épée de Jeanne (Le jour se lève) MARGUERITE (dans la ciel) Spera! Spira! Spera! Spira! Spera! Spira! JEANNE J entends Marguerite dans le ciel mélangée à l exalation des rossignols et les douces petites étoiles à la voix de cette active soeur sacristine s éteignent l une après l autre. CHŒUR (a bocca chiusa pendant le dialogue suivant) FRERE DOMINIQUE Les pages de nuit, de sang, d outre-mer et de pourpre se sont effeuillées sous mes doigts et il ne reste plus sur le parchemin virginal qu une initiale dorée. JEANNE Que c est beau cette Normandie toute rouge et rose, toute rouge de bonheur, toute rose d innocence qui se prépare à faire avec moi la sainte communion dans l étincelante rosée! Que c est beau pour Jeanne la Pucelle de monter au ciel au mois de mai! Que tu es belle, ô ma belle Normandie, mais que dirais-tu, Frère Dominique, si, Marguerite et moi, nous pouvions t expliquer notre Lorraine? FRERE DOMINIQUE Parle, Jeanne, car je sais qu il ya des choses qu une petite fille peut m expliquer, moi, qui, ceint de fer et de cuir et les yeux fermés ai marché de bonne heure dans les sentiers de la pénitence. JEANNE Et que puis-je t expliquer, quand il y a encore au ciel une douzaine d étoiles au moins qui en savent plus que moi? FRERE DOMINIQUE Explique-moi ton épée! Est-ce vrai que tu as trouvé ton épée, cette terrible épée devant laquelle se sauvaient Anglais et Bourguignons, dans une chapelle en ruines? JEANNE Non, ce n est pas une chapelle en ruines! C est a Domrémy qu on me l a donnée. Ma bannière dans la main gauche, mon épée dans la main droite, ah! qui m aurait résisté? Jhésus Marie! Jhésus Marie! MARGUERITE (dans la ciel) Jhésus Marie! Jhésus Marie! (La musique, il se lève lentement) CATHERINE Jeanne! Jeanne! Jeanne! Fille de Dieu, va! va! va! JEANNE Je vais! Je vais! J irai! Je suis allée! FRERE DOMINIQUE A qui est-ce que tu parles ainsi? JEANNE Es-tu sourd? N entends-tu pas les voix qui disent Jeanne! Jeanne! Jeanne! Fille de Dieu, va! va, va! Ah, ce n est plus sorcière maintenant qu elles disent, c est mon petit nom de chrétienne, celui que j ai reçu au baptême, Jeanne! Ce n est plus hérétique et relapse et je ne sais quoi, et tous ces vilains noms. C est fille de Dieu! C est beau d être la fille de Dieu! Et ce n est pas seulement Catherine et Margherite, c est tout le peuple ensemble des vivants et des mort qui dit fille de Dieu! Jeanne! Jeanne! Fille de Dieu, va! va! va! Bien sûr que j’irai! CATHERINE, MARGUERITE, CHŒUR (Doucement et affaiblissement) Jeanne! Jeanne! Jeanne! Fille de Dieu, va, va, va! FRERE DOMINIQUE Mais tu ne m as pas expliqué l épée. JEANNE Mais pour que tu comprennes l épée, frère tondu, il faudrait que tu sois une petite fille Lorraine! Je peux pas faire de toi une petite fille Lorraine! Je peux pas te prendre la main et t amener avec nous pour chanter Trimazo avec Aubin et Rufin! VOIX D ENFANTS Trimazo! JEANNE Écoute ce qu ils disent! UNE VOIX D ENFANT En revenant de ces verts champs, j avons trouvé les blés si grands les aubépines fleurissant devant Dieu. JEANNE Écoute! Écoute! VOIX D ENFANTS Quand vous couchez vot bel enfant que Dieu le garde à son coucher et à tout heure de la journée devant Dieu. C est le Mai, mois de Mai, c est le joli mois de Mai! Un petit brin de vot farine, un petit oeuf de vot géline, c est pas pour boire ni pour manger, c est pour avoir un joli cierge, pour y lumer la Sainte Vierge, devant Dieu. CORO (bocca chiusa) JEANNE As-tu compris, frère Dominique? Ah, moi! Il n y a pas eu besoin de Coupequesne et Toutmouillé pour me l expliquer! C est le tilleul devant la maison de mon père, comme un grand prédicateur en surplis blanc dans le clair de lune, qui m a tout expliqué! VOIX D’ENFANTS C’est le Mai, mois de Mai, C’est le joli de Mai! FRERE DOMINIQUE Explique, et moi j écoute. JEANNE Quand il fait bien froid en hiver et que le froid et la gelée resserrent tout et on dirait que tout est mort, et les gens sont morts de froid et il y a de la neige et la glace sur tout comme un drap, et comme une cuirasse… et on croit que tout est mort et que tout est fini. BASSE SOLO (Au loin) Mais il y a l espérance qui est la plus forte. JEANNE On croit que tout est fini, mais alors il y a un rouge-gorge qui se met à chanter. MARGUERITE ET CATHERINE Fille de Dieu, va, va, va! JEANNE Il y a un mauvais petit vent venu d on ne sait où qui se met à souffler! Il y a une certaine petite pluie chaude qui se met à tomber sur vous. CHŒUR Il y a toute la forêt là-bas qui se met en mouvement! Il y a l espérance qui est la plus forte! JEANNE Et alors le temps de fermer les yeux et de compter jusqu à trois et tout est changé! Le temps de compter jusqu’à quatre, et tout est changé! MARGHERITE, CATHERINE, SOPRANOS Fille de Dieu, va! va! va! JEANNE Tout est blanc! tout est rose! tout est vert! CHŒUR Il y a toute la forêt là-bas qui se met en mouvement! JEANNE Celui qui voudrait empêcher les mirabelliers de fleur il faudrait qu il soit bien malin! Celui qui voudrait empêcher les cerisiers de ceriser, tellement que tout est plein de belles cerises… Mon père dit qu il faudrait qu il se lève matin de bonne heure! C est alors que Catherine et Marguerite se mettent à parler. BASSES Coupequesne-Jean Midi-Malvenu -Toutmouillé. Ils disent que tu t est trompée! JEANNE Et quand Jeanne au mois de Mai monte sur son cheval de bataille, il faudrait qu il soit bien malin celui qui empêcherait toute la France de partir! Les entends-tu ces chaînes de tous les côtés, qui éclatent et qui cassent? Ah! ces chaînes que j ai aux mains, elles me font rire! Je ne les aurai mie toujours! On a vu ce que Jeanne peut faire avec une épée. La comprends-tu maintenant, cette épée que Saint Michel ma donnée? Cette épée! Cette claire épée! Elle ne s appelle pas la haine, elle s appelle l amour! VOIX D ENFANTS Madame, nous vous remercions De vos bonnes intentions, Nous prions Dieu dans vot maison Aussi quand nous en sortirons. Devant Dieu. CATHERINE Rouen! Rouen! Rouen! JEANNE Rouen! Rouen! Tu as brûlé Jeanne d Arc, mais je suis plus forte que toi et tu ne m auras mie toujours! BASSES Jean Midi, Coupequesne, Toutmouillé, Malvenu. SOPRANOS, ALTOS Fille de Dieu, va!va!va! JEANNE Il y a l espérance qui est la plus forte! MARGUERITE Ah! JEANNE Il y a la foi qui est la plus forte! CHŒUR Il y a l’espérance qui est la plus forte! Il y a la joie qui est la plus forte! Fille de Dieu, va, va, va! MARGUERITE ET CATHERINE Fille de Dieu, va, va, va! MARGUERITE Spira! Spera! JEANNE Il y a Dieu! Il y a Dieu qui est le plus fort! VOIX D ENFANT C est le Mai, le mois de Mai, C est le joli mois de Mai! Scène X Trimazo JEANNE Un petit brin de vot farine, Un petit oeuf de vot géline, une petite larme pour Jeanne! une petite prière pour Jeanne! une petite pensée pour Jeanne! C est pas pour boire ni pour manger, C est pour aider avoir un cierge, Pour y lumer la Sainte Vierge. C est moi qui vais faire le joli cierge. Scène XI Jeanne d’arc en flammes LA VIERGE (au-dessus, sur le pilier de Jeanne) J accepte cette flamme pure. (Cependant dès les scènes précédentes la foule lentement s’est rassemblée devant l’échafaud hommes, femmes et enfants, formant transition avec le Choeur et le Public. Chœur divisé en différents Demi choeurs. Lecture) DEMI CHŒUR I C est écrit Jeanne - c est écrit sorcière - c est écrit hérétique – ennemie de tout le monde – c’est écrit - c’est écrit! DEMI CHŒUR I Jeanne la Sainte! Jeanne la Vierge! Jeanne la Pucelle! CHŒUR C est bien fait! C est elle qui a fait tout le mal! C est bien fait! De quoi c est qu elle s est mêlée? C est bien fait! Sans elle on serait tranquille! C est bien fait! C est elle qui a battu les Anglais! C est elle qui a ramené notre Roi à Rheims! Avec le secours du Diable! Avec le secours de Dieu! Qui est cette Jeanne au juste? Et si elle est de Dieu ou du Diable… Le feu va en décider. (à voix basse) Loué soit notre frère le feu qui est sage, fort, vivant, ardent, acéré, incorruptible. Loué soit notre frère le feu qui est savant à séparer l âme de la chair et de l esprit la cendre! JEANNE Eh quoi! Mon peuple, peuple de France! Il est vrai, Il est vrai que tu veux me brûler vive? LE PEUPLE Elle se réveille comme d’un rêve! JEANNE Et ce prêtre qui était là tout à l heure et qui me tenait à lire ce livre où je lisais? Il n est plus là, il me quitte, il est descendu. il n est plus là et je suis seule. LA VIERGE (au-dessus d’elle) Jeanne, Jeanne, tu n es pas seule! JEANNE J entends une voix au-dessus de moi qui dit “Jeanne, Jeanne, tu n es pas seule!”. LE PEUPLE Jeanne, Jeanne, tu n es pas seule! Il y a ce peuple en bas qui te regarde! JEANNE Je ne veux pas mourir! LE PEUPLE Elle dit qu’elle ne veut pas mourir! JEANNE J ai peur! LE PEUPLE Elle dit qu elle a peur. Ce n est qu une enfant après tout. Ce n était qu une pauvre enfant. Elle dit qu elle a peur UN PRETRE Signe donc! Signe ce papier! Avoue, avoue que tu as menti! JEANNE Et comment signerais-je lorsque mes mains sont liées? UN PRETRE On va t enlever tes chaînes. JEANNE Il y a d autres chaînes plus fortes, qui me retiennent. UN PRETRE Et quelles chaînes plus fortes? JEANNE Plus fortes que les chaînes de fer, les chaînes de l amour! C est l amour qui me lie les mains et qui m empêche de signer. C est la vérité qui me lie les mains et qui m empêche de signer. Je ne peux pas! Je ne peux pas mentir! LA VIERGE Jeanne, Jeanne, confie-toi donc au feu qui te délivrera! CHŒUR Loué soit notre frère le feu qui est pur, ardent, vivant, pénétrant, acéré, invincible, irrésistible, incorruptible. Loué soit notre frère le feu qui est puissant à rendre l esprit à l esprit et cendre cendre, ce qui est cendre à la terre. JEANNE Mère! Mère au-dessus de moi! Ah! J ai peur du feu qui fait mal! CHŒUR Loué soit notre frère le feu qui est sage, fort! Loué soit notre frère le feu qui est savant à séparer l’âme de la chair. Jeanne au-dessus de Jeanne! Flamme au-dessus de la flamme! LA VIERGE Tu dis que tu as peur de feu et déjà tu l as foulé aux pieds. JEANNE Cette grande flamme, cette grande flamme horrible, c est cela qui va être mon vêtement de noces? LA VIERGE Mais est-ce que Jeanne n est pas une grande flamme elle même? Ce corps de mort est-ce qu il sera toujours puissant à retenir ma fille Jeanne? CHŒUR Louée soit notre soeur la flamme qui est pure, forte, vivante, acérée, éloquente, invincible, irrésistible! Louée soit notre soeur la flamme qui est vivante! Louée soit notre soeur Jeanne qui est Sainte, droite, vivante, ardente, éloquente, dévorante, invincible, éblouissante! LA VIERGE Le Feu, est-ce qu il ne faut pas qu il brûle? Cette grande flamme au milieu de la France, est-ce qu il ne faut pas, qu elle brûle? CHŒUR Louée soit nottre soeur Jeanne qui est debout toujours comme une flamme au milieu de la France! LA VIERGE, MARGUERITE, CATHERINE (du ciel, avec une tendresse) Jeanne! Jeanne! Jeanne! Fille de Dieu! Viens! Viens! Viens! JEANNE Ce sont ces chaînes encore qui me retiennent! CHŒUR Il y a la joie qui est la plus forte! Il y a l amour qui est le plus fort! Il y a Dieu qui est le plus fort! JEANNE Je viens! Je viens! J ai cassé! J ai rompu! (Elle rompt ses chaînes.) CHŒUR La chaîne qui reliait Jeanne à Jeanne! La chaîne qui reliait l âme au corps! JEANNE Il y a la joie qui est la plus forte! Il y a l amour qui est le plus fort! MARGUERITE (dans le ciel) Hi…! Ah…! JEANNE Il y a Dieu qui est le plus fort! CATHERINE, ENFANTS (dans le ciel) Personne n a un plus grand amour que de donner sa vie pour ceux qu il aime. LA VIERGE, MARGUERITE, CATHERINE APRES CHŒUR (sur la terre) (comme si elles épelaient une inscription) Personne n a un plus grand amour – que de donner sa vie pour ceux qu il aime. (Plus faible et plus solennelle, comme s ils meditasen le sens) Personne n a un plus grand amour que de donner sa vie pour ceux qu il aime. PROLOGUE (Une scène à deux étages réunis par un escalier assez raide. Sur la scène II un bûcher et au milieu du bûcher un poteau auquel Jeanne est attachée par des chaînes. Pendant la première scène obscurité complète) CHŒUR (sotto voce) Ténèbres! Ténèbres! Ténèbres! Et la France était inane et vide, et les tenèbres couvraient la face du royaume. Et l Esprit de Dieu sans savoir où se poser planait sur le chaos des âmes et des coeurs, sur le chaos des âmes et des volontés sur le chaos des consciencies et des âmes. SOPRANO Du fond de l engloutissement j ai élevé mon âme vers toi, Seigneur! Ah Seigneur, si vous tardez encore, qui sera capable de vous soutenir? CHŒUR Ténèbres! Ténèbres! Ténèbres! Et la France était inane et vide, et les tenèbres couvraient la face du royaume. Toi, de la gueule du lion et de la main des unicornes, sauve-nous, Eli, Fortis, Ischyros! RÉCITANT Il y eut une fille appelée Jeanne! CHŒUR Il y eut une fille appelée Jeanne! Il y eut une fille appelée Jeanne! Qui, qui, qui a jamais ouï dire une telle chose? Qui, qui, qui a jamais entendu rien de pareil? Il y eut une fille appelée Jeanne! Est-ce que la terre enfantera en un seul jour? Et tout un peuple sera-t-il engendré dans un même temps? Du fond de l engloutissement j ai élevé mon âme vers toi, Seigneur! RÉCITANT Il y eut une fille appelée Jeanne! CHŒUR Fille de Dieu, va! va! va! RÉCITANT Est-ce que la France va être déchirée en deux pour toujours? CHŒUR Fille de Dieu, va! va! va! RÉCITANT Ce que Dieu a uni, que l homme ne le sépare pas! CHŒUR Fille de Dieu, va! va! va! Cet amour qui nous unit à nos frères. Qui! Qui! Qui sera capable de nous en séparer? Pas la violence, ni le découragement, ni la fraude, et ni l altitude, ni la profondeur… RÉCITANT Il y eut une enfant appelée Jeanne! CHŒUR Et la France était inane et vide et les ténèbres couvraient la face du royaume. De profundis clamavi ad te, Domine, Domine, quis sustinebit? RÉCITANT Il y eut une vierge appelée Jeanne. Scène I Les voix du ciel (On entend un chien hurler dans la nuit. Une fois. Deux fois. A la seconde fois l’orchestre se mêle au hurlement en une espèce de sanglot ou de rire sinistre. A la troisième fois les choeurs. Puis silence. Puis les Voix de la nuit sur la forêt à quoi se mêle peut-être, très faiblement, la chanson de Trimazô et une impression limpide de rossignol. Puis silence et quelques mesures de méditation douloureuse. Puis de nouveau le choeur à bouches fermées. Crescendo. Diminuendo. Puis les Voix, distinctes) CHŒUR Jeanne! Jeanne! Jeanne! Scène II Le livre (Jeanne à demi assise et agenouillée au pied du poteau éclairée par un réflecteur. Entre au pied du bûcher Frère Dominique tenant un livre.) FRÈRE DOMINIQUE Jeanne! Jeanne! Jeanne! JEANNE Qui m appelle? Qui est-ce qui m appelle? Qui est-ce qui a dit Jeanne? (Les voix s estompent progressivement à l imperceptible. Le Réflecteurs sur Fray Domingo) FRERE DOMINIQUE Ne me reconnais-tu pas? JEANNE Je reconnais l habit de Dominique, la robe blanche et le manteau noir. FRERE DOMINIQUE Ma robe blanche que mes frères de Paris et de Rouen ont souillée d une telle souillure que ni la soude, ni l herbe à foulon ne suffiront à l effacer. JEANNE Frère Dominique, la bonté de Dieu y suffira, et le sang de cette fille innocente. FRERE DOMINIQUE Jeanne, ma soeur, ainsi tu m as reconnu? JEANNE Frère, frère Dominique, nous sommes des animaux de la même laine! Et moi, je suis quelqu un dans le troupeau qui reconnait la voix de son conducteur. FRERE DOMINIQUE Puisque mes frères et mes fils m ont trahi; puisque ceux qui devraient être la puissante voix du Vrai se sont faits à contre-Dieu tes accusateurs et tes bourreaux, Jeanne. Puisque la parole entre ces mauvais doigts entremêlés est devenue grimoire, c est moi-même, Dominique, moi, Dominique, qui du ciel suis descendu vers toi avec ce livre. JEANNE Dominique, frère Dominique, tous ces temps, tous ces temps que voici j ai vu beaucoup de plumes à l oeuve autour de moi. FRERE DOMINIQUE Tout cela a fait un livre. JEANNE Cette voix terrible qui me questionnait et toutes ces plumes sans relâche autour de moi. Tout cela a fait un livre et moi, je ne sais pas lire. FRERE DOMINIQUE Le livre que je t apporte pour le comprendre, il n y a pas besoin de savoir ni A ni B. Ce paquet de mots que ces Limousins sur la terre ont ficelé dans le latin de Fouarre; cette procédure qu ils ont pétrie dans le patois de Coutances, les Anges pour tous les temps l ont traduit dans le ciel. JEANNE Lis donc, Frère, au nom de Dieu, pour moi et moi, je regarde par dessus ton épaule. FRÈRE DOMINIQUE (faisant le signe de la croix) Au nom du Père et du Fils et du Saint-Esprit. Ainsi soit-il. CHŒUR Ainsi soit-il. (Fray Domingo se trouve sur le premier barreau de l échelle. Jeanne fait le signe de la croix avec ses mains enchaînées) Scène III Les voix de la terre FRERE DOMINIQUE (lisat) Jeanne! Jeanne! Jeanne! Hérétique! Sorcière! Relapse! Ennemie de Dieu. Ennnemie du Roi. Ennemie du Peuple. Qu on l enlève, qu on la tue, qu on la brûle! JEANNE Hérétique! Sorcière! Relapse! Frére Dominique! Tout cela, c est Jeanne d Arc? Est-ce vrai? Est-ce moi qui suis tout cela? CHŒUR Hérétique! Sorcière! Relapse! Jeanne! Jeanne! Jeanne! JEANNE Eh quoi! Ces prêtres que je vénérais, ce pauvre peuple que j aimais. Leur Jeanne, leur pauvre enfant avec eux c est vrai qu ils veulent la brûler? C est vrai qu ils me brûler… CHŒUR Assez! Assez! Assez! Jeanne! Jeanne! Jeanne! Qu on l enlève, qu on la tue, qu on la brûle! Hérétique! Sorcière! Relapse! FRERE DOMINIQUE Tu as entendu les voix du ciel, et maintenant écoute en bas ce qu ils en ont fait; écoute ce qu ils en ont retenu. Écoute les voix de la terre! BASSE SOLO (à la Bach) Mulier spiritum pythonis habens, anima quaedeclinaverit ad magos et ariolos et fornicatafuerit cum eis… CHŒUR (violemment) Joanna! BASSE SOLO (de même) Ponam, ponam faciem meam contra eam et interficiam eam de medio populi mei! CHŒUR (violemment) lex est! TENOR SOLO (Impérieuse) Joanna! CHŒUR Hic, hic, hic, hic, hic est Joanna. Hic est Joanna peccatrix! TENOR SOLO Stryga! CHŒUR Pereat! TÉNOR SOLO Haeretica! CHŒUR Pereat! TÉNOR Relapsa! CHŒUR Pereat! TENOR Malis artibus addicta! Inimica Regis et Populi! CHŒUR Morte moriatur! TÉNOR Prostibulum inferni! Instrumentum Satanae! CHŒUR Comburatur igne! JEANNE C est vrai! C est vrai! Je me souviens! Le feu qui brûle! Cette fumée qui étouffe! Oh comme cela fait mal! Prêtres! Prêtres de Jésus Christ! C est vrai que je faisais tant de mal? C est vrai que vous la détestiez tellement, votre pauvre Jeanne? CHŒUR (Sourdement) Pereat! FRERE DOMINIQUE Non, Jeanne, ce ne sont pas des prêtres qui t ont jugée. Quand ces bêtes féroces se sont réunies autour de toi, la rage au coeur et l écume aux crocs, ces prêtres, ces politiques, l Ange du Jugement qui tient les hautes balances d un soufflet il a fait tomber de leurs têtes et de leurs épaules la mitre, le capuchon et le froc. (Entrent les Juges en bottes dans un coin.) Les voici dépouillés comme des forçats! Qu ils reçoivent la coiffure qui leur est appropiée! Ils faut que Jeanne comme jadis ses soeurs sur l arène de Rome soit livrée aux bêtes! L élue de Dieu, la Sainte de Dieu. Ce ne sont pas des prêtres, ce ne sont pas des hommes, ce sont des bêtes qui vont la juger. Scène IV Jeanne livrée aux bêtes. (Entre l’appariteur avec plusieurs serviteurs portant les défroques, les masques et les coiffures) LE HERAUT (coup de trompette) La Cour! Faites silence! L APPARITEUR Qui sera le Président? LE HERAUT Le Tigre! CHŒUR Le Tigre! L APPARITEUR Le Tigre se récuse. LE HERAUT Le Renard! CHŒUR Le Renard! L APPARITEUR Le Renard dit qu il est malade. LE HERAUT Le Serpent! CHŒUR Le Serpent! L APPARITEUR Le Serpent s est sifflé lui-même au fond d un trou. LE HERAUT Mais alors il n y a personne pour présider? CHŒUR Mais alors? Si! Si! Si! fait! Il y a quelqu un! L APPARITEUR Qui est-ce? Qui se propose pour juger Jeanne d Arc? PORCUS Moi! Moi! Moi! Moi! Je me propose pour juger Jeanne d Arc. L APPARITEUR Qui êtes-vous? Comment vous appelez-vous? PORCUS Ego nominor Porcus. Je m appelle Cochon. Moi! Moi! Je suis le Cochon. CHŒUR Porcus! Porcus! Roin! Roin! Sit Porcus praeses noster! Non habemus alium judicem nisi Porcum. Vivat et semper vivat Porcus porcorum! Dignus, dignus est praesidere in nostro praeclaro corpore! Roin! Roin! Sicut lilium inter spinas, ita formosus iste inter cucullos! Quis enim dedit nobis patatas? Ceciderunt stellae de coelo et factae sunt pro nobis patatae? Ecce quam bonum et jucundum est habitare fratres in unum, omnes comedentes patatas. Quis judex sicut Porcus Dominus noster? Hic est Nasus inter nasos dijudicans truphas et patatas. Sternutatio ejus splendor ignis. PORCUS Moi! Moi! Je suis le Cochon! CHŒUR Porcus porcorum! Roin! Roin! Vivat et semper vivat Porcus praeses noster! (L’ Appariterr coiffe Porcus d’une tête de cochon- Le président ouvre la séance) L APPARITEUR Qui sont les assesseurs? CHŒUR Bée! bée! bée! (Tout avance à la fois) L APPARITEUR Qui êtes-vous? CHŒUR Ego nominor Péééééécus. L APPARITEUR Pecus de pecore, prenez-place à droite et à gauche et recevez vos insignes. (On les coiffe de têtes de mouton.) Et maintenant, où est le greffier? L ANE C est moi, l Âne! Asinus adest. (Vient le âne. Immense éclat de rire dans le choeur se terminant par des sanglots.) CHŒUR Ha! ha! ha! ha! ÂNE CHŒUR (comme aux fêtes de l’Âne au Moyen Age) BASSES, ENSUITE SOPRANOS Ecce magnis auribus Adventavit Asinus, Pulcher et fortissimus Sarcinis aptissimus. LES AUTRES Hé Sire Âne, ça chantez, Belle bouche rechignez, Vous aurez du foin assez, Et de l avoine à planté, Hi ha!, hi ha!, hi ha! PORCUS Faites entrer l accusée! (Entre Jeanne enchaînée.) Jeanne, successit illi praeclaro tribunali, je veux dire qu après de longs efforts ce sage et illustre tribunal a enfin réussi par des moyens tour à tour sauves et sévères, et par de patientes et ingénieuses interrogations tant physisques que morales, à éliciter la vérité du fond d une volonté égarée et d un coeur pervers. (Le Chœur d âne éclate soudain de rire) CHŒUR Ecce magnis auribus! LE HERAUT Silence! PORCUS Et maintenant il a plu au Roi de France et d Angleterre, notre légitime souverain… (Tous les lieu, renforcer leurs fausses têtes et retourner se pour asseoir) … De te convoquer ici pour entendre ta juste sentence. Tu vas ouir par quelles industries, dans sa grande miséricorde cette Cour sage et illustre que moi, Cochon, je préside… (Tous les lieu, saluent et revenir s asseoir) … A décidé de te débarrasser grâce à la flamme claire du feu de ce noir démon à laquelle tu t es criminellement enchevêtrée. Mais auparavant nous voulons encore une fois de ta bouche cet aveu solennel qui est nécessaire à la sécurité de nos consciences. À genoux! (Jeanne s agenouille) Joanna, filia Romae, faterisne et confiteris te tenerrimam puellam non naturali auxilio victoriam de manibus Regis Nostri… (Tous les lieu, saluent ) … Evulsisse et fortes exercitus ejus sicut paleam in probrosissimam fugam versisse? Traduisez! L ANE Jeanne, reconnais-tu que ce n est pas par tes propres forces et des moyens naturels que tu es venue à bout des Anglais? JEANNE Je l avoue! CHŒUR Elle avoue! PORCUS Écrivez! (Le notaire écrit) Joanna, filia Romae, faterisne et confiteris te auxilio Diaboli potentissimi alapum dedisse Regi Nostro et fortes exerci tus ejus in probrosissimam fugam versisse? Traduisez! L ANE Jeanne, reconnais-tu que c est par l aide du Diable, très puissant Notre Seigneur… (Tous font le geste de se lever.) PORCUS Assis! Assis! Quels idiots! Assis au nom du Diable! (Il arrache le papier des mains de l’Âne.) Jeanne, reconnais-tu que c est par l aide du Diable que tu as tout fait? JEANNE Je dis Non! PORCUS Qu est-ce qu elle dit? L ANE Elle dit qu elle dit oui! PORCUS Écrivez qu elle a dit oui. Et maintenant je vais consulter le tribunal. (S’adressant à droite au premier assis) Pecus, quid dicis? PECUS Bée, bée, bée, bée! PORCUS (s’adressant à gauche de même) Pecus, quid dicis? CHŒUR (a cappella) Bée, bée, bée! L ANE Habemus confitentem reum. PORCUS Docti et sancti fratres, sic vobis justum et aequum videtur ut Joanna, filia Romae, Stryga, morti condemnetur? CHŒUR (violemment) Moriatur stryga! PORCUS Fiat voluntas Regis Nostri! (Toutes salut) Audivistis sententiam. (Comme au début, montant) Stryga! CHŒUR Pereat! PORCUS Haeretica! CHŒUR Pereat! PORCUS Relapsa! CHŒUR Pereat! PORCUS Inimica Regis et totius generis humani! CHŒUR Morte moriatur! PORCUS Joanna Stryga, filia Romae! CHŒUR Comburatur igne! Scène V Jeanne au poteau (Hurlement du chien) JEANNE Quel est ce chien qui hurle dans la nuit? FRERE DOMINIQUE Ce n est pas un chien, c est Yblis le désepéré qui hurle tout seul au fond de l enfer! BASSES Hérétique! JEANNE Hérétique! BASSES Sorciére! JEANNE Sorcière! BASSES Relapse! JEANNE Relapse! BASSES Cruelle! JEANNE Cruelle! C est moi, Jeanne, qui suis tout cela? L Église, les prêtres, tout ce qu il y a au monde de respectable et de capable et de savant; c est cela, d une voix qui me condamne. Explique-moi, frère Dominique, qu est-ce que j ai fait? Lis-moi ce qui est dans le livre. FRERE DOMINIQUE Tous ces grands hommes qui t ont condamnée, ces docteurs et ces savants, Malvenu, Jean Midi, Coupequesne et Toutmouillé, ils croient dur au Diable, mais ils ne veulent pas croire à Dieu. Le Diable, c est une réalité les Anges, c est une bêtise. Le Diable que tu détestais, il t a aidée les Anges que tu invoquais, ils n ont rien fait. Et criminelle des deux côtés ils te condamnent de l une et l autre main. Telle est la sagesse de la Sorbonne. Tels sont ces illustres docteurs qui donnent des nazardes au Pape. JEANNE Mais moi, la pauvre pastoure de Domrémy, comment est-ce que je suis venue jusqu ici? FRERE DOMINIQUE Tu y es venue par l opération du jeu de cartes qu un roi fou a inventé. JEANNE Qu est-ce que c est que le jeu de cartes? FRERE DOMINIQUE On va te l expliquer. Scène VI Les rois ou l’invention du jeu de cartes HERAUT I (expliquant) Le jeu de cartes comprend quatre Rois, quatre Dames et quatre Valets. HERAUT II Sans compter les Chiffres qui sont sept. HERAUT I Le résultat de la partie est que les Rois chan gent de place. HERAUT II Ce qui était au midi va au nord. HERAUT I Ce qui était au levant va au couchant. Ça tourne. HÉRAUT II Quant aux Reines, elles ne changent pas de place, elles sont toujours là. HERAUT I Faites entrer Leurs Majestés! HERAUT III (Annonçant) Le Roi de France! (Entre le Roi de France qui va s’asseoir sur un trône.) Sa Majesté la Bêtise! (Entre la Bêtise.) Le Roi d Angleterre! (Entre le Roi d’Angleterre, un enfant.) Sa Majesté l Orgueil! (Entre l’Orgueil) Le Duc de Bourgogne! (Entre le Duc de Bourgogne.) Sa Majesté l Avarice! (Entre l’Avarice.) HERAUT II Et quel est le quatrième Roi? HERAUT I Dans toutes les parties de cartes il y a un mort. HERAUT III (Annonce à la porte) La Mort! (Entre la Mort.) HERAUT I Et voici maintenant sa compagne et très fidèle épouse, celle qui partage son lit. HERAUT III Sa Majesté la Luxure! (Entre la Luxure) HERAUT I Les Rois changent de place, mais les Reines, Sa Majesté l Orgueil, Sa Majesté la Bêtise, Sa Majesté l Avarice, Sa Majesté la Luxure, ces Majestés ne changent pas de place, elles restent toujours avec nous. HERAUT II Mais ceux qui jouent réellement la partie. ce ne sont pas les Rois, ni les Reines. ce sont les Valets. HERAUT I Faites entrer les Valets! HERAUT III Sa grâce le Duc de Bedford! Son Altesse Jean de Luxembourg! Sa Grandeur Regnault de Chartres! Guillaume de Flavy! (Ils entrent) JEANNE C est lui qui a baissé la herse derrière moi à Compiègne. HERAUT I Le jeu commence, il comprend trois parties. (Sonnerie de trompettes – Musique de vielle Il commence le jeu. Chaque de côté boîte de prises, deux autres carrés un de décoratifs chevaliers et autres de paysans ; c est-à-dire trois donnant Cannée et celui qui les reçoit) Première Partie REGNAULT DE CHARTRES J ai perdu, je veux dire que j ai gagné. BEDFORD J ai gagné, je veux dire que j ai perdu. Deuxième Partie GUILLAUME DE FLAVY La carte maîtresse. JEAN DE LUXEMBOURG Je coupe! Troisième Partie REGNAULT DE CHARTRES J ai gagné! DUE DE BEDFORD J ai perdu! GUILLAUME DE FLAVY J ai perdu, j ai de l argent plein les poches. JEAN DE LUXEMBOURG J ai gagné et j ai de l argent plein les poches. GUILLAUME DE FLAVY Messieurs, je vous livre Jeanne d Arc la Pucelle. BEDFORD La Sorcière! REGNAULT DE CHARTRES Bien le bonjour, Messieurs, et à l avantage de vous revoir! BASSES (sordide) Comburatur igne! Scène VII Cathérine et Marguerite (Cloches dans la nuit – des Voix) JEANNE Quelles sont ces cloches dans la nuit? FRERE DOMINIQUE Les cloches qui sonnent le glas. JEANNE Et qui invitent les bonnes âmes à prier pour Jeanne d Arc. FRERE DOMINIQUE Hérétique! Sorcière! Cruelle! Relapse! BASSES (sordide) Comburatur igne! JEANNE Merci, bonnes cloches! Mes soeurs! Mes amies! Mes voix qui s étaient tues, les voilà de nouveau qui parlent! FRERE DOMINIQUE La cloche noire et la cloche blanche! BASSES Comburatur igne! (Les deux cloches sonnent à la fois) CATHERINE De profondis clamavi ad te, Domine. MARGUERITE Spera, spira! spera, spira! Jésus! Marie! CATHERINE Libera me, Domine, de ore leonis dum veneris judicare saeculum per ignem. MARGUERITE Spera, spira! spera, spira! Jésus! Marie! BASSES Comburatur igne! JEANNE Catherine et Marguerite. Je les reconnais! La Catherine qui dit "De Profundis" et la Marguerite bleue et blanche dans le ciel qui dit "Papa! Maman!" Comme je les écoutais jadis à Domrémy, la Catherine et la Marguerite! Jésus! Marie! J ai écrit ces deux noms sur ma jolie bannière bleue et blanche. Jésus! Marie! Catherine! Marguerite! Et moi; ce petit bout de femme dans les orties et les boutons d or, si ébahie qu elle oubliait de manger sa tartine. CATHERINE, MARGUERITE (Soudain violent) Jeanne! Jeanne! Jeanne! Fille de Dieu, va! va! va! JEANNE J irai! J irai! Je vais! Je suis allée! Où est ma bonne épée! CATHERINE, MARGUERITE Jeanne! Jeanne! Jeanne! Prends le Roi! Ramène le Roi de France! JEANNE C est fait! Je le tiens! J ai pris son cheval par labride! Je ramène mon gentil Roi! Je le ramène à travers la forêt! Je le ramène à travers la France! Scène VIII Le roi qui va-t-a rheims. (Cloches dans le lointain) CHŒUR (dans la lointain) VOIX D’ENFANTS (plus proches) Voulez-vous manger des cesses? Voulez-vous manger du flan? Quand irons-nous à Liesse? Quand irons-nous à Laon? BASSES La! la! la! la! LES AUTRES (Dans le tumulte) Heurtebise! Heurtebise! (Entre un cortège rustique escortant le Géant Heurtebise, qui n’est pas autre chose qu’un moulin à vent avec un grand chapeau de paille effilochée et une meule sous le bras comme une miche) Chanson D’Heurtebise CHŒUR Blanche ou grise Heurtebise Trouve que la farine altère, Heurtebise, mon compère, Qu as-tu fait de ta ménagère? Tout habillé de toile écrue Lustucru! Au prix de son beau blé jaune Réclame du vin de Beaune. Heurtebise, mon compère, Qu as-tu fait de ta ménagère? Tonneaux! tonneaux! tonneaux! la v là qu arrive par la Saône La Mère aux Tonneaux de Beaune, Tonneaux! tonneaux! tonneaux! CHANSON DE LA MERE AUX TONNEAUX Le vin de Beaune et de Troyes Le v là qu arrive tout droit. Heurtebise, mon compère, T as retrouvé ta commère. Nous avons bu trop de bière! Il nous faut du vin joli! Heurtebise, mon ami, Tu n auras plus la pépie! Heurtebise, c est fini De ce bouton sur la langue, Heurtebise, c est fini De rage et d esquinancie! (Heurtebise et la Mère aux Tonneaux se saluent solennellement.) HEURTEBISE (avec l’accent picard) Mère aux Tonneaux, il y a longtemps que je vous ai vue. LA MERE AUX TONNEAUX (avec l’accent de Bourgogne) Heurtebise, mon époux, vous avez bien mauvaise mine, mon pauvre, depuis l temps autrefois jadis que je vous ai pas vu. HEURTEBISE Madame Tonneaux, mon épouse, je vous apporte de la bonne galette au lard de Picardie. LA MERE AUX TONNEAUX Heurtebise, mon époux, qui virez à tous les vents, je vous apporte quelque chose qui vous fera t nir tranquille. HEURTEBISE Tonneaux, Tonneaux, ma femme! Tonneaux, Tonneaux, ma femme! Le bon pain de France et le bon vin de France, désormais, i ne faut plus qui soient séparés. LA MERE AUX TONNEAUX Heurtebise, mon ami, vous dites une bonne chose, et alors je vais vous embrasser. (Ils dansent grotesquement) CHŒUR ET VOIX D ENFANTS Vive Heurtebise! Vive la Mère aux Tonneaux! (Danse) Voulez-vous manger des cesses? etc. LE CLERC (se dressant tout droit au milieu d’eux comme une chandelle noire) Paysans! Croquants! Rustres agrestes et grossiers! N avez-vous point vergogne de vous réjouir ainsi comme des païens en cette santie veille de Noël pendant que le Roi Notre Seigneur se rend à Rheims pour y être consacré de la Main des Anges? UN PAYSAN Et c’est-i pas le moment de boire un petit coup parce qu’Heurtebise a retrouvé Jean Raisin, et que la moitié de la France sur son coeur a retrouvé l’autre moitié? UN AUTRE Surtout qu’i fait rudement frisquet, on peut le dire, à rester tout gelés comme ça à attendre. Un petit coup de vin, un petit air de danse, ça ne fait de mal à personne. LE CLERC La forêt elle-même pour se préparer aux mystères de cette sainte nuit s’est couvert la tête d’un voile blanc. Et vous autres, préparez vos coeurs au mystère qui va s’accomplir. UN PAYSAN Oh! Perrot, là-haut! oh! Perrot, là-haut! est-ce que tu vois quèqu’chose? PERROT, DU HAUT DE L’ARBRE Je vois une petite lumière CHŒUR Le Roi! Le Roi de France! LE CLERC Allons, mes enfants! Venez tous autour de moi et répétons tous ensemble cette belle antienne de latin tout blanc que je vous ai apprise. La terre a étendu un grand tapis de neige sous les pieds du Roi Notre Sire. Et nous de la Loire jusqu’à Rheims il faut que nous étendions un grand tapis de prières. (La flûte exécute l air “Aspiciens a longe”) Aspiciens a longe. Vous comprenez c’est le peuble Juif qui attend Le Messie comme nous le Roi notre Sire. Aspiciens a longe. Regardant de loin là-bas dans la distance la main au dessus des yeux et tout est plein d’obscurité et de confusion. CHŒUR Aspiciens a longe, ecce video Dei potentiam venientem et nebulam totam terram tegentem. VOIX D ENFANTS Ite obviam ei et dicite BASSE SOLO Nuntia nobis si tu es ipse… CHŒUR …qui regnaturus es in populo Israël. Rhythme de la marche royale (Loin) VOIX DE PERROT La v la qu arrive! Le Roi! Le Roi de France! (Trompettes et cris à distance) TOUTS Le Roi qui va-t-à Rheims! (Une partie de l auditoire se précipite vers le bas, où une procession à l emblème de cheval éclairé par des torches. La flûte prend plus doucement El tema « Aspiciens a longe »…) LE CLERC Qui regis Israël. CHŒUR Nuntia nobis si tu es ipse. (Le cortège à cheval s’éloigne et s’éteint.) CHŒUR Voulez-vous manger des cesses? Voulez-vous manger du flan? Quand irons-nous à Liesse? Quand irons-nous à Laon? LE CLERC (achevant l’antienne) Qui regnaturus es in populo Israël. JEANNE C est moi qui ai fait cela! FRERE DOMINIQUE C est! Dieu! C est Dieu qui a fait cela! JEANNE C est Dieu! C est Dieu avec Jeanne! Les voix ne m avaient pas trompée! Catherine et Marguerite, elles ne m ont pas trompée! CHŒUR Coupequesne, Jean Midi, Toutmouillé, Malvenu. Ils déclarent que tu t es trompée. JEANNE Le Roi ne voulait pas venir et c est moi qu ai pris son cheval par la bride. CHŒUR Sorcière! Cruelle! Hérétique! Schismatique! Homicide! Relapse! Imposture! Hystérique! Prostituée! JEANNE C est moi que l ai amené à travers toute la France! CHŒUR Pereat Stryga! (Crescendo) JEANNE C est moi qui l ai amené à Rheims! CHŒUR Morte moriatur! JEANNE C est moi qui ai sauvé la France! C est moi qui ai réuni la France! Toutes les mains de la France en une seule main! Un telle main qu elle ne sera plus divisée! CHŒUR Comburatur igne! FRERE DOMINIQUE Jeanne! Jeanne! Jeanne! Est-ce pour un Roi de chair que tu as donné ton sang virginal? Scène IX L’épée de Jeanne (Le jour se lève) MARGUERITE (dans la ciel) Spera! Spira! Spera! Spira! Spera! Spira! JEANNE J entends Marguerite dans le ciel mélangée à l exalation des rossignols et les douces petites étoiles à la voix de cette active soeur sacristine s éteignent l une après l autre. CHŒUR (a bocca chiusa pendant le dialogue suivant) FRERE DOMINIQUE Les pages de nuit, de sang, d outre-mer et de pourpre se sont effeuillées sous mes doigts et il ne reste plus sur le parchemin virginal qu une initiale dorée. JEANNE Que c est beau cette Normandie toute rouge et rose, toute rouge de bonheur, toute rose d innocence qui se prépare à faire avec moi la sainte communion dans l étincelante rosée! Que c est beau pour Jeanne la Pucelle de monter au ciel au mois de mai! Que tu es belle, ô ma belle Normandie, mais que dirais-tu, Frère Dominique, si, Marguerite et moi, nous pouvions t expliquer notre Lorraine? FRERE DOMINIQUE Parle, Jeanne, car je sais qu il ya des choses qu une petite fille peut m expliquer, moi, qui, ceint de fer et de cuir et les yeux fermés ai marché de bonne heure dans les sentiers de la pénitence. JEANNE Et que puis-je t expliquer, quand il y a encore au ciel une douzaine d étoiles au moins qui en savent plus que moi? FRERE DOMINIQUE Explique-moi ton épée! Est-ce vrai que tu as trouvé ton épée, cette terrible épée devant laquelle se sauvaient Anglais et Bourguignons, dans une chapelle en ruines? JEANNE Non, ce n est pas une chapelle en ruines! C est a Domrémy qu on me l a donnée. Ma bannière dans la main gauche, mon épée dans la main droite, ah! qui m aurait résisté? Jhésus Marie! Jhésus Marie! MARGUERITE (dans la ciel) Jhésus Marie! Jhésus Marie! (La musique, il se lève lentement) CATHERINE Jeanne! Jeanne! Jeanne! Fille de Dieu, va! va! va! JEANNE Je vais! Je vais! J irai! Je suis allée! FRERE DOMINIQUE A qui est-ce que tu parles ainsi? JEANNE Es-tu sourd? N entends-tu pas les voix qui disent Jeanne! Jeanne! Jeanne! Fille de Dieu, va! va, va! Ah, ce n est plus sorcière maintenant qu elles disent, c est mon petit nom de chrétienne, celui que j ai reçu au baptême, Jeanne! Ce n est plus hérétique et relapse et je ne sais quoi, et tous ces vilains noms. C est fille de Dieu! C est beau d être la fille de Dieu! Et ce n est pas seulement Catherine et Margherite, c est tout le peuple ensemble des vivants et des mort qui dit fille de Dieu! Jeanne! Jeanne! Fille de Dieu, va! va! va! Bien sûr que j’irai! CATHERINE, MARGUERITE, CHŒUR (Doucement et affaiblissement) Jeanne! Jeanne! Jeanne! Fille de Dieu, va, va, va! FRERE DOMINIQUE Mais tu ne m as pas expliqué l épée. JEANNE Mais pour que tu comprennes l épée, frère tondu, il faudrait que tu sois une petite fille Lorraine! Je peux pas faire de toi une petite fille Lorraine! Je peux pas te prendre la main et t amener avec nous pour chanter Trimazo avec Aubin et Rufin! VOIX D ENFANTS Trimazo! JEANNE Écoute ce qu ils disent! UNE VOIX D ENFANT En revenant de ces verts champs, j avons trouvé les blés si grands les aubépines fleurissant devant Dieu. JEANNE Écoute! Écoute! VOIX D ENFANTS Quand vous couchez vot bel enfant que Dieu le garde à son coucher et à tout heure de la journée devant Dieu. C est le Mai, mois de Mai, c est le joli mois de Mai! Un petit brin de vot farine, un petit oeuf de vot géline, c est pas pour boire ni pour manger, c est pour avoir un joli cierge, pour y lumer la Sainte Vierge, devant Dieu. CORO (bocca chiusa) JEANNE As-tu compris, frère Dominique? Ah, moi! Il n y a pas eu besoin de Coupequesne et Toutmouillé pour me l expliquer! C est le tilleul devant la maison de mon père, comme un grand prédicateur en surplis blanc dans le clair de lune, qui m a tout expliqué! VOIX D’ENFANTS C’est le Mai, mois de Mai, C’est le joli de Mai! FRERE DOMINIQUE Explique, et moi j écoute. JEANNE Quand il fait bien froid en hiver et que le froid et la gelée resserrent tout et on dirait que tout est mort, et les gens sont morts de froid et il y a de la neige et la glace sur tout comme un drap, et comme une cuirasse… et on croit que tout est mort et que tout est fini. BASSE SOLO (Au loin) Mais il y a l espérance qui est la plus forte. JEANNE On croit que tout est fini, mais alors il y a un rouge-gorge qui se met à chanter. MARGUERITE ET CATHERINE Fille de Dieu, va, va, va! JEANNE Il y a un mauvais petit vent venu d on ne sait où qui se met à souffler! Il y a une certaine petite pluie chaude qui se met à tomber sur vous. CHŒUR Il y a toute la forêt là-bas qui se met en mouvement! Il y a l espérance qui est la plus forte! JEANNE Et alors le temps de fermer les yeux et de compter jusqu à trois et tout est changé! Le temps de compter jusqu’à quatre, et tout est changé! MARGHERITE, CATHERINE, SOPRANOS Fille de Dieu, va! va! va! JEANNE Tout est blanc! tout est rose! tout est vert! CHŒUR Il y a toute la forêt là-bas qui se met en mouvement! JEANNE Celui qui voudrait empêcher les mirabelliers de fleur il faudrait qu il soit bien malin! Celui qui voudrait empêcher les cerisiers de ceriser, tellement que tout est plein de belles cerises… Mon père dit qu il faudrait qu il se lève matin de bonne heure! C est alors que Catherine et Marguerite se mettent à parler. BASSES Coupequesne-Jean Midi-Malvenu -Toutmouillé. Ils disent que tu t est trompée! JEANNE Et quand Jeanne au mois de Mai monte sur son cheval de bataille, il faudrait qu il soit bien malin celui qui empêcherait toute la France de partir! Les entends-tu ces chaînes de tous les côtés, qui éclatent et qui cassent? Ah! ces chaînes que j ai aux mains, elles me font rire! Je ne les aurai mie toujours! On a vu ce que Jeanne peut faire avec une épée. La comprends-tu maintenant, cette épée que Saint Michel ma donnée? Cette épée! Cette claire épée! Elle ne s appelle pas la haine, elle s appelle l amour! VOIX D ENFANTS Madame, nous vous remercions De vos bonnes intentions, Nous prions Dieu dans vot maison Aussi quand nous en sortirons. Devant Dieu. CATHERINE Rouen! Rouen! Rouen! JEANNE Rouen! Rouen! Tu as brûlé Jeanne d Arc, mais je suis plus forte que toi et tu ne m auras mie toujours! BASSES Jean Midi, Coupequesne, Toutmouillé, Malvenu. SOPRANOS, ALTOS Fille de Dieu, va!va!va! JEANNE Il y a l espérance qui est la plus forte! MARGUERITE Ah! JEANNE Il y a la foi qui est la plus forte! CHŒUR Il y a l’espérance qui est la plus forte! Il y a la joie qui est la plus forte! Fille de Dieu, va, va, va! MARGUERITE ET CATHERINE Fille de Dieu, va, va, va! MARGUERITE Spira! Spera! JEANNE Il y a Dieu! Il y a Dieu qui est le plus fort! VOIX D ENFANT C est le Mai, le mois de Mai, C est le joli mois de Mai! Scène X Trimazo JEANNE Un petit brin de vot farine, Un petit oeuf de vot géline, une petite larme pour Jeanne! une petite prière pour Jeanne! une petite pensée pour Jeanne! C est pas pour boire ni pour manger, C est pour aider avoir un cierge, Pour y lumer la Sainte Vierge. C est moi qui vais faire le joli cierge. Scène XI Jeanne d’arc en flammes LA VIERGE (au-dessus, sur le pilier de Jeanne) J accepte cette flamme pure. (Cependant dès les scènes précédentes la foule lentement s’est rassemblée devant l’échafaud hommes, femmes et enfants, formant transition avec le Choeur et le Public. Chœur divisé en différents Demi choeurs. Lecture) DEMI CHŒUR I C est écrit Jeanne - c est écrit sorcière - c est écrit hérétique – ennemie de tout le monde – c’est écrit - c’est écrit! DEMI CHŒUR I Jeanne la Sainte! Jeanne la Vierge! Jeanne la Pucelle! CHŒUR C est bien fait! C est elle qui a fait tout le mal! C est bien fait! De quoi c est qu elle s est mêlée? C est bien fait! Sans elle on serait tranquille! C est bien fait! C est elle qui a battu les Anglais! C est elle qui a ramené notre Roi à Rheims! Avec le secours du Diable! Avec le secours de Dieu! Qui est cette Jeanne au juste? Et si elle est de Dieu ou du Diable… Le feu va en décider. (à voix basse) Loué soit notre frère le feu qui est sage, fort, vivant, ardent, acéré, incorruptible. Loué soit notre frère le feu qui est savant à séparer l âme de la chair et de l esprit la cendre! JEANNE Eh quoi! Mon peuple, peuple de France! Il est vrai, Il est vrai que tu veux me brûler vive? LE PEUPLE Elle se réveille comme d’un rêve! JEANNE Et ce prêtre qui était là tout à l heure et qui me tenait à lire ce livre où je lisais? Il n est plus là, il me quitte, il est descendu. il n est plus là et je suis seule. LA VIERGE (au-dessus d’elle) Jeanne, Jeanne, tu n es pas seule! JEANNE J entends une voix au-dessus de moi qui dit “Jeanne, Jeanne, tu n es pas seule!”. LE PEUPLE Jeanne, Jeanne, tu n es pas seule! Il y a ce peuple en bas qui te regarde! JEANNE Je ne veux pas mourir! LE PEUPLE Elle dit qu’elle ne veut pas mourir! JEANNE J ai peur! LE PEUPLE Elle dit qu elle a peur. Ce n est qu une enfant après tout. Ce n était qu une pauvre enfant. Elle dit qu elle a peur UN PRETRE Signe donc! Signe ce papier! Avoue, avoue que tu as menti! JEANNE Et comment signerais-je lorsque mes mains sont liées? UN PRETRE On va t enlever tes chaînes. JEANNE Il y a d autres chaînes plus fortes, qui me retiennent. UN PRETRE Et quelles chaînes plus fortes? JEANNE Plus fortes que les chaînes de fer, les chaînes de l amour! C est l amour qui me lie les mains et qui m empêche de signer. C est la vérité qui me lie les mains et qui m empêche de signer. Je ne peux pas! Je ne peux pas mentir! LA VIERGE Jeanne, Jeanne, confie-toi donc au feu qui te délivrera! CHŒUR Loué soit notre frère le feu qui est pur, ardent, vivant, pénétrant, acéré, invincible, irrésistible, incorruptible. Loué soit notre frère le feu qui est puissant à rendre l esprit à l esprit et cendre cendre, ce qui est cendre à la terre. JEANNE Mère! Mère au-dessus de moi! Ah! J ai peur du feu qui fait mal! CHŒUR Loué soit notre frère le feu qui est sage, fort! Loué soit notre frère le feu qui est savant à séparer l’âme de la chair. Jeanne au-dessus de Jeanne! Flamme au-dessus de la flamme! LA VIERGE Tu dis que tu as peur de feu et déjà tu l as foulé aux pieds. JEANNE Cette grande flamme, cette grande flamme horrible, c est cela qui va être mon vêtement de noces? LA VIERGE Mais est-ce que Jeanne n est pas une grande flamme elle même? Ce corps de mort est-ce qu il sera toujours puissant à retenir ma fille Jeanne? CHŒUR Louée soit notre soeur la flamme qui est pure, forte, vivante, acérée, éloquente, invincible, irrésistible! Louée soit notre soeur la flamme qui est vivante! Louée soit notre soeur Jeanne qui est Sainte, droite, vivante, ardente, éloquente, dévorante, invincible, éblouissante! LA VIERGE Le Feu, est-ce qu il ne faut pas qu il brûle? Cette grande flamme au milieu de la France, est-ce qu il ne faut pas, qu elle brûle? CHŒUR Louée soit nottre soeur Jeanne qui est debout toujours comme une flamme au milieu de la France! LA VIERGE, MARGUERITE, CATHERINE (du ciel, avec une tendresse) Jeanne! Jeanne! Jeanne! Fille de Dieu! Viens! Viens! Viens! JEANNE Ce sont ces chaînes encore qui me retiennent! CHŒUR Il y a la joie qui est la plus forte! Il y a l amour qui est le plus fort! Il y a Dieu qui est le plus fort! JEANNE Je viens! Je viens! J ai cassé! J ai rompu! (Elle rompt ses chaînes.) CHŒUR La chaîne qui reliait Jeanne à Jeanne! La chaîne qui reliait l âme au corps! JEANNE Il y a la joie qui est la plus forte! Il y a l amour qui est le plus fort! MARGUERITE (dans le ciel) Hi…! Ah…! JEANNE Il y a Dieu qui est le plus fort! CATHERINE, ENFANTS (dans le ciel) Personne n a un plus grand amour que de donner sa vie pour ceux qu il aime. LA VIERGE, MARGUERITE, CATHERINE APRES CHŒUR (sur la terre) (comme si elles épelaient une inscription) Personne n a un plus grand amour – que de donner sa vie pour ceux qu il aime. (Plus faible et plus solennelle, comme s ils meditasen le sens) Personne n a un plus grand amour que de donner sa vie pour ceux qu il aime. Honegger,Arthur/Jeanne d Arc au bûcher

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TECHNLGY ACTIVITY GUIDE V1 IG International Thomson Publishing?　LISTAR?　 InternationalThomsonPublishing?　LISTAR?　ジャンル別?　Substores-UnknownASINs-23?　Subjects-Science-Technology-General&Reference Technology Activity Guide 1 Delmar Pub?　Glenn Lister?　 DelmarPub?　GlennLister?　ジャンル別?　Substores-UnknownASINs-23?　Subjects-Science-Technology-General&Reference Drafting in a Computer Age Delmar Pub?　Paul Ross Wallach?　Dean Chowenhill?　 DelmarPub?　PaulRossWallach?　DeanChowenhill?　ジャンル別?　Subjects-Computers&Internet-GraphicDesign-General?　Subjects-Computers&Internet-General?　Subjects-Engineering-Mechanical-Drafting&MechanicalDrawing?　Subjects-Engineering-Reference?　 Subjects-Professional&Technical-Engineering-Mechanical-Drafting&MechanicalDrawing?　Subjects-Professional&Technical-Engineering-Reference?　Subjects-Science-Technology-General&Reference Using Versacad/Book and Disk Delmar Pub?　James Edward Fuller?　 DelmarPub?　JamesEdwardFuller?　ジャンル別?　Subjects-Arts&Photography-Architecture-Drawing&Modelling-CAD-CAD&CAM?　Subjects-Computers&Internet-GraphicDesign-General?　Subjects-Computers&Internet-GraphicDesign-CAD-CAD&CAM?　Subjects-Computers&Internet-General?　Subjects-Engineering-ComputerTechnology-CAD&CAM?　 Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-General?　 Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-IndustrialDesign?　Subjects-Engineering-Mechanical-Drafting&MechanicalDrawing?　 Subjects-Professional&Technical-Engineering-ComputerTechnology-CAD&CAM?　 Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-General?　 Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-IndustrialDesign?　 Subjects-Professional&Technical-Engineering-Mechanical-Drafting&MechanicalDrawing?　 Subjects-Professional&Technical-Architecture-Drawing&Modelling-CAD-CAD&CAM?　Subjects-Science-Technology-General&Reference Interpeting Engineering Drawings Delmar Pub?　Cecil H. 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  Transportation From Cars to Planes (You Are There) Childrens Pr?　Gare Thompson?　Martin W. Sandler?　 ChildrensPr?　GareThompson?　MartinW.Sandler?　ジャンル別?　Substores-UnknownASINs-12?　Subjects-Children sBooks-Ages4-8-General?　 Subjects-Children sBooks-Science,Nature&HowItWorks-Transportation-General?　Subjects-Engineering-General?　Subjects-Professional&Technical-Engineering-General Mr. Yee Fixes Cars (Our Neighbourhood) Childrens Pr?　Alice K. 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Neil Armstrong (Rookie Biographies) Childrens Pr?　Dana Meachen Rau?　 ChildrensPr?　DanaMeachenRau?　ジャンル別?　Subjects-Children sBooks-Ages4-8-General?　 Subjects-Children sBooks-People&Places-Biographies-Science&Technology?　 Subjects-Children sBooks-Science,Nature&HowItWorks-Astronomy&Space-Aeronautics&Space?　Subjects-Engineering-General?　Subjects-Professional&Technical-Engineering-General The Space Race (Cornerstones of Freedom. Second Series) Childrens Pr?　Tim McNeese?　 ChildrensPr?　TimMcNeese?　ジャンル別?　Subjects-Children sBooks-Ages9-12-General?　 Subjects-Children sBooks-History&HistoricalFiction-UnitedStates-1900s?　 Subjects-Children sBooks-Science,Nature&HowItWorks-Astronomy&Space-Aeronautics&Space?　Subjects-Engineering-General?　Subjects-History?　Subjects-Professional&Technical-Engineering-General　Subjects-Science-History&Philosophy-HistoryofTechnology?　Subjects-Science-Astronomy-Aeronautics&Astronautics? Signs at the Airport (Welcome Books) Childrens Pr?　Mary Hill?　 ChildrensPr?　MaryHill?　ジャンル別?　Subjects-Children sBooks-Baby-3-BasicConcepts-General?　Subjects-Children sBooks-Ages4-8-General?　Subjects-Engineering-Civil-Transportation&Highway?　Subjects-Engineering-General?　 Subjects-Professional&Technical-Engineering-Civil-Transportation&Highway?　Subjects-Professional&Technical-Engineering-General Firefighter (High Interest Books) Childrens Pr?　Philip Abraham?　 ChildrensPr?　PhilipAbraham?　ジャンル別?　Subjects-Children sBooks-Ages9-12-General?　Subjects-Children sBooks-People&Places-Careers?　Subjects-Children sBooks-Obsessions-Firefighting?　Subjects-Engineering-Civil-Construction-BuildingConstruction?　Subjects-Engineering-General?　 Subjects-Professional&Technical-Engineering-Civil-Construction-BuildingConstruction?　Subjects-Professional&Technical-Engineering-General Sportscars Outlet?　Publications International?　 Outlet?　PublicationsInternational?　ジャンル別?　Substores-UnknownASINs-12?　Subjects-Engineering-General?　Subjects-Nonfiction-Automotive-General?　Subjects-Professional&Technical-Engineering-General Jane's Encyclopedia of Aviation (Jane's Encyclopedia of Aviation) Crescent Books?　Michael J. 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Pick Up Trucks Crescent Books?　Michael Benson?　 CrescentBooks?　MichaelBenson?　ジャンル別?　Subjects-Engineering-Automotive?　Subjects-Engineering-General?　Subjects-Nonfiction-Transportation-General?　Subjects-Nonfiction-Automotive-Trucks&Vans?　Subjects-Professional&Technical-Engineering-Automotive?　Subjects-Professional&Technical-Engineering-General Farm Tractors Random House Value Pub?　Bill Holder?　John D. 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Collector's Cars Random House Value Pub?　Lee Culpepper?　 RandomHouseValuePub?　LeeCulpepper?　ジャンル別?　Subjects-Engineering-General?　Subjects-Home&Garden-Antiques&Collectibles-General?　Subjects-Nonfiction-Automotive-General?　Subjects-Nonfiction-Automotive-ClassicCars?　Subjects-Professional&Technical-Engineering-General Anatomy of the Automobile Random House Value Pub?　L. J. K. Setright?　 RandomHouseValuePub?　L.J.K.Setright?　ジャンル別?　Subjects-Engineering-General?　Subjects-Nonfiction-Transportation-General?　Subjects-Nonfiction-Automotive-General?　Subjects-Nonfiction-Automotive-Repair?　Subjects-Professional&Technical-Engineering-General Collector's History of the Automobile The Development of Man's Greatest Means of Transportation Outlet?　Peter Roberts?　 Outlet?　PeterRoberts?　ジャンル別?　Substores-UnknownASINs-12?　Subjects-Engineering-General?　Subjects-Professional&Technical-Engineering-General Crescent Color Guide to Classic Cars Random House Value Pub?　Peter Roberts?　 RandomHouseValuePub?　PeterRoberts?　ジャンル別?　Substores-UnknownASINs-12?　Subjects-Engineering-General?　Subjects-Nonfiction-Automotive-General?　Subjects-Nonfiction-Automotive-ClassicCars?　Subjects-Professional&Technical-Engineering-General Cars of the 30's and 40's Random House Value Pub?　Michael Sedgwick?　 RandomHouseValuePub?　MichaelSedgwick?　ジャンル別?　Subjects-Engineering-General?　Subjects-Nonfiction-Transportation-General?　Subjects-Nonfiction-Automotive-General?　Subjects-Professional&Technical-Engineering-General Automobile Quarterly's World of Cars Bonanza 19 Random House Value Pub?　 Automobile Quarterly ?　 RandomHouseValuePub?　 AutomobileQuarterly ?　ジャンル別?　Subjects-Engineering-General?　Subjects-Nonfiction-Transportation-General?　Subjects-Nonfiction-Automotive-General?　Subjects-Professional&Technical-Engineering-General Car Spotters Encyclopedia 1940-1980 Random House Value Pub?　Consumer Guide?　 RandomHouseValuePub?　ConsumerGuide?　ジャンル別?　Subjects-Engineering-General?　Subjects-Nonfiction-Transportation-General?　Subjects-Nonfiction-Automotive-General?　Subjects-Professional&Technical-Engineering-General Mustang Encyclopedia Random House Value Pub?　Consumer Guide?　 RandomHouseValuePub?　ConsumerGuide?　ジャンル別?　Subjects-Engineering-General?　Subjects-Nonfiction-Transportation-General?　Subjects-Nonfiction-Automotive-General?　Subjects-Professional&Technical-Engineering-General Encyclopedia of the World's Commercial and Private Aircraft Outlet?　David Mondey?　 Outlet?　DavidMondey?　ジャンル別?　Substores-UnknownASINs-12?　Subjects-Engineering-General?　Subjects-Nonfiction-Transportation-Aviation-General?　Subjects-Nonfiction-Education-Reference-Encyclopedias-History?　Subjects-Professional&Technical-Engineering-General　Subjects-Reference-Encyclopedias-History? Rolls Royce Outlet?　Edward Eves?　 Outlet?　EdwardEves?　ジャンル別?　Substores-UnknownASINs-12?　Subjects-Engineering-General?　Subjects-Nonfiction-Automotive-General?　Subjects-Nonfiction-Automotive-Luxury?　Subjects-Professional&Technical-Engineering-General Illustrated Encyclopedia of the World's Steam Passenger Locomotives A Technical Directory of Major International Express Train Engines from the 1820s to the Present Day Outlet?　Brian Hollingsworth?　 Outlet?　BrianHollingsworth?　ジャンル別?　Substores-UnknownASINs-61?　Subjects-Engineering-Civil-Transportation&Highway?　Subjects-Engineering-General?　Subjects-Engineering-Mechanical-General?　 Subjects-Professional&Technical-Engineering-Civil-Transportation&Highway?　Subjects-Professional&Technical-Engineering-Mechanical-General?　Subjects-Professional&Technical-Engineering-General Cars of the Fifties and Sixties Crescent Books?　Michael Sedgwick?　 CrescentBooks?　MichaelSedgwick?　ジャンル別?　Subjects-Engineering-General?　Subjects-Nonfiction-Transportation-General?　Subjects-Nonfiction-Automotive-General?　Subjects-Professional&Technical-Engineering-General Mercedes Random House Value Pub?　George Bishop?　 RandomHouseValuePub?　GeorgeBishop?　ジャンル別?　Subjects-Engineering-General?　Subjects-Nonfiction-Transportation-General?　Subjects-Nonfiction-Automotive-Foreign?　Subjects-Nonfiction-Automotive-General?　Subjects-Nonfiction-Automotive-Luxury?　Subjects-Professional&Technical-Engineering-General Fins and Chrome Random House Value Pub?　E. 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  Quick Reference for the Civil Engineering Reference Manual Professional Pubns Inc?　Micheal R. 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Quick Reference for the Electrical and Computer Engineering Pe Exam (Engineering Review Series) Professional Pubns Inc?　John A. Camara?　 ProfessionalPubnsInc?　JohnA.Camara?　ユーズドブック(洋書)-Engineering　Subjects-Engineering-Electrical&Electronics-General?　Subjects-Engineering-Reference?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-General?　Subjects-Professional&Technical-Engineering-Reference?　 Subjects-Reference-Education-TestGuides-Graduate&Professional-Professional?　Subjects-Science-General　Subjects-Science-Reference-Engineering?　Substores-UnknownASINs-jp-unknown3? The Naval Institute Guide to Combat Fleets of the World , 1998-1999 Their Ships, Aircraft, and Systems (Naval Institute Guide to Combat Fleets of the World) Naval Inst Pr?　A. 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The Galley Collection Vittles Drinks for All Boats Tiller Pub?　Ann Wilson?　Jo Gabler Brooks?　 TillerPub?　AnnWilson?　JoGablerBrooks?　ユーズドブック(洋書)-Cooking,Food&Wine?　ユーズドブック(洋書)-Engineering　ユーズドブック(洋書)-Outdoors&Nature　ユーズドブック(洋書)-Sports?　Subjects-Cooking,Food&Wine-General?　Subjects-Cooking,Food&Wine-ProfessionalCooking-Quantity?　 Subjects-Cooking,Food&Wine-Regional&International-U.S.Regional-General?　Subjects-Cooking,Food&Wine-CulinaryArts&Techniques?　Subjects-Engineering-Civil-Transportation&Highway?　Subjects-Outdoors&Nature-OutdoorRecreation-Boating?　 Subjects-Professional&Technical-Engineering-Civil-Transportation&Highway?　Subjects-Sports-WaterSports-Boating? Marine Reinforced Plastics Construction Manufacture Repair Tiller Pub?　John A. 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The Mighty 'Mox The 75th Anniversary History of the People, Stories, and Events That Made Kmox a Radio Giant Diamond Communications?　Charles Brennan?　Sally Rains?　Rob Rains?　 DiamondCommunications?　CharlesBrennan?　SallyRains?　RobRains?　ユーズドブック(洋書)-Engineering　ユーズドブック(洋書)-Sports?　Subjects-Biographies&Memoirs-Arts&Literature-Authors?　Subjects-Biographies&Memoirs-General?　Subjects-Engineering-Telecommunications-General?　Subjects-Entertainment-Radio-History&Criticism?　Subjects-Entertainment-Television-General?　Subjects-History-Americas-UnitedStates-State&Local-Missouri?　 Subjects-Professional&Technical-Engineering-Telecommunications-General?　Subjects-Reference-General?　Subjects-Sports-General? 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Collector's Guide to Pocket Calculators Wilson/Barnett Pub?　Guy Ball?　Bruce Flamm?　 Wilson/BarnettPub?　GuyBall?　BruceFlamm?　ユーズドブック(洋書)-Engineering　Subjects-Engineering-General?　Subjects-Home&Garden-Antiques&Collectibles-General?　Subjects-Home&Garden-Antiques&Collectibles-Reference?　Subjects-Professional&Technical-Engineering-General　Subjects-Science-Technology-General&Reference Bots The Origin of New Species (Hardwired) Hardwired?　Andrew Leonard?　 Hardwired?　AndrewLeonard?　ユーズドブック(洋書)-Computers&Internet?　ユーズドブック(洋書)-Engineering　 Subjects-Computers&Internet-WebDevelopment-Scripting&Programming-Agents?　 Subjects-Computers&Internet-ComputerScience-ArtificialIntelligence-General?　 Subjects-Computers&Internet-ComputerScience-ArtificialIntelligence-Robotics?　 Subjects-Computers&Internet-ComputerScience-Human-ComputerInteraction?　Subjects-Computers&Internet-Business&Culture-Culture?　Subjects-Computers&Internet-General?　Subjects-Engineering-Mechanical-Robotics?　Subjects-Nonfiction-SocialSciences-Sociology-Culture?　Subjects-Nonfiction-SocialSciences-Communication-Technology&Society?　Subjects-Professional&Technical-Engineering-Mechanical-Robotics?　Subjects-Science-General Hotwired Style Principles for Building Smart Web Sites (Hardwired) Hardwired?　Jeffrey Veen?　 Hardwired?　JeffreyVeen?　ユーズドブック(洋書)-Computers&Internet?　ユーズドブック(洋書)-Engineering　 Subjects-Computers&Internet-WebDevelopment-InternetCommerce-InternetPublishing?　 Subjects-Computers&Internet-Networking-Networks,Protocols&APIs-General?　Subjects-Computers&Internet-GraphicDesign-DesktopPublishing-General?　Subjects-Computers&Internet-General?　Subjects-Computers&Internet-Home&Office-Internet?　Subjects-Engineering?　 Subjects-Nonfiction-SocialSciences-Library&InformationScience-LibraryManagement?　Subjects-Professional&Technical-Engineering?　Subjects-Reference-General? Fields of Light A Son Remembers His Heroic Father Pushcart Pr?　Joseph Hurka?　 PushcartPr?　JosephHurka?　ユーズドブック(洋書)-Engineering　Subjects-Biographies&Memoirs-General?　Subjects-Biographies&Memoirs-Historical-General?　Subjects-Biographies&Memoirs-Memoirs?　Subjects-Engineering-Civil-Construction-BuildingConstruction?　Subjects-History-Europe-CzechRepublic?　Subjects-History-Europe-Slovakia?　Subjects-Home&Garden-Crafts&Hobbies-Woodworking-General?　 Subjects-Professional&Technical-Engineering-Civil-Construction-BuildingConstruction? An Electronic Companion to Molecular Cell Biology (Electronic Companion) Cogito Learning Media Inc?　Robert G. 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American Ceramic Society American Ceramic Society,U.S.?　 AmericanCeramicSociety,U.S.?　ユーズドブック(洋書)-Engineering　Substores-UnknownASINs-41?　Subjects-Engineering-MaterialsScience-Ceramics?　 Subjects-Professional&Technical-Engineering-MaterialsScience-Ceramics?　Subjects-Science-Chemistry-Industrial&Technical? Collector's Value Guide Ty's Beanie Babies Spring 1998 Checkerbee Pub?　Joe T. Mguyen?　 CheckerbeePub?　JoeT.Mguyen?　ユーズドブック(洋書)-Engineering　 Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing?　Subjects-Home&Garden-Antiques&Collectibles-BeanieBabies?　Subjects-Home&Garden-Antiques&Collectibles-General?　Subjects-Home&Garden-Antiques&Collectibles-ToyAnimals?　 Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? 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Cherished Teddies Collector's Value Guide Secondary Market Price Guide Collector Handbook Checkerbee Pub?　 CheckerbeePub?　ユーズドブック(洋書)-Engineering　 Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing?　Subjects-Home&Garden-Antiques&Collectibles-General?　Subjects-Home&Garden-Antiques&Collectibles-Reference?　Subjects-Home&Garden-Antiques&Collectibles-TeddyBears?　 Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Comets and Concordes Airlife Publishing Ltd?　Peter Duffey?　 AirlifePublishingLtd?　PeterDuffey?　ユーズドブック(洋書)-Engineering　Subjects-Engineering-Aerospace?　Subjects-Nonfiction-Transportation-Aviation-General?　Subjects-Professional&Technical-Engineering-Aerospace? Comet The Crowood Press Ltd?　John Cunningham?　R.E.G. 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Tbf Tbm Avenger Squadron/Signal Pubns?　Bert Kinzey?　 Squadron/SignalPubns?　BertKinzey?　ユーズドブック(洋書)-Engineering　Subjects-Engineering-SpecialTopics-MilitaryEngineering?　Subjects-History-Asia-Vietnam-VietnamWar?　Subjects-History-Military-General?　Subjects-History-Military-UnitedStates-OperationDesertStorm?　Subjects-History-MilitaryScience?　Subjects-Nonfiction-Transportation-Aviation-General?　 Subjects-Professional&Technical-Engineering-SpecialTopics-MilitaryEngineering? F 4U Corsair (Detail Scale) Squadron/Signal Publications Inc.,U.S.?　Bert Kinzey?　 Squadron/SignalPublicationsInc.,U.S.?　BertKinzey?　ユーズドブック(洋書)-Engineering　Substores-UnknownASINs-65?　Subjects-Engineering-SpecialTopics-MilitaryEngineering?　Subjects-History-Military-General?　Subjects-History-MilitaryScience?　 Subjects-Professional&Technical-Engineering-SpecialTopics-MilitaryEngineering? The P-38 Lightning (Detail Scale) Squadron/Signal Publications Inc.,U.S.?　Bert Kinzey?　 Squadron/SignalPublicationsInc.,U.S.?　BertKinzey?　ユーズドブック(洋書)-Engineering　Substores-UnknownASINs-65?　Subjects-Engineering-SpecialTopics-MilitaryEngineering?　Subjects-History-Military-Aviation?　Subjects-History-Military-General?　Subjects-History-MilitaryScience?　Subjects-Nonfiction-Transportation-Aviation-General?　 Subjects-Professional&Technical-Engineering-SpecialTopics-MilitaryEngineering? The B-24 Liberator Squadron/Signal Publications Inc.,U.S.?　Bert Kinzey?　 Squadron/SignalPublicationsInc.,U.S.?　BertKinzey?　ユーズドブック(洋書)-Engineering　Substores-UnknownASINs-41?　Subjects-Engineering-SpecialTopics-MilitaryEngineering?　Subjects-History-Military-Aviation?　Subjects-History-Military-General?　Subjects-History-MilitaryScience?　 Subjects-Professional&Technical-Engineering-SpecialTopics-MilitaryEngineering? F4F Wild Cat (Detail Scale) Squadron/Signal Publications Inc.,U.S.?　Bert Kinzey?　 Squadron/SignalPublicationsInc.,U.S.?　BertKinzey?　ユーズドブック(洋書)-Engineering　Substores-UnknownASINs-41?　Subjects-Engineering-SpecialTopics-MilitaryEngineering?　Subjects-History-Military-General?　Subjects-Nonfiction-Transportation-Aviation-General?　 Subjects-Professional&Technical-Engineering-SpecialTopics-MilitaryEngineering? The International Dictionary of Data Communications Glenlake Pub Co?　Robert A. 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Reengineering Software How to Reuse Programming to Build New State-Of-The-Art Software Less Stress Pr?　Roy Rada?　 LessStressPr?　RoyRada?　ユーズドブック(洋書)-Computers&Internet?　ユーズドブック(洋書)-Engineering　Subjects-Business&Investing?　 Subjects-Computers&Internet-Networking-DataintheEnterprise-Accounting?　 Subjects-Computers&Internet-Networking-DataintheEnterprise-Reengineering?　 Subjects-Computers&Internet-ComputerScience-ArtificialIntelligence-General?　 Subjects-Computers&Internet-ComputerScience-ArtificialIntelligence-ComputerMathematics?　Subjects-Engineering-General?　Subjects-Professional&Technical-Engineering-General　Subjects-Science-General　Subjects-Science-Technology-General&Reference Successful Farming, 1850-1870 A Handbook for Farmers' and Settler from ""a Dictionary of Every-Day Wants Metheglin Pr?　Alexander E. Youman?　Katie F. 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Lanterns That Lit Our World Book 2 Old Railroad, Marine, Fire, Carriage, Farm Other Lanterns Golden Hill Pr?　Anthony Hobson?　 GoldenHillPr?　AnthonyHobson?　ユーズドブック(洋書)-Engineering　ユーズドブック(洋書)-Mystery&Thrillers?　Subjects-Engineering-Electrical&Electronics-Optics-General?　Subjects-Home&Garden-Antiques&Collectibles-General?　Subjects-Mystery&Thrillers-General?　Subjects-Mystery&Thrillers-Mystery-General?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-Optics-General? Ethical Issues in Human Cloning Cross-Disciplinary Perspectives Seven Bridges Pr Llc?　Michael C. 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  Electronics for Technicians Granada?　A V Smith?　 Granada?　AVSmith?　ジャンル別?　Subjects-Engineering-Electrical&Electronics-Electronics-General?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-Electronics-General? Developing an Infrastructure for Mobile and Wireless Systems International Nsf Workshop Imws 2001, Scottsdale, Az, October 15, 2002 Revised Papers (Lecture Notes in Computer Science) Springer?　Imws 200?　K. Makki?　S. A. M. Makki?　P. Scheuermann?　Honig-Reis B.?　T. 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Electromagnetic Modeling by Finite Element Methods Marcel Dekker Ltd?　Bastos/Sadowski?　 MarcelDekkerLtd?　Bastos/Sadowski?　ジャンル別?　Subjects-Computers&Internet-ComputerScience-SoftwareEngineering?　Subjects-Engineering-Electrical&Electronics-Electronics-General?　Subjects-Engineering-Electrical&Electronics-General?　Subjects-Engineering-General?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-Electronics-General?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-General?　Subjects-Professional&Technical-Engineering-General　Subjects-Science? Modern Inertial Technology (Instrumentation Systems) Springer-Verlag Berlin and Heidelberg GmbH & Co. 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• Lieblingsmusik - 2010-06-13

  https://w.atwiki.jp/hkmrc/pages/1197.html

  05 00-07 00 1/4 NDR Robert Schumann Klavierkonzert a-Moll op. 54 Christian Zacharias Orchestre de Chambre de Lausanne 17 05-19 00 1/6 WDR Carl Maria von Weber Ouvertüre zur Oper Der Freischütz WDR Sinfonieorchester Köln Leitung Rafael Kubelík 17 05-18 55 2/4 Bayern4 Richard Strauss "Till Eulenspiegels lustige Streiche" Zum 100. Geburtstag des Dirigenten Rudolf Kempe (Dresdner Staatskapelle) 18 04-21 00 RBB Rudolf Kempe zum 100. Geburtstag Johannes Brahms Violinkonzert D-Dur, op. 77 Yehudi Menuhin Berliner Philharmoniker Johannes Brahms Sinfonie Nr. 4 e-Moll, op. 98 BBC-Sinfonieorchester London Richard Strauss Metamorphosen, Studie für 23 Solostreicher AV 142 Staatskapelle Dresden Ludwig van Beethoven Sinfonie Nr. 5 c-Moll, op. 67 Schicksalssinfonie Münchner Philharmoniker Robert Schumann Klavierkonzert a-Moll, op. 54 Malcolm Frager Staatskapelle Dresden 19 20-21 00 1/3 RadioRomania Johannes Brahms – Concertul op.102 în la minor pentru vioară, violoncel şi orchestră Solişti violonistul James Ehnes şi violoncelistul Jan Vogler Orchestra Simfonică din Vancouver Dirijor Bramwell Tovey Vancouver la Teatrul „Orfeu” (19 ianuarie 2009)

• elvis @Wiki - Subjects-Science-General 131

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Intraseasonal Variability In The Atmosphere-ocean Climate System (Springer Praxis Books) Springer?　William K. M. Lau?　Duane E. 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Op Amps for Everyone Design Reference Newnes?　Ron Mancini?　 Newnes?　RonMancini?　ユーズドブック(洋書)-Engineering　ユーズドブック(洋書)-Professional&Technical?　ユーズドブック(洋書)-Science?　Subjects-Engineering-Electrical&Electronics-Circuits?　Subjects-Engineering-Electrical&Electronics-Electronics-General?　Subjects-Engineering-Electrical&Electronics-General?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-Circuits?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-Electronics-General?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-General?　Subjects-Science-General Solar Desalination for the 21st Century A Review of Modern Technologies and Researches on Desalination Coupled to Renewable Energies (Nato Security Throught Science) Springer-Verlag?　Lucio Rizzuti?　Hisham M. 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